Résultats lu par "Denis Daly" dans Toutes les catégories

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.

Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

First published in 1847, Jane Eyre was the last and most popular of the novels composed by the Brontë sisters. The narrative bristles with energy and passionate conviction, and is one of the first novels written from the perspective of a child.

This collection of miscellaneous essays was published posthumously in 1921. In the first and largest section, The Hidden Power, the author identifies Spirit as the "innermost within" of all things and the unseen essence of all phenomena. He develops this proposition to claim that Spiritual Science has fixed laws just as does Physical Science, and that an understanding of the laws could enable man to develop powers of which he is currently unaware. The other essays cover a range of topics relating to metaphysics, the Bible and other arcana of religion.

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

In this recording are presented readings of all five editions of Omar Khayyam's Rubaiyat, translated by scholar Edward Fitzgerald, as well as biographical material about Fitzgerald and Omar Khayyam and a laudatory poem by Andrew Lang.

This book, a true spiritual classic, consists of notes of several conversations had with, and letters written by, Nicholas Herman, of Lorraine, a humble man of little education. After having served as a soldier and a footman, Herman was admitted as a lay brother to the order of the barefooted Carmelites at Paris in 1666, where he took the name "Brother Lawrence." The conversations are supposed to have been recorded by Joseph de Beaufort, who later became vicar general to the Archbishop of Paris.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India. In his retirement, he became well known as a lecturer on metaphysical subjects and developed a unique New Thought philosophy, which he discussed in a number of books. The Law and the Word was published posthumously in 1917. The book explores the power of the word as the fundamental element in manifestation. Troward held the word to be the expression of the immutable law of creation and supports his claim with extensive citations from the Bible.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

Háfiz (1315-1390) was a lyric poet, a major figure in classical Persian literature. The compendious anthology of his poetry simply titled the Divan contains several hundred odes, from which this small selection was made by the translator. In the introduction Bicknell writes: ...we must look upon Háfiz as one of the few poets in the world who utters an unbroken strain of joy and contentment. His poverty was to him a constant fountain of satisfaction, and he frankly took the natural joys of life as they came....

In Rhonda Byrne's self-help book, The Secret, published in 2006, the theory of the Law of Attraction is presented as a re-discovery of an ancient metaphysical principle, buried in ages of historical neglect. However, nothing could be further from the truth. Exactly a century earlier, prolific New Thought author William Walker Atkinson published Thought Vibration, a succinct but thorough examination of the power of thought and its function in the creation and control of personal circumstances.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

The Romantic Epistle was published in 1717 and aroused considerable interest because of its mildly suggestive content. It portrays an incident in which Héloïse d'Argenteuil, now immured in a convent chances on a letter from her former lover and later, husband, the brilliant philosopher Peter Abelard.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

This is sequel to another volume by Andy Blunden, The Capital/Logic Debate. In this book, the author provides a systematic presentation of the Hegelian structure of the three volumes of Capital. It is shown that Capital contains three distinct layers of structure, originating from Marx’s reading of Hegel’s Logic and his Philosophy of Right. Capital reflects Marx’s critique of the Political Economists, his unique appropriation of economic history and an application of the method outlined by Hegel in his Logic and applied to his Encyclopaedia.

In a world weighed down by centuries of doctrine and power, a boy from Belfast makes an unexpected journey marked by social and personal upheaval. Born of Protestant roots and forged in suffering, his life challenges the boundaries of faith, tradition, and institutional control. Through violence, doubt, silence, and revelation, he comes to represent a truth that transcends denomination, a truth whispered in every tradition yet owned by none.

During the Victorian era, many authors tried their hand at a range of literary genres, including poetry. While Victorian verse is often less elegant and graceful than the lyric productions of earlier centuries, it has a distinctive note of earnestness and humanistic charm.