Résultats pour "Edward Lucas" dans Toutes les catégories

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

NEW YORK TIMES BESTSELLER An intimate and masterful biography of Zbigniew Brzezinski—President Carter’s national security advisor and one of America’s leading geopolitical thinkers—from one of the finest columnists and political writers at work today. Zbigniew Brzezinski was a key...

Bloomsbury presents Zbig by Edward Luce, read by Michael David Axtell 'For anyone who wants to understand the history of America and the world, this is a useful and important book' ANNE APPLEBAUM 'A biographer of genius ... One of the sharpest political pens of our day' WILLIAM DALRYMPLE 'A...

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

From the capture of Sidney Reilly, the "Ace of Spies", by Lenin's Bolsheviks in 1925, to the deportation from the USA of Anna Chapman, the "Redhead under the Bed", in 2010, Kremlin and Western spymasters have battled for supremacy for nearly a century. In Deception Edward Lucas uncovers the real story of Chapman and her colleagues in Britain and America, unveiling their clandestine missions and the spy-hunt that led to their downfall. It reveals unknown triumphs and disasters of Western intelligence in the Cold War,

This is the board of The Majestic Datsima, the proficient ship providing attraction as a luxury cruise in the sea, which is the dream of those who are finding entertainment, freedom, and happiness in life and yearning for brethren. To some extent, Hooliganism is the only chance for Mia and Jamal to make their son happy in paradise and forget about a cruel life in Atlanta for a time. But, in the deeper sea, this beautiful dish starts to change into a nightmare on the surface of 'a voyage of one's dreams'—the aphrodisiacal sea life.

In The Retreat of Western Liberalism, Luce makes a larger statement about the weakening of western hegemony and the crisis of democratic liberalism - of which Donald Trump and his European counterparts are not the cause, but a symptom. Luce argues that we are on a menacing trajectory brought about by ignorance of what it took to build the West, arrogance towards society's losers, and complacency about our system's durability - attitudes that have been emerging since the fall of the Berlin Wall, treated by the West as an absolute triumph over the East.

This collection comprises another 40 stories by and inspired by the originators of weird fiction. From White's seminal body-shocker, Lukundoo, through to Howard's dastardly Pigeons from Hell, and Benson's nightmarish The Room in The Tower. Time immemorial; worlds unimaginable.

Dive into the unsettling world of Edward Lucas White, a master of weird fiction lauded by H. P. Lovecraft himself. The title story, Lukundoo, is a haunting exploration of colonialism that culminates in a body horror climax sure to leave readers breathless. Whites stories expertly blend rich character development and atmospheric settings with shocking twists, inviting readers to experience the bizarre and the unnatural. Beyond the supernatural, this collection also features a captivating novelette that intertwines the adventures of Vikings and Icelandic settlers with the legend of a mythical ...

This gripping anthology gathers classic American short fiction where deception is an art, truth is perilous, and crime often wears a human smile. From a real-life axe murder on a lonely New England island to calculated impostures, whispered rumors, political terror, and crimes born of obsession, these stories explore the dangerous motives that surface when masks begin to slip.

The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use.

Edward Luce's in-depth analysis of the decline of democracy, The Retreat of Western Liberalism, explores the myriad factors affecting the shift away from a political system many readers will have taken for granted in their lifetimes. This Sumoreads summary and analysis offers supplementary material to The Retreat of Western Liberalism to help you distill the key takeaways and review the book's content.

This program includes an introduction read by Mark A. Altman From the authors of The Fifty-Year Mission and So Say We All, comes the first and only comprehensive oral history of the Star Wars movie franchise. For the past four decades, no film saga has touched the world in the way that Star Wars...

The Titian Show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now, it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to be wearing a mask. You have to maintain distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.

The artist Ingres was a supreme bourgeois who also succeeded in being one of the supreme rebels of 19th-century art. Like Caravaggio, his opposite in most respects, he is historically recalcitrant.

The first body art performer, as well as the first professional bodybuilder, was the showman Eugene Sandow (1867-1925). Though Sandow’s heyday occurred before the birth of the Modern Movement, there are compelling reasons for giving the primacy to him. Sandow, born Friedrich Wilhelm Müller in Prussia in 1867, left his native country in 1885 in order to avoid military service and first appeared on the London stage in 1885. His real celebrity began when the American impresario Florenz Ziegfield hired him to appear at the 1893 World’s Columbian Exhibition in Chicago.

More than 30 years ago - in 1977, to be exact - I co-authored a book called Work and Struggle: The Painter as Witness. Its subject was one aspect of the academic painting of the late 19th and very early 20th century - art which dealt not with the comfortable lives of the rich but with all the social problems of the time. There were over 200 illustrations, most of them drawn from publications issued in conjunction with the official Salons of the period, but when we searched for these, they were largely missing.

The show of Michelangelo drawings at the British Museum in London counted as one of the artistic events of 2006. It is unlikely that the public will have another chance to see such a complete panorama of the artist’s achievement as a draughtsman for many years to come, if indeed ever again. The reasons for this rush to get in are not hard to discover. Michelangelo’s reputation is that of the greatest of all artists. Most of his finished, or near-finished, works are in marble or fresco, and can never leave their locations in Florence or Rome.

The British Museum has two quite different archaeological exhibitions on view at the moment. In some ways, they echo one another. In other ways, they are quite strongly contrasted. The strongest link, of course is that they are about the archaeology of the Mediterranean, and that in addition, they both have ties to the classical Greek and Roman world that is still the main taproot of Western civilization.

'Black British Style', the current costume show at the Victoria and Albert Museum in London, raises a lot of complex issues for someone like myself. I am not black, but I am undoubtedly West Indian. My family have lived in different parts of the West Indies for more than 300 years and in Jamaica for more than a century.