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If any man in pop history deserved the tag of genius, it was Brian Wilson. As leader, producer and chief composer of the Beach Boys, he displayed an instinctive command of melody, harmony and arranging skills. The result was a run of hits that included many of the most sparkling and creative records of the 1960s. But there was a dark side to this seemingly effortless success, rooted in his tortured family background. No sooner had Brian masterminded such gems as the Pet Sounds album and "Good Vibrations" than his psychological demons began to derail his life.

No era in recent history has been both more celebrated and vilified than the 1960s. For some it was a time when music, fashion and drugs enabled young people to express their individuality and freedom, their hopes and dreams of a different, perhaps better, world. For others, the decade marked the advent of the permissive society, with its undermining of authority, family values and common decency. At the heart of this continuing controversy is sex.

The first ever biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young - when they were the most successful, influential, and politically potent band in America - in honor of the 50th anniversary of Woodstock and the formation of the band itself.