Résultats lu par "T. Ryder Smith" dans Toutes les catégories

Belisarius is a quantum man, an engineered Homo quantus who fled the powerful insight of dangerously addictive quantum senses. He found a precarious balance as a con man, but when a client offers him untold wealth to move a squadron of warships across an enemy wormhole, he must embrace his birthright to even try. In fact, the job is so big that he'll need a crew built from all the new sub-branches of humanity. If he succeeds, he might trigger an interstellar war, but success might also point the way to the next step of Homo quantus evolution.

Set in Mexico City during the early 50s, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. Burroughs' only realist love story, Queer is a haunting tale of possession and exorcism.

A great collection of stories from the author of Fight Club. In 'Zombies', the best and brightest of a high school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. While in 'Tunnel of Love', a massage therapist runs the curious practice of providing 'relief' to dying clients. And in 'Excursion', Fight Club fans will be thrilled to find a side of Tyler Durden never seen before.

Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived". This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever, and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written.

This collection of 11 stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in War and Peace and Anna Karenina. Stories as different as "The Snowstorm", "Lucerne", "The Diary of a Madman", and "The Devil" are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious thought that characterizes Tolstoy's works of criticism and philosophy.

In the middle of a raging storm in Alaska, Bess stops to tie her shoes. And just like that, the boy is lost, gone in a flash, swallowed up by the snow. Bess is a California girl, while Benedict, with whom she and the boy live, is the last in his family’s long line of rugged Alaskans. Benedict knows better than to venture out in such weather. But he has no choice. He must find Bess and the boy before it’s too late.

Five years ago, Coburn went to sleep - wasn't exactly planned - and he's just woken up to find most everybody in the world dead. And not cool, interesting dead like him; oh, no. Coburn looks basically human, and these guys...really don't. He likes blood, and they like flesh. He's smart; them, not so much. But they outnumber him by about a million to one, and their clotted blood cannot sustain him.

Why do we embalm the deceased? Why are funerals so expensive? Is there a reason coffins are shaped the way they are? Where does the tradition of viewing the body come from? Ceremonies for honoring the deceased are crucial parts of our lives, but few people know where our traditional practices come from—and what they reveal about our history, culture, and beliefs about death. In Last Rites, author Todd Harra takes listeners on a fascinating exploration of American funeral customs—exploring where they came from, what they mean, and how they are still evolving.

The long years of near-utopia have come to an abrupt end. Peace and order are now figments of the past. Corruption, deception, and insurgency hum within the once steadfast leadership of the Hives, nations without fixed location. The heartbreaking truth is that for decades, even centuries, the leaders of the great Hives bought the world's stability with a trickle of secret murders, mathematically planned. So that no faction could ever dominate. So that the balance held.

State Road 177 runs along the Suwannee River, between Fargo, Georgia, and the Okefenokee Swamp. Drive that route from east to west, and you'll cross six bridges. Take it from west to east, and you might find seven. But you'd better hope not. Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car....

As investigators brought out the bagged remains of several dozen young men from a small Chicago ranch home and paraded them in front of a crowd of TV reporters and spectators, attention quickly turned to the owner of the house. John Gacy was an upstanding citizen, active in local politics and charities, famous for his themed parties and appearances as Pogo the Clown. But in the winter of 1978-79, he became known as one of many so-called “sex murderers” who had begun gaining notoriety in the random brutality of the 1970s.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the navy and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D. L. Harkness, a predator in all the ways there are.

Burroughs’ first novel, a largely autobiographical account of the constant cycle of drug dependency, cures, and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through time spent kicking and time spent dealing, through junk sickness and a sanatorium, Junky is a field report from the American postwar drug underground. A cult classic, it has influenced generations of writers with its raw, sparse, and unapologetic tone.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war, a long era of stability threatens to come to an abrupt end. For known only to a few, the leaders of the great Hives, nations without fixed location, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds. And yet the balance is beginning to give way.

"America's best novelist" ( The Denver Post), two-time Edgar Award winner James Lee Burke is renowned for his lush, suspense-charged portrayals of the Deep South – the people, the crime, the hope and despair infused in the bayou landscape. This stunning anthology takes us back to where Burke's heart and soul beat -- the steamy, seamy Gulf Coast -- in complex and fascinating tales that crackle with violence and menace, meshing his flair for gripping storytelling with his urbane writing style.

In 1937, there are recesses in Appalachia no outsiders have ever explored. Two government-sponsored documentarians from Cincinnati, Ohio - a writer and photographer - are dispatched to penetrate this wilderness and record what they find for President Roosevelt’s Works Progress Administration. For photographer Clay Havens, the assignment is his last chance to reboot his flagging career. So when he and his journalist partner are warned away from the remote Spooklight Holler outside of town, they set off eagerly in search of a headline story.

Nine physicists are dead. The medical examiner has determined that the victims died from drinking coffee laced with rat poison. The owner of the house, Professor Thaddeus Huntgardner, isn't suspected, but his claim that a piece of the debris from Roswell's 1947 UFO crash was hidden in Flagler might be true. Enter Luther "Luke" Stephens McWhorter, a Yale Divinity School-educated West Texas sheriff with all the right questions. Is the fragment real? If so, who's trying to locate it? And what has fueled the byzantine activities of Abbot County's two secret societies for the past 70 years?

Taking listeners inside the songwriting mecca of Nashville’s Music Row for the real stories behind country’s most influential songs—and featuring exclusive interviews with songwriters like Vince Gill, Clint Black, Buddy Cannon, Jelly Roll, and Taylor Swift co-writer Liz Rose—Songs of Nashville gives you a front-row seat to the lives and work of the artists who’ve shaped country music.