The Underground Railroad (Oprah's Book Club)
A Novel
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The Underground Railroad (Oprah's Book Club)
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Lu par :
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Bahni Turpin
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De :
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Colson Whitehead
À propos de cette écoute
One of The New York Times’s 10 Best Books of the 21st Century • A Kirkus Reviews Best Fiction Book of the Century • A Los Angeles Times Best Fiction Book of the Last 30 Years
The basis for the acclaimed original Prime Video series directed by Barry Jenkins.
Cora is a slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood—where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him.
In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop.
As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage—and a powerful meditation on the history we all share.©2016 Colson Whitehead (P)2016 Random House Audio
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WINNER OF THE PULITZER PRIZE, THE NATIONAL BOOK AWARD, THE ALA ANDREW CARNEGIE MEDAL AND THE HURSTON/WRIGHT AWARD
NAMED A BEST BOOK OF THE YEAR BY NEW YORK TIMES BOOK REVIEW, WALL STREET JOURNAL, WASHINGTON POST, TIME, PEOPLE, NPR AND MORE
#1 NEW YORK TIMES BESTSELLER
“Get it, then get another copy for someone you know because you are definitely going to want to talk about it once you read that heart-stopping last page.” --Oprah Winfrey (Oprah's Book Club 2016 Selection)
“[A] potent, almost hallucinatory novel... It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift…He has told a story essential to our understanding of the American past and the American present.” --Michiko Kakutani, The New York Times