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Charlotte Perkins Gilman (1860 -1935) was a prominent American novelist, writer of short stories, poetry, and nonfiction, and an advocate for social reform. Herland is a utopian novel from 1915 which describes an isolated society of women who reproduce through asexual reproduction. The narrator is Vandyck "Van" Jennings, a sociology student who, along with two friends, explore an area of uncharted land. The three male visitors arrive, and in due time get married to three of the women, with various sets of consequences.

It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

Turned is a short story written by Charlotte Perkins Gilman in 1911. What would you do if you found out that your husband had cheated on you with the household help?

The three friends Van, Terry and Jeff are about to embark on a mission which will change their lives forever. They have heard of a place where only women live but they are more skeptics than believers. However they really do find such a place. And all their assumptions and stereotypes are shattered. The society that women have created is working more than perfectly. There are no wars, no domination nor conflicts. The three self-invited guests are however not welcome and are held captive for a few months.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

"Herland" is a trailblazing novel from feminist icon Charlotte Perkins Gilman and should be on everyone's TBR list. In this new audio edition, acclaimed actress Rosy McEwen delivers a spellbinding performance bringing a modern and fresh touch to this "forgotten feminist classic" as The Guardian called it. The story follows Vandyck 'Van' Jennings and two explorer friends as they venture out in to unexplored territory in search of a lost female only society. When they happen upon the female utopia, they are eventually captured and held within Herland, as Van calls it.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

Eine junge Frau braucht nach der Geburt ihres Kindes Erholung, meint ihr Ehemann und mietet ein Sommerhaus, damit sie zur nötigen Ruhe kommt. Die junge Mutter fühlt sich wohl in dem schönen Haus, einzig der Raum mit der gelben Tapete bereitet ihr Unbehagen. Die in sich verschlungenen Muster scheinen von Tag zu Tag bedrohlicher und flößen ihr Angst ein. Was nur verbirgt sich hinter der Tapete? Unheimlich und beklemmend liest sich diese Geschichte in der Tradition von Edgar Allan Poe. Ein Schlüsseltext der amerikanischen Literatur in der Neuübersetzung von Christian Detoux.

This powerful recording of "The Yellow Wallpaper", read by award-winning narrator Alison Larkin, is followed by an essay entitled "Why I Wrote the Yellow Wallpaper", by Charlotte Perkins Gilman. The narrator of this chilling tale speaks of a beautiful house in the country her husband has taken for the summer. But its beauty is marred by her oppressive bedroom, its ugly yellow wallpaper, and the rest cure that her doctor and husband have forced on her.

The Strange Case of Dr. Jekyll and Mr. Hyde grew out of a horrifying nightmare Robert Louis Stevenson had one night in Bournemouth, England, in 1886. "The Yellow Wallpaper" sprang from a catastrophic nervous breakdown Charlotte Perkins Gilman had six years later on the other side of the Atlantic following the birth of her daughter. Now these two haunting, iconic tales are brought together for the first time in this powerful classic audio exploration of madness and the duality of the human soul.

Enduring stories that are as relevant today as they were when written at the turn of the century by influential women writers. This audio recording includes: "On the Divide" and "The Garden Lodge" by Willa Cather; "A Point at Issue", "Desiree's Baby", "A Pair of Silk Stockings", and "The Story of an Hour" by Kate Chopin; "Three Thanksgivings" and "The Yellow Wallpaper" by Charlotte Perkins Gilman; and "The Pelican" and "The Fullness of Life" by Edith Wharton.

Herland takes the listener on a fascinating journey into a utopian society comprised entirely of women. A society with no men also means no conflict, resulting in a war-free existence. It is a perfect world, but only if you are female. Three men set out on a journey into uncharted territory to discover for themselves if the legend of an all-female society is a myth or actually a reality. Tracking down the mythical realm of women poses plenty of challenges, but what they ultimately find is both enchanting and frightening.

Her supportive, though misunderstanding, physician husband, John, believes it is in her best interests to go on a "rest cure" after the birth of their child. The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it" and her depression/anxiety, (commonly diagnosed today as postpartum depression), spirals out of control as she fixates on the yellow wallpaper in their bedroom.

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.