Résultats de "F. Marion Crawford" dans Toutes les catégories

This collection comprises another 40 stories by and inspired by the originators of weird fiction. From White's seminal body-shocker, Lukundoo, through to Howard's dastardly Pigeons from Hell, and Benson's nightmarish The Room in The Tower. Time immemorial; worlds unimaginable.

A wonderful collection of 50 of the best classic ghost stories ever written. 'The Missing Model' by Lettice Galbraith, 'Pomegranate Seed' by Edith Wharton, 'The Screaming Skull' by F. Marion Crawford, 'The Ghost in the Cupboard Room' by Wilkie Collins, 'The Shadow on the Blind' by Louisa Baldwin, 'A Ghost's Revenge' by Lettice Galbraith, 'The Lost Ghost' by Mary Wilkins-Freeman, 'On the Northern Ice' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Dust Cloud' by E. F. Benson, and many more.

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the United States. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded.

Francis Marion Crawford (1854-1909) was an American writer noted for his classic weird and fantastic stories, especially those set in Italy. One of the most famous of these is 'For the Blood Is the Life' - a strange and uncanny vampire story set on the coast of Calabria.

Francis Marion Crawford (1854-1909) was an American writer famed for his classic weird and fantastic stories. One of his most famous tales is 'The Screaming Skull' - a terrifying ghost story based on a true horror legend of a hideous murder which is avenged from beyond the grave.

A spine-chilling collection of tales of uncanny happenings, ghostly apparitions, unexplained mysteries, evil deeds and tragic events.

This eerie collection includes: "The Doll's Ghost", "Thrawn Janet", "The Watcher", "The Old Nurse's Story", and "The Canterville Ghost".

This ghostly (and ghastly) collection includes: "The Upper Berth", "The Lady's Maid", "Markheim", "Ghost Stories of the Tiled House","What Was It?", "Madame Crowl's Ghost" and "The Golden Arm".

A gentleman decides to take a sea voyage to calm his nerves. But he encounters an eerie creature on board that has anything but that effect.

Few horror stories are as chilling as the ones written by Victorian writers. This collection of eight enduring stories, some well-known, others less familiar, carry you to all corners of the world where terrors lurk. Featuring work by H.P. Lovecraft, Charlotte Perkins Gilman, Edgar Allan Poe and Vernon Lee, experience the skin-crawling undead, a pestilence that leaves no one unaffected, imagined horrors that emerge from disturbed minds and others that require no imagination at all....

The story takes place aboard a transatlantic ocean liner. A passenger named Brisbane is puzzled when the steward behaves oddly while taking his luggage to his stateroom, number 105. In the middle of the first night, Brisbane is further perplexed when his roommate suddenly leaps down from the upper berth and runs out of the cabin. In the morning, Brisbane learns that his roommate has gone overboard - and was the fourth consecutive occupant of the same upper berth to do so.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature. Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.