Mountain Man

A survivor of undead suburbia, mountain man Augustus “Gus” Berry is extremely careful when it comes to his actions and movements. He takes no chances and painstakingly weighs every decision—until he sets out for the hospital at the edge of town, hoping to discover a treasure trove of essential supplies. Soon, Gus will experience terror the likes of which he's never encountered before . . .

After a long day on the job, house painter Gus Berry is looking forward to relaxing and spending some time with his girlfriend before returning to work the next day. But none of that is going to happen. Gus’s coworker Benny has found them a painting gig at the local Mollymart East, and it has to be done by morning. If Gus and his crew can complete the work on time, it could mean huge business with a major grocery store chain.

Living off the land and adapting to a changing environment takes a special individual with the unique skills, training, and determination necessary to survive. Gus Berry is not that individual. The former house painter barely made it out of Annapolis as its population underwent a violent transformation, leaving everyone he knew or loved dead—or undead. Now, Gus needs food and booze, weapons and armor, clothing that fits, and above all, toilet paper, preferably two-ply.

Survivors of an apocalypse take refuge in a mountain fortress and face enemies both living and undead in the first three books of this horror series.

A man must survive the zombie apocalypse armed with only a shotgun, a Samurai bat, and the will to live among the unliving in this horror series debut. It’s been two years since civilization ended in an unstoppable wave of chaos and blood. Now, former house painter Augustus “Gus” Berry lives a day-to-day existence of waking up, getting drunk, and preparing for the inevitable moment when “they” will come up the side of his mountain and penetrate his fortress.

Ever since the end of civilization, Gus Berry has spent his days waking up, getting drunk, and preparing for the inevitable zombie attack on his mountain fortress. Occasionally, he must take his life in his hands and venture into the undead world below in search of supplies. These days, Gus is accustomed to the mortal threats he encounters. He has steeled himself against the corpse-infested streets, human scavengers, and unending loneliness. But now something new and strange is happening: the zombies are disappearing.

A serial killer stalks the ice-glazed streets. Half-frozen deadheads choke the avenues. Infected vermin rise from the labyrinth of sewer systems, hungry for warm flesh. And a handful of survivors struggle to escape and find safety in a world overrun with zombies. In his hunt for the monster known as Tenner, Scott must contend with all of this and more—before things get even worse. Welcome to Hellifax.

After nearly four years, the zombie epidemic has almost burned itself out. Once a lone survivor on the brink of insanity, Gus Berry has a new life on a communal farm, his daily routine of policing the fields only rarely disrupted by straying undead. Gus’s drinking binges are over, and the dark days of Annapolis are soon to be a distant memory. But his troubles are far from over . . .

On the isle of Big Tancook, Collie Jones is making plans. She informs her fellow islanders that it’s time to resume her original mission: to find other survivors of the apocalypse, screen them, and bring them back with her. Every person who joins them is another valuable addition to their skill and gene pool. But first, Collie must return to the place from whence she originally came and secure the elaborate government bunker known as Whitecap as well as its vast store of munitions.

After securing a vast government bunker, Collie Jones is heading west to challenge the sinister road clan known as the Leather. And she won’t stop until she’s killed its maniacal leader: the Dog Tongue. Gus Berry is at her side every step of the way, his growing affection for the operator matched only by his dislike of the former prisoner Milo, whom Collie insists on bringing along.