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The King in Yellow is a collection of 10 short stories on supernatural subjects first published 1895. The title refers to a mysterious play which causes derangement in the minds of those who read or see it, and which is mentioned in the first four stories.

The King in Yellow is a book of 10 classic short stories about the supernatural. The first four mention "The King in Yellow", a forbidden play which induces despair or madness in those exposed to it. The tales have a macabre undertone, focusing on characters that are inhabitants of the demi-monde.

Robert W. Chambers (1865-1933) spent his formative years studying art in Paris during the late 1880s and early 1890s. Upon returning to America, he quickly gained fame for his romantic novels, but he ultimately became best known for “The King In Yellow,” a haunting collection of short stories that delve into the eerie and otherworldly. In this episode, we explore the latter tales of the collection, which shift gears to present straightforward love stories, richly infused with Chambers experiences as an artist in France. Join us as Peter Why brings these captivating narratives to life.

HorrorBabble's complete, dramatic telling of Robert W. Chambers' classic collection, The King in Yellow. The book comprises 10 individual tales, several of which are thematically linked by a controversial play with which the novel shares its title.

Todos los relatos del Rey de amarillo están conectados por un símbolo, por una maldad difícil de comprender: En la corte del dragón - vas a sentir un escalofrío cuando una voz de ninguna parte empiece a susurrar a tu alma La demoiselle d'Ys - Si Jeane te invita a ir a su castillo, quizás te lo deberías pensar... a lo mejor no te conviene El símbolo amarillo - ¿pueden los espíritus de un cementerio influenciar el arte de un pintor? La máscara - ¿cómo se podría conseguir una escultura absolutamente perfecta?

A symbol. A warning. A descent into something far more unsettling than imagination. In The Yellow Sign, from The King in Yellow by Robert W. Chambers, a quiet life begins to unravel under the influence of a mysterious and forbidden symbol. What starts as curiosity soon becomes dread, as reality...

When the brilliant sculptor Boris Yvain unveils a mysterious chemical solution capable of transforming living matter into flawless marble, what begins as a marvel of artistic preservation soon reveals something far more unsettling. Flowers, fish—even the fragile beauty of life itself—can be frozen into eternal perfection. But at what cost?

In a gripping tale of survival, Tressa Norne, an American living in China, finds herself thrust into a nightmarish reality. After narrowly escaping death during a local revolution, she is captured and forced into servitude by Erlik, a sinister demon-god, and his cult. Despite her harrowing journey to escape back to America, Tressa soon discovers that her troubles are far from over; she is now hunted by the Secret Service and her former captors. (Ann Boulais)

The Messenger is a chilling gothic tale by Robert W. Chambers, where reason and folklore collide in the shadow of history. As a rational American observer investigates a mysterious burial site, he uncovers the story of a long-executed traitor known as the Black Priest—a man branded in death, cursed in blood, and sworn to return if his remains are ever disturbed. What follows is a slow descent into unease: a skull that will not stay buried, a death’s-head moth appearing at windows and hearths, masked figures glimpsed in stormlight, and blood trails that defy explanation.

What exactly lies beyond the treacherous and previously impassable Canadian glacier? From the collection In Search of the Unknown comes a chilling tale of the things nature can do when nobody’s watching.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.

Hildred Castaigne is a young man who lives in New York City whose life changes drastically after he falls from his horse and injures his head. Castaigne gets unjustly confined to a mental institution, where Dr. Archer treats him. However, the doctor soon realizes, that this is a mistake and the young man’s condition is not as bad as he was told. During Hildred’s treatment, the United States have prospered and improved their infrastructure, a new aristocratic elite has been formed and suicide has been legalized.

"The Yellow Sign" is considered to be Robert Chambers’ horror masterpiece. He introduces us to Mr. Scott, an artist living in New York City. One day, Scott sees an overweight young man, who looks like a lawn grub to him. The artist’s is working on a painting of a girl named Tessie. When the girl falls ill, Scott tries to cure her, so he can finish his work as fast as possible. However, Tessie’s condition gets worse and she starts having very strange dreams.

In this dark story by Robert W. Chambers we are introduced to a detective, who is tasked to uncover a hoax in the Pacific Northwest. There he investigates the possible existence of a terrible porpoise-skinned humanoid with an insatiable hunger for human females. If you like reading dark and weird stories, then "The Harbor Master" from 1904 is the right one for you. Do not hesitate to embark on this journey and solve the mystery of the porpoise-skinned humanoid. B. J.

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”?

The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed horror stories, and the book has been described by critics such as E. F. Bleiler, and T. E. D. Klein as a classic in the field of the supernatural.

During World War I, an American secret service agent, Evelyn Erith, opens and deciphers a coded letter. It says the Germans believe that Kay MacKay, an American concentration camp escapee, knows The Great Secret. And that MacKay must be eliminated. Erith finds McKay, saves him from German agents and convinces him to join U.S. Intelligence. Together they venture undercover into the Swiss Alps to discover and expose The Great Secret. The future of Europe depends on it!

Released one year after the publication of The King in Yellow - a milestone of supernaturalfiction - Robert W. Chambers’ title story of this short-story collection isconsidered one of his finest weird tales. It is followed by a series ofromantic art nouveau stories. Chambers’ love of natural scenery, symbolicanimal figures, and ghostly imagery are on full display as he weaves hischaracters through these otherworldly tales.

Considered by many to be the father of supernatural fiction, Robert W. Chambers' work continues to influence writers today. Originally published in 1897, The Mystery of Choice brings together seven chilling tales, most of them set in Brittany. Distinguished by its atmospheric use of natural scenery, this important collection presents an author at the peak of his craft.

From The King in Yellow, this tale narrated by Mark Alexander begins: "The street is not fashionable, neither is it shabby. It is a pariah among streets - a street without a Quarter. It is generally understood to lie outside the pale of the aristocratic Avenue de l'Observatoire. The students of the Montparnasse Quarter consider it swell and will have none of it. The Latin Quarter, from the Luxembourg, its northern frontier, sneers at its respectability and regards with disfavour the correctly costumed students who haunt it. Few strangers go into it."