Résultats lu par "Leanne Yau" dans Toutes les catégories

In Jane Austen's unfinished novel, young Emma Watson returns to her father's house after being raised by her wealthy and refined uncle. As she gets to know her family, she finds that her father is reclusive and sickly, her sisters are crude and shallow, and her eldest brother has a petulance that is matched only by his wife's.

In January 1817, Jane Austen began work on Sanditon, but died a few months later, leaving it unfinished. The surviving fragment begins the story of Charlotte Heywood, a sheltered young woman who is invited to the up-and-coming resort town of Sanditon. While there, she meets a host of memorable characters, drawn with Austen's classic wit and insight, including a fortune-hunting fop, a domineering dowager, and a hoard of hypochondriacs.

Hero and Leander is a Greek myth concerning the tragic story of two lovers. One was a priestess of Aphrodite who lived in a tower in Sestos, and the other a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her, with Hero's lamp at the top of her tower as his guiding light, and they shared a warm summer of love.

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

A House of Pomegranates is a collection of four long stories, which was first was published in 1891: "The Young King"; "The Birthday of the Infanta"; "The Fisherman and His Soul"; and "The Star-Child".

Benjamin Lease Crozer Griffith (1869-1900) was a American comic playwright. The pieces in this recording come from a collection entitled Plays and Monologues which was published in 1901.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Ten years after a tragic incident on the lake, an AA meeting in a small, religious town in the deep south of the USA descends into bitterness and chaos when a flood hits. Trapped within the local church, tempers escalate and well-buried secrets begin to emerge. Personalities clash, reputations are dissected and questioned, and everybody's demons are laid bare.

Floyd Dell has been called "one of the most flamboyant, versatile, and influential American Men of Letters of the first third of the 20th century". Though he was primarily a newspaper and magazine editor, most prominently of the radical left-wing magazine The Masses, he also published many best-selling feminist works. As a staunch advocate of feminism, socialism, psychoanalysis, and progressive education, his writing greatly shocked the American bourgeoisie at the time, to the point where it became so controversial, he was put on trial twice for his subversive literature.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

The Yin Chih Wen, or Tract of the Quiet Way, is a religio-ethical tract which was very popular in the Middle Kingdom, but never attained the celebrity of similar texts, such as the Tao Te Ching. This recording is of the first known English translation, which was made by the eminent Buddhist scholars, D. T. Suzuki and Paul Carus.

Cole, an old sea captain, lives on a ship with his daughter and her immigrant husband. The trio prepares for a deluge, while Cole meets Daphne, a mermaid who seduces and tempts him. As tensions rise with the rolling tides, Cole must make a difficult choice: take a leap into the unknown, or stay on the safe side. This is a story about connection and separation, about tolerance and the decision to cut ties.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.

Anya and Chris have been divorced for 18 years. When their daughter goes into labour, they are reunited outside the maternity ward, and in the exchange that follows, they are forced to confront each other, and the awkwardness of their past, as they wait for their new grandchild to arrive.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

A man loses his only child in a car accident. But has she really gone? Why does he keep hearing her voice?