Résultats de "Cineink" dans Toutes les catégories

‘Ganjay Farishtay’ (Bald Angels) is a podcast series in Urdu based on Saadat Hasan Manto’s sketches and presented by broadcaster Pervaiz Alam.Saadat Hasan Manto (1912-1955), one of the greatest short-story writers in South Asia, published about 20 collections of short stories in Urdu. Being a multi-faceted author, he went on to write five collections of radio dramas, three of essays, two of sketches, one novel, and a number of stories and screenplays for Bombay’s Hindi film industry in the 1940s. Manto wrote brutally scathing sketches of some of his best friends, film stars and writers...

Ilm-e-Shayri describes various patterns of rhythms and sounds in Urdu poetry, also called Ilm-e-‘Arooz (Urdu Prosody). Based on conversations between eminent broadcasters Mehr-e-Alam Khan and Pervaiz Alam, the series gives a description of various Bahrs (meters) that are used to write Urdu poetry. Each episode is interspersed with ghazals recited by Shephali Frost and other prominent singers. Based in London, Cine Ink Podcasts bring you the best from renowned Hindi and Urdu broadcasters.

Aam Naama, an ode to mangos, is a podcast series in Urdu, comprising 10 episodes, celebrating the national fruit of India. Ghalib to Gulzar, poets fell in love with mangos. South Asian literature and music thrive on the metaphor of Aam. The series 'Aam Naama' goes beyond the metaphor, discussing various varieties of mangos, their cultivation and the love of Muslim rulers for the one and only - Aam. The series Aam Naama contains interviews with the scholars who have spent their life working in the mango orchards, musicians singing Aam songs, poets and authors paying tributes to the king of ...

This is as good as it gets. In the 20th and final programme of Ilm-e-Shayri, legendary ghazal singer, Ustad Ghulam Ali Khan, reveals how he composed some of his most popular ghazals such as ‘Chup hain deewar ki tarah saaye’, ‘Apni dhun mein rehta hoon’ and ‘Kathin hai raahguzar thodi door saath chalo’.Ghulam Ali says, he always looks at the ‘Bahr’ (metre) and mood of the ghazal before choosing a raga for its composition. The words ending with a consonant alphabet pose a serious challenge to a singer, that’s why, he suggests, such words have to be sung with utmost care. In ...