Résultats de "Edward Luce" dans Toutes les catégories

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

An intimate and masterful biography of Zbigniew Brzezinski—President Carter’s national security advisor and one of America’s leading geopolitical thinkers—from one of the finest columnists and political writers at work today.

Zbigniew Brzezinski was a political strategist who rose to prominence as an intellectual architect of US foreign policy during the Cold War. As National Security Advisor to President Jimmy Carter and a trusted advisor to US presidents from John F. Kennedy onwards, Brzezinski’s expertise helped shape global strategy at critical moments—most significantly as a key figure in the downfall of the Soviet Union.

This collection comprises another 40 stories by and inspired by the originators of weird fiction. From White's seminal body-shocker, Lukundoo, through to Howard's dastardly Pigeons from Hell, and Benson's nightmarish The Room in The Tower. Time immemorial; worlds unimaginable.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

In The Retreat of Western Liberalism, Luce makes a larger statement about the weakening of western hegemony and the crisis of democratic liberalism - of which Donald Trump and his European counterparts are not the cause, but a symptom. Luce argues that we are on a menacing trajectory brought about by ignorance of what it took to build the West, arrogance towards society's losers, and complacency about our system's durability - attitudes that have been emerging since the fall of the Berlin Wall, treated by the West as an absolute triumph over the East.

This is the board of The Majestic Datsima, the proficient ship providing attraction as a luxury cruise in the sea, which is the dream of those who are finding entertainment, freedom, and happiness in life and yearning for brethren. To some extent, Hooliganism is the only chance for Mia and Jamal to make their son happy in paradise and forget about a cruel life in Atlanta for a time. But, in the deeper sea, this beautiful dish starts to change into a nightmare on the surface of 'a voyage of one's dreams'—the aphrodisiacal sea life.

After Lucille Ball’s death in 1989, dozens of private letters between Lucy and Desi Arnaz were discovered. Now, for the first time, daughter Lucie Arnaz shares the complete collection in this remarkable volume that reveals the romance of one of the most famous couples in history more intimately than anything that has ever been written about them. At turns the letters disclose longing, ambition, jealousy, humor, and, above all, a passionate love affair that has claimed the world’s interest for more than half a century.

AVATAR: THE BOOK OF WAR An Australian Avatar: Legends Real-Play Podcast. The story of four teenagers seeking balance in a world without the Avatar. Starring Lucas Li as Tomo - The Razor - He/Him Georgie Hazel as Nuro - The Destined - They/She/He Ted Darling as Banji - The Guardian - He/Him Jesse Thomas as Minh Fang - The Foundling - He/Him Ash Cooper as The Game Master

Dream to work in the Fashion and Luxury industry ? Welcome to FASHION CAREER LAB My name is Lucas SILVA EDWARDS, I am a Career strategist, Executive coach and the founder of the Fashion Career Lab. My role is to help you design a successful life and career, in one of the most glamorous industry on the planet, but also one of the most competitive. Each week, I interview fashion professionals at different stages of their career, in order to decode their best practices, tactics and strategies. My hope for you is that you will find in these conversations, some inspiration and insights that ...

A review of the exhibition Late Constable at the Royal Academy London. Includes the family background of the artist, his career development, and working methods and technique. Noted works include "The Leaping Horse", "Cottage in East Bergholt", "Rainstorm at Sea", "Chain Pier Brighton", "Stonehenge", and "The Cornfield". Includes essays by Edward Lucie-Smith ("John Constable", 2006) and Janet Barber ("John Constable: Earth and Sky", 2012).

An essay by Edward Lucie-Smith on David Hockney's portraits exhibited at the Royal Academy's "82 Portraits and One Still-Life", and also "David Hockney and the Yorkshire Landscape" at RA in 2012.

The Titian Show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now, it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to be wearing a mask. You have to maintain distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.

An essay by Edward Lucie-Smith considers the Andy Warhol exhibition re-opening at Tate Modern on July 27. He puts forward a provocative view of the relevance of the art in an time of turbulent disruption. When the Warhol show returns to Tate Modern on July 27, almost the first thing you’ll meet if you go to see it will be a large painting, on two paired canvases, entitled Marilyn Diptych. It features repeated images the film star Marilyn Monroe.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.

Forgotten Empire, the new exhibition in London devoted to the great realm that Alexander the Great destroyed, is an openly political occasion, designed to stress links in the present as well as to revive interest in a part of the past that has more or less sunk into oblivion. It stresses the fact that, despite the tensions that now exist between the Islamic Republic of Iran and Western Europe, a degree of cultural cooperation is still possible.

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.