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Walt Whitman : ce poète et humaniste fut à l'origine des plus grandes pages de poésie des temps modernes. Elles eurent pour créateur un solitaire américain poussé comme un gratte-ciel dans un désert inculte de maisons à bas étages. Whitman est considéré comme un des deux piliers de la poésie américaine du XIXe siècle, avec Emily Dickinson. Sa voix résolument américaine suscite des émotions vives grâce au vers libre et à la force hypnotique de la répétition ; il clame sensualité et liberté dans une langue populaire, et chaque poème est une leçon de vie, un incontournable de la poésie telle qu'on ne l'apprend pas à l'école.

The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

One of the great innovators in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves of Grass is his masterpiece, written in a pure, uninhibited style, combining sensual and mystical sensibilities. Its bold, joyous voice, its expansive optimism, and its transcendental vision made it uniquely American.

The poem "Song of Myself" by Walt Whitman first appeared in his 1855 volume Leaves of Grass. "Song of Myself" is written in Whitman’s signature free verse style. The "I" of the narrator should not be confused with the person of the historical Walt Whitman, as the first-person persona is portrayed as having transcended the conventional boundaries of self. Most critics consider "Song of Myself" as the core of Whitman’s poetic vision, and it remains one of the most acclaimed of all American poems.

In 1852, young Walt Whitman - a down-on-his-luck housebuilder in Brooklyn - was hard at work writing two books. One would become one of the most famous volumes of poetry in American history, a free-verse revelation beloved the world over, Leaves of Grass. The other, a novel, would be published under a pseudonym and serialized in a newspaper. A short, rollicking story of orphanhood, avarice, and adventure in New York City, Life and Adventures of Jack Engle appeared to little fanfare. Then it disappeared.

In this volume of classic poetry our wordsmiths are our companions on journeys near and far. They describe and create worlds that we can explore with them, word by word and line by line. In the company of Keats, Wordsworth, Bronte, Whitman, Kipling and a wealth of others these journeys in verse will be like no other.

Walt Whitman's celebrated poetry collection, read by Ed Begley.

Five works in one collection. This audiobook of his treasured poetry collection walks you through a time when the American Experiment came to a new maturity; when the Transcendentalist Movement forever changed life and poetry.

The American Classics Collection: Volume II is a century-spanning collection of 15 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Adam Sims; Nathan Osgood; Robert G. Slade; Jonathan Keeble, Katherine Fenton; and more. Included here are stories by some of the greatest writers of all time, including Herman Melville; Upton Sinclair; Mark Twain; Walt Whitman; F. Scott Fitzgerald; Thornton Wilder; Edith Wharton; Jack London; amongst a host of others.

A truly significant discovery, Walt Whitman’s Manly Health and Training is an entertaining health manifesto that sheds new light on one of America’s major nineteenth-century authors. In the fall of 1858, a thirteen-part essay series appeared in the New York Atlas, under the title Manly Health and Training. This nearly 47,000-word journalistic effort, written by Walt Whitman under his pen name “Mose Velsor,” was lost for more than 150 years, buried in just a handful of library archives, until its recent unexpected discovery.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

There is a reason the words of Walt Whitman have persisted in American literature, in literature at large, for so long. He was not simply a man of his time, not just a writer for the moment. Whitman was a man of the people and a writer of the soul—the souls of humankind, and the soul of America.

Walter Whitman was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was controversial in its time, particularly his 1855 poetry collection Leaves of Grass, which was described as obscene for its overt sensuality. Whitman's own life came under scrutiny for his presumed homosexuality.

Transcendentalism embodies the concept that people have a deeper and more profound understanding of the world around them than simply by what they can glimpse with their senses. In this collection of essays and poems, the works of three transcendentalist authors are shared, each with their own impressions and opinions supporting the movement.

Von den Fesseln der Form befreit lässt Walt Whitman seinen Gedanken freien Lauf. Seltsamer und interessanter Weise trifft er dabei öfters ins Schwarze als man es womöglich für möglich halten könnte. Sein leidenschaftliches prosaisches Lyrik-Monument ist von feinstem Geist durchdrungen und ein Plädoyer für Gleichberechtigung, Menschlichkeit und Demokratie! Der legendären Grashalme zweiter Teil.

Von den Fesseln der Form befreit lässt Walt Whitman seinen Gedanken freien Lauf. Seltsamer und interessanter Weise trifft er dabei öfters ins Schwarze als man es womöglich für möglich halten könnte. Sein leidenschaftliches prosaisches Lyrik-Monument ist von feinstem Geist durchdrungen und ein Plädoyer für Gleichberechtigung, Menschlichkeit und Demokratie! Der legendären Grashalme erster Teil.

Selections from Ulysses S. Grant, Abraham Lincoln, Walt Whitman, Stephen Crane, George Pickett, Lt. Colonel W.W. Blackford, Thomas Wentworth Higginson, Sarah Morgan Dawson, George T. Stevens, John McElroy, William T. Sherman, Adeline Grey; William Manchester, Paul Fussell, Cornelius Ryan, James J. Fahey, A.J. Liebling, Janet Flanner, David Kenyon Webster, Lewis H. Carlson.

This book compiles both the first (1855) and final (1892) versions of Walt Whitman's masterpiece Song of Myself in one volume, making it unique and valuable for students of American literature.

Leaves of Grass is the written expression of Whitman's view of life and humanity in the form of poetry. The author masterfully connects each poem in some way, while infusing his prose with his own philosophy. This collection is unique for its time due to the emphasis the author puts on pleasures of the flesh, without resorting to symbolism to any great extent.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.