The Provincial Lady

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Brought to you by Penguin. This Penguin Classic is performed by Kirsty Besterman, an experienced TV and theatre actress known for her leading role as Lady Macbeth in the National Theatre Tour, as well as a number of roles with Shakespeare's Globe and the RSC. 'January 22nd - Robert startles me...

The Provincial Lady Goes Further is the immediate sequel to Diary of a Provincial Lady - and life mirrors art. Our Provincial Lady has found herself, unexpectedly, with a literary success on her hands! She is suddenly 'somebody', both in her Devonshire environs and in London, where she establishes a bolthole - ostensibly so she could concentrate on the much-awaited sequel, but also so that she can enjoy the fruits of being a best-selling author!

No one could have been more surprised than our Provincial Lady to receive an invitation from her American agent to travel transatlantic and embark upon a programme of lectures and signings. She was particularly amazed because, having received an overture sometime before and feeling that she would rather stay in the English countryside, she requested that they meet quite a few ‘requirements’ before she would agree to go. They met every stipulation. ‘

The Provincial Lady finds herself in London, looking for voluntary work to support the war effort, which proves an unexpectedly difficult thing to achieve. Her interactions with a varied host of companions, also caught up in a strange frenzy, reflect so clearly the mood and tension of the time, yet the account is witty, apposite - and so very English, with the stiff upper lip underpinning it all.