Titres dans Roman féminin

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

"Je vous paie cinq millions de dollars pour m'épouser. Vous participez à cette émission de télé-réalité ridicule avec moi, je m'arrange pour vous faire signer un contrat avec mon label, et on se sépare dans six mois. Vous jouez les épouses attentionnées, je couche avec qui je veux ; et qui sait, vous ferez peut-être partie des chanceuses." Lorsque le producteur de musique milliardaire, Cayden "Cash" Coltrane me fait cette proposition, je suis sous le choc. On ne peut pas dire que ce soit la demande en mariage dont je rêvais étant petite.

Lisa : Brisée par un passé tragique, elle n'a d'autre rêve qu'une vie sans histoires à l'abri des regards avec sa fille Ava. Ava : Quand l'adolescente sauve un petit garçon de la noyade, et qu'elle devient une héroïne locale, leur monde menace de s'effondrer. Marilyn : Femme parfaite, mari parfait, maison parfaite et boulot idéal. Pourtant, lorsque la vie de sa meilleure amie, Lisa, est sur le point de s'écrouler, la sienne bascule. Un instant aura suffi à bouleverser l'existence de ces trois femmes. Il y a des secrets qu'il vaudrait mieux ne jamais voir ressurgir.

Reeling from a bad break-up, Lizbet Keaton is desperately seeking a fresh start. When she's named the new general manager of the Hotel Nantucket, a Gilded Age gem whose glamour has been left to tarnish, she hopes that her local expertise and charismatic staff can transform the hotel's fortunes—and her own. All she needs to do is win over their new billionaire owner from London, Xavier Darling—and the wildly popular Instagram influencer Shelly Carpenter, who can help put them back on the map.

Settling down for a 24-hour flight to Australia, Lucy finds a text message on her phone - not from her boyfriend James, as she fondly hopes, but from a woman claiming to have slept with him four times in the past month. Trapped on the plane, she questions everything about her relationship with James. She finally calls him and he reassures her: it was only his mates playing a silly joke.

It started out like any other morning on the train - until I became mesmerized by the guy sitting across the aisle. He was barking at someone on his phone like he ruled the world. Who did the stuck-up suit think he was...God? Actually, he looked like a god. That was about it.

Esme is born into a world of words. Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary. Esme's place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme seizes the word and hides it in an old wooden trunk that belongs to her friend, Lizzie, a young servant in the big house.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

Un jour de neige en décembre, à travers la vitre embuée d'un bus londonien, Laurie aperçoit un homme. Leurs regards se croisent... et le bus redémarre. En cet instant suspendu et magnétique, celle qui pensait que le coup de foudre n'existait que dans les films, tombe désespérément amoureuse. Pendant une année entière, elle étudie tous les visages, sonde les foules, arpente la ville pour le retrouver. En vain... Jusqu'à ce soir de Noël, où sa meilleure amie et colocataire lui présente le nouvel homme de sa vie... Jack, l'homme du bus.

Le Centre hospitalier holistique de Tourmens est un hôpital public. On y reçoit et on y soigne tout le monde, sans discrimination et avec bienveillance. Mais les préjugés envers son approche féministe et inclusive des soins et de l'enseignement sont tenaces. Depuis sa création, en 2024, les hommes qui s'enrôlent à l'École des soignantes du CHHT n'ont jamais été nombreux.

Sarajevo, spring 1992. Each night, nationalist gangs erect barricades, splitting the diverse city into ethnic enclaves; each morning, the residents – whether Muslim, Croat or Serb – push the makeshift barriers aside. When violence finally spills over, Zora, an artist and teacher, sends her husband and elderly mother to safety with her daughter in England. Reluctant to believe that hostilities will last more than a handful of weeks, she stays behind while the city falls under siege.

Niemals hätte Annegret gedacht, dass jemand ihre Rinderrouladen verschmähen könnte. Aber seit sie Witwe ist, ist alles anders. Und nun muss sie auch noch raus aus ihrem Haus. Unterschlupf findet sie bei ihrer Enkelin Isi in deren Berliner Studenten-WG. Für Annegret eine fremde Welt, in der sie nicht mal mit ihrem Gulasch bei den Mitbewohnern punkten kann. Denn die leben vegan. Überhaupt entpuppt sich die WG als ein Minenfeld der Missverständnisse: Gendern? Containern? Und LGBTQ ist gar keine Grillsauce? Annegret schwirrt der Kopf. Doch je länger sie in der Berliner WG wohnt, desto mehr blüht sie auf.

Margaux est impatiente de vivre une vie à la hauteur de ses rêves. Malgré sa peur et ses doutes, elle décide qu’il est temps d’oser! Oser quitter un emploi qu’elle n’aime pas et un conjoint qui ne la rend pas heureuse.... Mais à quoi ressemble-t-elle, au juste, cette vie idéale à laquelle elle aspire?

The new Abby Abernathy is a good girl. She doesn’t drink or swear, and she has the appropriate number of cardigans in her wardrobe. Abby believes she has enough distance from the darkness of her past, but when she arrives at college with her best friend, her path to a new beginning is quickly challenged by Eastern University's Walking One-Night Stand. Travis Maddox, lean, cut, and covered in tattoos, is exactly what Abby needs—and wants—to avoid.

Per il suo sessantesimo compleanno decide di farsi un regalo: seguire un desiderio nascosto, lasciare ciò che ha per andare altrove. Un pezzo alla volta, la donna apre a chi legge il suo cuore, come l'armadio in cui custodisce la sua collezione di porcellane. Sino al giorno in cui capisce che accettare di essere come sei, anche quando non corrisponde all'idea che gli altri hanno di te, alle aspettative che nutrono, è l'unico modo per iniziare a vivere davvero.

A 23-year-old law student commits suicide in broad daylight in Moscow's Alexander Gardens. Fandorin is put on the case to find out what drove him to it, a case that deepens as he discovers that the young man was the son of a rich and influential factory owner. The story is enhanced by its authentic backdrop of 19th century Russia. After all, it's difficult to keep your mind on a case when the new Dostoyevsky novel has just hit the shops.

Cette biographie de la faim, de ce désir jamais rassasié, de cette quête qui n'a jamais de fin, Amélie Nothomb la décline sous toutes ses formes, du ravissement à l'horreur, avec brio, douleur, amour, humour et lucidité, pour dire ce terrible paradoxe d'exister. Il s'en dégage une puissance de vision, une perception fatale où l'absolu et sa dérision se côtoient. C'est une mise à nu éblouissante où l'auteur est le sujet de son œuvre et qui prouve ô combien qu'Amélie Nothomb est un de nos grands auteurs contemporains.

Il bel viso della bambina Giovanna si è trasformato, sta diventando quello di una brutta adolescente. Ma è proprio così? E in quale specchio bisogna guardare per ritrovarsi e salvarsi? La ricerca di un nuovo volto oscilla tra due Napoli consanguinee che però si temono e si detestano: la Napoli di sopra, che s'è attribuita una maschera fine, e quella di sotto, che si finge smodata, triviale. Giovanna oscilla tra alto e basso, in una città che pare non offrire né risposte né scampo.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all.... In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.