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For listeners of Roberto Bolaño’s Savage Detectives and Muriel Spark’s Loitering with Intent, this “sublime” and “delightfully unhinged” (Nicolette Polek, author of Imaginary Museums) metaphysical mystery disguised as a picaresque romp follows one poet’s spectacular fall from grace to ask a vital question: Is everyone a plagiarist?

'I first heard about Solomon Wiese on a bright, blustery day on the South Bank....' Later that evening, at the bar of the Travelodge near Waterloo Bridge, our unnamed narrator will encounter that very same Solomon Wiese. In a conversation that lasts until morning, he will hear Solomon Wiese's story of his spectacular fall from grace. A story about a scandal that has shaken the literary world and an accusation of serial plagiarism.

After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals.