Épisodes

  • Im Gespräch mit ... Carsten Lotz
    Jan 19 2026

    Weil es sich auch unter historischen Materialisten herumgesprochen hat, dass der Kapitalismus nicht auf einer Weltverschwörung, sondern auf einem Glaubenssystem beruht, fand ich die Gelegenheit, mit einem studierten Theologen, der in die Welt von McKinsey hinübergewechselt ist, über Gott und die Welt, nein, über Gott und das Geld zu sprechen, überaus reizvoll. Denn mit dieser Weitung der Perspektive versehen, lassen sich Fragen in den Blick nehmen, die nicht bloß die Genealogie unseres kapitalistischen Betriebssystems berühren, sondern zutiefst mit den Erschütterungen der Gegenwart zu tun haben: dem Glauben an die monetäre Verrechenbarkeit alles menschlichen Tuns. Und weil Carsten Lotz sich nicht bloß auf die Narrative der Ökonomie kapriziert, sondern, neben seinem theologischen Wissen auch die postmoderne Philosophie aufgesogen hat, haben wir uns ohne große Mühe in die Katakomben des ökonomischen Denkens hineinbegeben können – z.B. wie und warum die Ökonomen zu Zauberlehrlingen ihrer eigenen Welterklärungsmodelle haben werden und sich über die Zahlen- und Statistikgläubigkeit in die eigene Tasche haben lügen können. Damit aber sind Fragen berührt, die in unserer Ökonomie überlebenswichtig sind, umsomehr, als die Disruptionen, die uns mit den Fortschritten der Künstlichen Intelligenz ins Haus stehen, eine neue Wirtschaftskrise ahnen lassen. In diesem Sinn wäre das neoliberale Versprechen »It’s the economy, stupid« nicht als Abschluss aller Diskussion zu begreifen, sondern als Ausgangsfrage, ein Rätsel, das es erst noch zu entziffern gilt.

    Carsten Lotz, der als studierter Theologe den Weg in die Welt von McKinsey gefunden und über viele Jahre als Berater gearbeitet hat, hat mit seinem Buch Wirtschaft als erste Philosophie den Weg in die Selbstständigkeit gefunden. Neben seiner Arbeit als Autor und Berater hält er im Studiengang Master of Management Vorlesungen an der Universität Mannheim.

    Carsten Lotz hat veröffentlicht

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    1 h et 46 min
  • Talking to ... Suraj Yengde
    Jan 11 2026

    If the term Caste has recently entered the Human Sciences, this may be taken as evidence that European-style universalism has lost its appeal, and even as evidence that the idea has spread that here we’re dealing with an injustice that’s only been cloaked in a human, universalistic guise. When Indian theorist B.R. Ambedkar, ranked as the greatest Indian after Mahatma Gandhi in surveys, described the Indian caste system as »unknown to humanity in other parts of the world,« this finding becomes even more puzzling. This observation has given us the opportunity to speak with Suraj Yengde, who has not only addressed the caste system in two books but also experienced it firsthand as a member of the untouchable Dalit community—despite its prohibition under Indian law. Making this conversation even more interesting is his critical stance towards today’s culture of outrage, identifying Victim Olympics as a discipline that downplays or denies actual discrimination for its own benefit.

    Suraj Yengde received the 2019 Canadian Dr. Ambedkar Social Justice Award and is a fellow at Harvard University’s W.E.B. Du Bois Center, where he teaches and serves as a research associate in its Department of African and African American Studies. He was named one of the 25 Most Influential Young Indians of 2021 by GQ India.

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    1 h et 36 min
  • The Man of the Crowd
    Nov 14 2025
    Dear Ladies and Gentlemen,I want to share a few thoughts with you on the peculiar relationship our society has with Artificial Intelligence. It confronts us with the uncanniness of how it’s taken on an almost religious-like quality—why else would the phrase curse and blessing instinctively come to mind when talking about it? To make sure the ideas I present to you are not completely out of touch, I would like to share a few video clips we’ve published on our ex nihilo Substack, created in collaboration with Dall-E and Google VEO using our in-house, proprietary Company Machine. This software is quite unusual insofar as it transliterates classic essays and transcribed conversations into visual metaphors, and because our brain—or more precisely, our language—is a veritable magic box, these produce the most daringly audacious image compositions—things that even the most fantastical mind could hardly conceive. In a curious way, a remarkable reversal can be observed here. When we talk about the power of imagination, when some extremely daring theorists of the 1990s conjured up as the visual turn, it must be said that advanced image production had long since left the visual sphere—and gone to our heads. This is noteworthy as we are witnessing the return of a medieval concept of Signs. At that time, it was believed that the closer a Sign was to God, the more valuable it was – or, as we would say today, the more abstract it was. Consequently, thought was considered the most valuable Sign, followed by the spoken word, then the image, and finally the worldly traces one leaves behind. This changed with the Renaissance, which actually brought about the visual turn that cultural theorists of the 1990s diagnosed with considerable delay – and Leonardo da Vinci reflected on the fact that music is the little sister of painting, simply because it fades away, while painting releases works of eternal value into the World. So today, while claiming we live in a visual culture may still appear to be true for large parts of the population, the intellectual and aesthetic drive that feeds this world has shifted its metamorphic form. If Hollywood’s dream factory went on strike recently, it’s because the advances in our computer culture are truly revolutionizing filmmaking. You only have to think back to one of those epic historical films of the 1950s and 1960s, where entire small towns in southern Italy were recruited as extras – and you see the difference. Today, CGI (computer-generated imagery) provides directors with a whole armada of hyper-realistic, malleable actors. And this rationality shock affects not only the extras, but also the set and stage designers, as well as the musicians, whom Bernard Hermann once invited to the recording studio in the form of an entire symphony orchestra. All this is now accomplished by someone like Hans Zimmer or by anonymous CGI artists who conjure up the most phantastical things on screen, which means that what used to be called a set is now little more than just a studio warehouse where a few actors perform in front of a green screen. Now, this threat of rationalization posed by Artificial Intelligence affects not only the immediate production process but also post-production. Today, when voices can be cloned at will, and even translation and dubbing can be done by AI with perfect lip synchronization, the radical revolution of the dream factory is a fait accompli.Now, I could launch into a dystopian tirade about the changes to our audiovisual tools—and I would be justified in doing so, insofar as the coming surges of rationality are likely to affect the entire industry. But that is not what I want to do right now. Why not? Well, simply because I am convinced that a) this is a matter of inevitability, and b) well, I personally find the aesthetic and intellectual possibilities opening up with this world both sublimely wondrous. The dilemma we face is more intellectual, if not philosophical, in nature—a humiliation that surpasses anything Sigmund Freud recorded in his Civilization and Its Discontents. As you may recall, he identified three intellectual humiliations: 1) The Copernican Revolution, which meant we could no longer feel like we were the center of the Universe; 2) Darwinian Evolutionary Biology, which called our Anthropological Supremacy into question; 3) The Subconscious self, which made it clear to individuals that they cannot even feel at home in their own thoughts, that they are no longer masters in their own house. Now, let’s keep in mind that when these upheavals happened, they only really affected a small number of people (the so-called elite, if you will), but with the Digital Revolution, we are now facing a new and much more serious situation: it impacts everyone, absolutely everyone in this World.The dilemma we face today can best be compared to what Günter Anders once aptly called Promethean Shame—which can be understood as a form of ...
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    27 min
  • Post Mortem II
    Oct 10 2025

    As the current wave of disruption, manifesting itself through various conversations about artificial intelligence swirling around us (which, from our perspective, would be better described as a »Reflective Intelligence«), builds into a cultural crescendo reminiscent of Hokusai’s Great Wave off Kanagawa. Indeed, when, as a kind of embarrassment of thought, even the leading figures in its epistemological field conjure up a dys-utopian race toward civilizational collapse (as with Geoffrey Hinton), it’s easy to overlook how the Computer’s intellectual roots in our Machine Culture date back to the 18th century. And because of this, reflecting back on Digitalisation's origins in the crackling rift of Writing’s electrification becomes even more essential. We’re pleased to share this brief conversation between us about reading between the lines regarding Electrification, Massification, and the shifting definition of Writing in the early chapters of Martin’s Short History of Digitalisation.

    Hopkins Stanley and Martin Burckhardt

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    28 min
  • Talking to ... Peter Fleming
    Jul 19 2025

    It is difficult to ignore how Capitalism has slipped into a deep values crisis – and indeed, you might be forgiven for thinking we are in a Potemkin village, a zombie economy sustained only by memories of a glorious past or by cash injections from central banks. For this reason alone, our conversation with Peter Fleming was extremely valuable, as he, with his keen sense of fundamental upheavals, recognized the signs of the times early on. Observations like how work has become little more than a mythological narrative for reassuring ourselves of our sense of importance and self-worth, or that universities have turned into dark zones in our era of Human Capital—sometimes jokingly called Whackademia—and that in this morally decayed environment, it is almost impossible to cling to the specter of the homo economicus as the ideal of utility-maximizing rationality. In this sense, it’s only logical that Peter Fleming's dirge ends with a reflection on Capitalism and Nothingness. And while this may be a somewhat somber topic, we found our conversation with him to be very enjoyable and entertaining.

    Peter Fleming is a Professor of Organization Studies at the University of Technology, Sydney. During his time in London, where he taught Business and Society at City University, he chaired the London Living Wage Symposium at the House of Commons. His work has been recognized with several awards.

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    1 h et 10 min
  • What does it mean to be literate?
    Jun 29 2025

    Following our presentation of the »Labyrinth of Signs,« parts I and II, we now provide a deeply reflective yet light-hearted post-mortem discussion between us to help you understand what it means to be literate. Martin’s concept of Psychotope becomes more understandable as our conversation progresses; it becomes clear how essential the Alphabet is in enabling us to be literate in our thinking, writing, and discourses, revealing that we are essentially working with an outsourced, historical unconscious in how it shapes us through its use. This is evident from the fact that the origin of Symbolic Logic remains a gaping blank space in Philosophy—even more so: it’s hidden within the conspicuousness of its absence. Something I’ve come to know as the Burckhardtian leitmotif of »The Philosopher’s Shame

    It’s also no coincidence that »Geist der Maschine« features a chapter on how Sigmund Freud developed his concept of the unconscious, which we’ve also translated into English and will be posting soon. For now, it suffices to say that this chapter explains how and why Freud excluded the 19th century’s material culture (meaning its Logic of an Electrified/Telegraphic Society), which fulfilled his metaphysical needs, while simultaneously introducing something like a black box unconscious of the Unconscious into the World as its Psychotope.

    Hopkins Stanley

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    47 min
  • How to animate your Bedroom
    Jun 15 2025

    The title’s rhetorical question is a tautology. After all, it's evident that when we dream, our bedroom transforms into a space that’s magically filled with all kinds of creatures. In this sense, the engaging little experiment showcased in our short video simply translates our dreamwork into daylight. If we must insist that artificial intelligence is not the creation of some alien, hostile force, it’s because this misconception has long become endemic. When commentators go so far as to view AI as a singularity, a trans-humanist super-intelligence—or worse, a new biological species—they are operating under a profound misunderstanding. This misunderstanding mainly arises because the History of Digitization has remained a blank page thus far. This is why we will present our readers with chapters detailing the events that have shaped the style and spirit of this history over the next few weeks. Our failure to confront this history and its implications for so long may explain the discomfort many of us feel as we contemplate the consequences of this revolution in our lives. Reflecting on the progress made in recent years, driven by projects like OpenAI, Claude, Gemini, and Ollama, it's clear that our working world—indeed, the capitalist value system itself—is facing the crisis Nietzsche described as the devaluation of values. However, in our case, we are dealing with an economic rather than a moral logic of devaluation. Instead of seeking comfort in doomsday rhetoric, it makes much more sense to dare to look in the mirror. While you may encounter your own nightmares, on the other hand, you’re also confronting a dream machine—one that can produce the most wondrous results.

    Eigentlich läuft die rhetorische Frage des Titels auf eine Tautologie hinaus. Denn es ist evident, dass, wenn wir träumen, unser Schlafzimmer der Ort ist, der, ganz von selbst, von allen erdenklichen Wesen animiert ist. In diesem Sinn ist auch das kleine, höchst unterhaltsame Experiment, dass sich in diesem kleinen Video niedergeschlagen hat, nichts anderes als eine in die Tageshelle übersetzte Traumarbeit. Wenn man gleichwohl darauf beharren muss, dass die Gebilde der Künstlichen Intelligenz nicht auf eine fremde, feindliche Macht zurückgehen, so weil dieses Missverständnis längst endemisch geworden ist. Wenn sich Kommentatoren dazu versteigen, in der KI eine Singularity, eine transhumanistische Superintelligenz – oder ärger noch: eine neuartige biologische Spezies zu erblicken, hat man es mit einem tiefen Missverständnis zu tun. Dieses Missverständnis rührt nicht zuletzt daher, dass die Geschichte der Digitalisierung bis heute eine Leerstelle geblieben ist – weswegen wir in den nächsten Wochen unseren Lesern die Kapitel präsentieren werden, die in dieser Geschichte stil- und geistprägend sind. Dass man sich dieser Geschichte – und ihren Implikationen - so lange nicht gestellt hat, mag das Unbehagen erklären, das die meisten Zeitgenossen heimsucht, wenn sie darüber nachdenken, welche Folgen diese Revolution für ihr eigenes Leben haben mag. Schaut man sich die Fortschritte an, die sich in den letzten Jahren (forciert durch Projekte wie OpenAI, Claude oder Gemini oder Ollama) Bahn gebrochen haben, ist evident, dass unsere Arbeitswelt, ja, das kapitalistische Wertesystem hier vor jener Bewährungskrise steht, die Nietzsche als Entwertung der Werte gefasst hat, nur dass man es in diesem Falle nicht mit einer moralischen, sondern einer durchaus ökonomischen Entwertungslogik zu tun hat. Anstatt hier Trost in einem Weltuntergangsvokabular zu suchen, ist es sehr viel sinnvoller, den Blick in den Spiegel zu wagen. Mag sein, dass man hier den eigenen Alpträumen begegnen, anderseits hat man es mit einer Traummaschine zu tun – die ganz wunderbare Ergebnisse zeitigen kann.

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    5 min
  • Imagination Unleashed
    Jun 3 2025

    Who comes up with something like that? (Carmela Soprano)

    It's been a good two years since we entered the world of AI-generated images, and during this time, tools like DALL-E and Leonardo.ai have become familiar companions in image production. And during this period, we’ve been exploring the artistic capabilities of our own Company Machine, the in-house metaphor machine we developed, which can translate texts and conversations into truly surprising images from scratch. This is why we were very curious to test the much-hyped Google VEO software, using images from our Company Machine that are pretty unusual themselves. Here is a little demonstration of what you can count on in the future. Count on? No, that's the wrong word. It might be more appropriate to speak of the anticipation of a magic mirror that translates what it receives into gestures—amounting to nothing less than the complete unleashing of the Imagination’s power. The following is the result of a compilation of a fun day Hopkins, Martin, and I spent together trying to teach this ex nihilo Image World to walk.

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    4 min