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A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

More classic ghost stories from the golden age of spookiness. Eight stories by eight great writers, curated for your hair-raising pleasure. Edith Wharton, Ambrose Bierce, Nathaniel Hawthorne and Company weave marvelous spells that whisk you into times and places you never thought you'd experience. Frightful and delightful.

The Screaming Skull is one of F. Marion Crawford's Uncanny Tales, which was first published, posthumously, in London in 1911 and was issued two weeks later in America as Wandering Ghosts.

Another collection of 16 classic tales of the macabre and supernatural by some of the best-known writers in these genres.

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the USA. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded. Roy Macready reads five of them from Uncanny Tales.

Forbidden love in name baronial estate. An evil man dies with an evil smile upon his face believing his evil secret is going with him to the grave. And there it remains until the lovers creep into the crypt shortly after the stroke of midnight. An erie tale certain to creep you out and keep you in suspense.

Four classic tales of the undead, read by Bill Wallis, Anthony Head, John Telfer and Cornelius Garrett.

Rats and mice, and beetles and creaky doors, and loose slates, and broken panes, and stiff drawer handles, that stay out when you pull them and then fall down in the middle of the night...Rats is bogeys, I tell you, and bogeys is rats, and don't you get to think anything else! Ghosts, vampires, werewolves and even rats, all make an appearance in this collection of frighteningly good classic stories from Bram Stoker, Charles Dickens, Rudyard Kipling and more!

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.