When we talk about acting tools, we usually mention headshots, reels, technique, or coaching. But punctuation?
Not so much.
And yet, punctuation—something you probably haven’t questioned since middle school—might be interfering with your most natural, honest performances.
The Problem Most Actors Don’t Know They Have You get a script. Maybe it’s commercial copy, maybe it’s a scene. And without realizing it, your brain starts obeying the punctuation.
Comma. Small pause.
Period. Full stop, drop your pitch.
Exclamation mark. Boost the energy, punch the line.
Your body responds to those tiny marks automatically. But here's the thing: those cues might not match what your character is actually feeling. They might even contradict the emotional truth of the scene.
If you’ve ever given a read that felt stiff, too “correct,” or like something was missing… this might be why.
Why Punctuation Feels Helpful (But Can Hurt) Punctuation is meant to clarify meaning in writing. It’s useful when you're reading silently or trying to follow someone else’s train of thought.
But acting isn’t silent reading. It’s expression. It’s listening and responding. It’s emotional and often messy.
Here’s where things get interesting: studies show that your brain processes punctuation differently depending on the mark. Semicolons and dashes? They activate the left side of the brain. Exclamation points and periods? The right side. Each carries its own emotional weight. Each sends a signal, even if you don’t consciously register it.
Which means your delivery may be less about what you’re feeling… and more about how your brain is reacting to a comma.
How to Break Free (Without Losing the Script) As Mandy Fisher shared in this episode of the Acting Business Boot Camp podcast, one of the most helpful things you can do—especially for commercial reads—is to strip out the punctuation entirely.
Remove the commas. Take out the periods. Uncapitalize everything except brand names.
Why? Because when you stop being told where to pause or emphasize, you start making those choices from instinct. From character. From context.
It might feel strange at first, but that discomfort is exactly where more interesting, more connected performances begin.
A Simple Experiment to Try This Week Take 60 seconds of script. Could be anything—a monologue, a commercial, a scene.
Delete every piece of punctuation.
Then read it out loud.
Notice what your voice does. Notice how your pacing shifts. See what happens when you stop “reading” and start speaking.
You might stumble. You might feel a little out of control. But you’ll also find something new. A more honest rhythm. A stronger point of view. A version of the script that sounds less like a performance and more like a person.
Final Thought: Punctuation or Presence? Punctuation has a place. It can help with rhythm and intention. But if you’re performing with one eye on the commas, you’re probably holding back.
So ask yourself: are you punctuating for performance? Or are you speaking from presence?
You already have a voice that’s worth hearing. You don’t need grammar rules to make it powerful.
Let go. Experiment. Trust that you know how to connect without a period telling you when to stop.
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May 28 202514 min