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Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalised 19th-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.

Charlotte Perkins Gilman (1860 -1935) was a prominent American novelist, writer of short stories, poetry, and nonfiction, and an advocate for social reform. Herland is a utopian novel from 1915 which describes an isolated society of women who reproduce through asexual reproduction. The narrator is Vandyck "Van" Jennings, a sociology student who, along with two friends, explore an area of uncharted land. The three male visitors arrive, and in due time get married to three of the women, with various sets of consequences.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

This collection brings together 12 of the finest short stories of prominent American feminist author Charlotte Perkins Gilman. "The Yellow Wallpaper", Gilman's best-known work, was first published in 1892 and represents an important examination of 19th-century attitudes toward women's physical and mental health.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

Charlotte Perkins Gilman's Herland, first published in 1915, is a feminist utopian novel that describes an isolated society composed entirely of women---a progressive, environmentally conscious land where peace and rationality reign and poverty is unknown.

Best known for her short story The Yellow Wallpaper, Charlotte Perkins Gilman, an almost exact contemporary of Edith Wharton, is celebrated as one of America’s foremost feminist writers. This collection includes 28 of her short stories. In addition to The Yellow Wallpaper are The Unexpected (her first published work), The Great Wistaria, An Extinct Angel, The Unnatural Mother and Deserted. These stories range from the subversive to the humorous, and are often imbued with satire and social commentary.

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

Unique to this title is a study of the themes present in Herland. Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman, in which exists an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. Enjoy this timeless classic!

Charlotte Perkins Gilman’s haunting chronicle of crippling depression, “The Yellow Wallpaper,” is a cornerstone of weird fiction. First published in 1892, it has now been given an unsettling yet empathetic treatment courtesy of Robert Hunter (original score) and Linda Jones (narration) who skillfully brings the listener into the tale’s interiority and demonstrates its timelessness.

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

Este maravilloso relato, escrito por la autora norteamericana Charlotte Perkins, nos cuenta, a través de la forma del diario de una mujer, la historia de su matrimonio, la maternidad y la recuperación de una enfermedad que adolece en una peculiar casa de campo, donde día a día ingresará en otra realidad. El simbolismo y los sucesos de corte psiquiátrico son precisos para conectar la obra con un lado de la realidad que no debe ser ignorado.

What happens when a woman dares to imagine power in a world that denies her even autonomy? In this sharp, sly, and subversive tale, one of America's most original feminist voices turns the tables on society with cool precision and a dash of irony. Written at a time when women were expected to remain silent and self-sacrificing, this short work pulses with quiet rebellion and razor-edged wit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

With Her in Ourland: Sequel to Herland is a feminist novel and sociological commentary written by Charlotte Perkins Gilman. The novel is a follow-up and sequel to Herland (1915), and picks up immediately following the events of Herland, with Terry, Van, and Ellador traveling from Herland to "Ourland" (the contemporary 1915-16 world). The majority of the novel follows Van and Ellador's travels throughout the world, and particularly the United States, with Van curating their explorations through the then-modern world, while Ellador offers her commentary and "prescriptions".

Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. In this volume we bring her extensive poetry writings to the fore. Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.