Résultats de "F. Marion Crawford" dans Toutes les catégories

This collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere - gloom, darkness, solitude, despair - and the relentless feeling of impending doom. Includes: "The Oval Portrait", by Edgar Allan Poe; "Ethan Brand", by Nathaniel Hawthorne; "The Yellow Sign", by Robert W. Chambers; "The Upper Berth", by F. Marion Crawford; and "An Occurrence at Owl Creek Bridge", by Ambrose Bierce.

A gentleman decides to take a sea voyage to calm his nerves. But he encounters an eerie creature on board that has anything but that effect.

Four classic tales of the undead, read by Bill Wallis, Anthony Head, John Telfer and Cornelius Garrett.

Rats and mice, and beetles and creaky doors, and loose slates, and broken panes, and stiff drawer handles, that stay out when you pull them and then fall down in the middle of the night...Rats is bogeys, I tell you, and bogeys is rats, and don't you get to think anything else! Ghosts, vampires, werewolves and even rats, all make an appearance in this collection of frighteningly good classic stories from Bram Stoker, Charles Dickens, Rudyard Kipling and more!

Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde" is of the best "macabre" tales ever written. It is presented here in its entirety along with eight other incredible tales.

Few horror stories are as chilling as the ones written by Victorian writers. This collection of eight enduring stories, some well-known, others less familiar, carry you to all corners of the world where terrors lurk. Featuring work by H.P. Lovecraft, Charlotte Perkins Gilman, Edgar Allan Poe and Vernon Lee, experience the skin-crawling undead, a pestilence that leaves no one unaffected, imagined horrors that emerge from disturbed minds and others that require no imagination at all....

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

The charming but nonetheless creepy tale of Nina, a little girl’s doll, who repays the kindness shown her after she is damaged in a fall. The Doll’s Ghost is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

The story takes place aboard a transatlantic ocean liner. A passenger named Brisbane is puzzled when the steward behaves oddly while taking his luggage to his stateroom, number 105. In the middle of the first night, Brisbane is further perplexed when his roommate suddenly leaps down from the upper berth and runs out of the cabin. In the morning, Brisbane learns that his roommate has gone overboard - and was the fourth consecutive occupant of the same upper berth to do so.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Ghosts, ghouls, witches, and other unearthly creatures promise to chill the blood and raise the hair of even the most courageous listener. Volume Two in this series presents more classic horror to enjoy beyond the spooky season. Brought to you by the slightly unhinged Utah Audiobook Narrators.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature. Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.