Titres dans Humour noir

Une comédie déjantée, où l’inattendu rencontre l’humour à chaque page! Je m'appelle Damien Hachett : 34 ans, légiste, catapulté médecin chef à l'Institut Médico-Judiciaire. Tard le soir, entre deux macchabées carbonisés ou livrés coupés en morceaux dans un joli paquet cadeau, j'écris des bouquins. Jusqu'à ce qu'une nuit, mon plus vieux lecteur atterrisse sur ma table d'autopsie. Et maintenant... que les ennuis commencent !

La verve abrupte de Virginie Despentes pour des croquis dévastateurs d'un monde qu'on côtoie sans vraiment le voir.

Stéphane Garnier a mené une enquête au rayon " faits divers " pour en extraire le meilleur ou plutôt le pire. Des vies interrompues par la malchance parfois, mais aussi par la bêtise humaine ! Une chose est sûre : nous devons tous y passer un jour, mais autant ne pas passer pour un con à la dernière minute de sa vie !

Saul "doc" Karoo, écrivaillon sans talent traînant une bonne dose de névroses est script doctor pour Hollywood. Sa fonction ? Massacrer les films des autres pour les rendre "commerciaux". Quant à l'homme privé, il se délecte amèrement de son inaptitude à toute forme d'intimité comme à toute émotion spontanée. Ultime échec : son impossibilité à noyer dans l'ivresse la conscience de sa vie de raté. Jusqu'à ce qu'une occasion unique se présente à lui : à la demande d'une vieille gloire hollywoodienne, le remake d'une ancienne comédie romantique à souhait qui va l'inciter à reconsidérer son existence.

Le "Vieux" n'est toujours pas près de sucrer les fraises ! Bali, une plage de rêve, un resort paradisiaque. Aux côtés de Julius, son partenaire dans le crime, Allan Karlsson devrait pouvoir enfin souffler. Mais il n'a pas tenu en place les cent premières années de sa vie, ce n'est pas maintenant qu'il va changer ! Pour distraire Allan et fêter ses 101 ans, Julius lui offre une virée en montgolfière qui vire à la catastrophe. Suite à une avarie, le ballon sombre dans l'océan. Heureusement, les deux naufragés sont recueillis par un navire militaire.

Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted – while searching for the courage to face the dark corners she’s avoided all her life.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Après deux ans d'attente, la suite et fin de l'épopée moderne de Vernon Subutex arrive en livre audio. Une lecture toujours incarnée par Jacques Frantz qui vous a séduit sur les deux premiers tomes. Vous l'attendez depuis deux ans, le voici ! Le retour de Vernon, suite et fin de la trilogie !

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

QUI EST VERNON SUBUTEX ? Une légende urbaine. Un ange déchu. Un disparu qui ne cesse de ressurgir. Le détenteur d'un secret. Le dernier témoin d'un monde révolu. L'ultime visage de notre comédie inhumaine. Notre fantôme à tous.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Welcome to Hell—where nobody can ever quite catch the barman's eye. In this collection, which contains all seven series of Old Harry's Game, get ready for some wicked one-liners and scorching satire. Satan is fed up after a millennia in charge of Hell, especially given the prospect of an eternity still running the damned place. Although he does enjoy playing pranks on the world of the living and devising wry torments for the souls in his keeping, he often wistfully recalls his past as an archangel.

Meet Samuel: stalled writer, bored teacher at a local college, obsessive player of online video games. He hasn't seen his mother, Faye, in decades, not since she abandoned her family when he was a boy. Now she has suddenly reappeared, having committed an absurd politically motivated crime that electrifies the nightly news, beguiles the Internet, and inflames a divided America. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high school sweetheart.

Trauma nurse Aly escapes her hard-working days by thirsting after masked men online. To her, nothing could top the fantasy of her favorite tattooed and masked man hunting her down. But she never could have guessed that one drunken text would turn those dreams into reality . . .Josh has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans, until one follower catches his eye: Aly.

Nico 'Junior' Trocci knows Lauren Marchetti is off limits. She is sweetness and laughter, whereas Junior exists in a world of violence and depravity. Men like him don't get to have women like her. It's why he pushed her away back in high school and has kept his distance ever since. But when Junior looks Lauren up online, he discovers the shy, bookish girl he remembers is gone. In her place is a strikingly beautiful woman whose social media is filled with scantily clad pictures of herself and a connection to a nearby play club.

Patrick Bateman is 26 and works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. And he is taking us to a head-on collision with America's greatest dream - and its worst nightmare...

Tender Branson - last surviving member of the so-called "Creedish Death Cult" - is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback.

Quand Samantha accepte l’invitation à une soirée organisée par quatre filles un peu sinistres, elle plonge sans le savoir dans un monde inquiétant, entre le conte de fées et l’histoire d’horreur.

On a chilly February day two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence, Clive as Britain's most successful modern composer, Vernon as editor of the quality broadsheet The Judge. Gorgeous, feisty Molly had had other lovers too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister.

Une série de meurtres brutaux secoue la petite ville de Money, Mississippi : des hommes blancs sont retrouvés atrocement mutilés. Mais ces meurtres recèlent un mystère, car sur chaque scène de crime on retrouve un second cadavre qui ressemble comme deux gouttes d’eau à Emmett Till, un garçon noir lynché dans la même ville en 1955. Lorsqu’un duo d’enquêteurs tout en second degré est dépêché sur les lieux, il se heurte à la résistance attendue du shérif, de ses adjoints, du légiste et d’une cohorte de Blancs tous plus racistes les uns que les autres. Les deux agents spéciaux pensent avoir affaire à des crimes punitif.