Titres dans Afro-américaine

Meet Maddie. To her mostly absent mum, she's Maame, the woman of the family. To her dad, she's his carer—even if he hardly recognises her. To her friends, she's the one who still lives at home, who never puts herself first. It's time to become the woman she wants to be. The kind who wears a bright yellow suit, says yes to after-work drinks and flirts with a 30-something banker. Who doesn't have to Google all her life choices. Who demands a seat at the table.

Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.

As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two - and the life Gifty dreamed of slips away. Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought.

Zakari has known Nicole was the one since high school. He prays about whether their relationship is meant to be and receives confirmation one night during a church service. Zakari and Nicole are getting married!

Twyla and Roberta have known each other since they were eight years old, when they were thrown together as roommates in a girls' shelter. Inseparable then, they lose touch as they grow older, only to meet again later at a diner, a grocery store and then at a protest. The two women are seemingly at opposite ends of every problem, but despite their conflict, the deep bond their shared experience has forged between them is undeniable.

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she’s made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell,” in front of every Blackwellian on campus, she finds her show on the brink.

On a Spring afternoon in London, Sam hops the stairs of his flat two at a time. There’s £1,300 missing from his and his wife, Efe’s, shared bank account and his calls are going straight to voicemail. When he finally reaches someone, he learns Efe is nearly 5,000 miles away as their toddler looks around and asks, “Where’s Mummy?”

From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....

Two half sisters, Effia and Esi, unknown to each other, are born into different villages in 18th-century Ghana. Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the castle's women's dungeon and then shipped off on a boat bound for America, will be sold into slavery.

Barbara Cartland a conquis des millions de lecteurs à travers le monde et écrit plus de 700 romans où l'amour triomphe toujours. Après le remariage de son père, Julia de Wentwood a compris que sa belle-mère la détestait, parce qu'elle est ravissante, cultivée, bonne cavalière... Ce ne sont donc que piques, vexations et brimades dès que le comte a le dos tourné. Or, profitant de l'absence de ce dernier, la comtesse convoque Julia.

In Olio Live - a very special one-night performance recorded live at the Minetta Lane Theater in February 2019 - poet Tyehimba Jess introduces listeners to his 2017 Pulitzer Prize-winning collection, Olio. A stellar cast of actors, accompanied by pianist Jeremy Gill, performs a selection of poems from the collection, all of which reinterpret the lived experience of real historical figures.

After years of hard work, four best friends—Celeste, Yasmeen, Toni and Leslie—are finally on the verge of opening the bookstore of their dreams. A place where their community can find solace with an intriguing new read, a comforting beverage and book-loving friends. But before they can cut the ribbon, their worlds are upended.

In this 1983 short story - the only short story Morrison ever wrote - we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other's throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them.

Beauregard "Bug" Montage is an honest mechanic, a loving husband, and a hardworking dad. Bug knows there's no future in the man he used to be: Known from the hills of North Carolina to the beaches of Florida as the best wheelman on the East Coast. He thought he'd left all that behind him, but as his carefully built new life begins to crumble, he finds himself drawn inexorably back into a world of blood and bullets. When a smooth-talking former associate comes calling with a can't-miss jewelry store heist, Bug feels he has no choice but to get back in the driver's seat.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Sloane: Dominic Alexander is my late husband's best friend and the last man that I should want. For the last ten years, he's taken a sick pleasure in making me feel paper thin, like my existence is of no consequence to him at all. But now, things are different. After a drunken night, and a surprisingly sexy act of heroism, he's started to be . . . nice. Treating me like something other than the embodiment of his annoyance, which would be nice if it didn't make me feel things I swore to never feel for another man after my husband died.

The Nickel Boys is Colson Whitehead's follow-up to the Pulitzer Prize- and National Book Award-winning best seller The Underground Railroad, in which he dramatises another strand of United States history, this time through the story of two boys sentenced to a stretch in a hellish reform school in Jim Crow-era Florida. Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clear-sighted grandmother, Elwood is about to enroll in the local black college.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white.

Rhine Fontaine is building the successful life he's always dreamed of - one that depends upon him passing for white. But for the first time in years, he wishes he could step out from behind the façade. The reason: Eddy Carmichael, the young woman he rescued in the desert. Outspoken, defiant, and beautiful, Eddy tempts Rhine in ways that could cost him everything...and the price seems worth paying.