Résultats lu par "Charlotte Duckett" dans Toutes les catégories

Edith Nesbit's trilogy about a group of children who encounter a sand fairy and, through his intercession, embark on a wild round of adventures has been a staple of juvenile literature since the first volume was published in 1902. The three books are Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906).

While exploring the beach, four adventurous children make the acquaintance of a very odd creature: a sand fairy. When they have adapted to the brusque and forthright demeanor of the fairy, they discover that he has unusual powers, which he can be persuaded to demonstrate. As a result, the children enjoy many bizarre adventures, some of which are dangerous, but all of which are entertaining. Five Children and It is the first volume of a trilogy.

The premier Russian dramatist before Chekov, Alexander Ostrovsky was one of the first masters of realistic theatre. A typical example of his approach to drama, A Protégée of the Mistress is almost cinematic in its presentation. The action is represented by a series of vivid snapshots, in which Ostrovsky quickly and subtly illustrates the foibles and weaknesses of each character, and shows how they are forced into a hostile dependence on each other.

This book of autobiographies by Korean middle-school students is something that is needed for Korean studies and Korean-American studies, in my opinion. Because this book contains our voices, this book is very powerful. In a sense, we are documenting our own history. Because our lives are like the lives of other middle-school students who are Koreans, I believe that this book contains an important history for everyone who listens to this book.

Although he achieved notable success as a novelist, poet, essayist, and painter, August Strindberg is best known today as one of the first and most significant masters of naturalist theatre. Among his many dramatic works are a number of one-act plays, four of which are presented in this recording. All of the plays feature a persistent theme in Strindberg's works: the inevitable disillusion that results from intense involvement in relationships, whether they be familial, romantic or circumstantial.

Grieving for a loved one can be a dangerous business, especially when the Devil offers to help soothe the pain. In this quirky radio drama, the Prince of Darkness gives his hapless victim rather more than he wants.