Résultats lu par "John Morgan" dans Toutes les catégories

Roslyn Blackthorne is dead. Technically. I faked my death to get out of a loveless marriage, but that was only half the battle. To ensure my vampire duke can never find me, I have to run far and fast enough so he can’t catch me. Because if he does, it’s over. Not just my life—for real this time—but my entire family’s.

Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption. When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide.

Everything is falling apart just as I thought it was coming together. The Mercer twins say I’m their mate. I believe them, even if I can’t let them claim me. No matter how badly my soul yearns to be theirs.

Sound interesting? The author thinks so too! Listen to Lost to the Moon and experience the compelling world of The Mate Games: Pestilence.

Lauren, who changes the man in her bed even more often than she changes course, is dating Victor but sleeping with Sean. Sean - cool, ambivalent and deeply cynical - might be in love with Lauren, but he’s not going to let that stop him from bedding Paul. Paul, as shrewd as he is passionate, is Lauren’s ex-lover and the final point in this curious triangle. From the author of American Psycho, Bret Easton Ellis' The Rules of Attraction is a breathtaking tale of sex, expectation, desire and frustration.  

Named as the new Mistress of Underhill, I must gather those I trust to untangle the deadly riddles or I will be left to face the darkness alone. The politics of the earth and fae realms, the survival of all, and the remains of my tattered heart will all be decided in a final battle. But as more and more players enter this war of realms, I realize that things are not what they seemed. If I am to see this through to the end, I must do what my mother asked of me. Somehow I must embrace a destiny that feels impossible… and give up on a love impossible to deny.

An unparalleled collection of Full-Cast BBC Drama adaptations of Sean O’Casey’s powerful, poignant works One of Ireland’s foremost playwrights, Sean O’Casey is renowned for his groundbreaking plays depicting the lives of poor, working-class Dubliners struggling with social and political...

Roslyn Blackthorne is dead. I should know, I watched it happen. My twin and I didn’t believe we’d ever meet our mate, and then she showed up in our bar, and the world as we knew it changed. Fate hadn’t been kind to us. Not once. So it shouldn’t have come as a surprise that we lost her as soon as we claimed her. I spent so much time worried about her manipulative demon, I didn’t anticipate it would be my own sordid past that killed her.

In the aftermath of the mysterious death of their lead singer, the young members of a now-legendary British acid folk band hole up at Wylding Hall, an ancient English country house with its own dark secrets. There they record Wylding Hall, the album that makes their reputation but at a terrifying cost when Julian Blake, their new lead singer, disappears within the mansion and is never seen again.

After ten years, Peter leaves Gillian for Laura. Distraught, Gillian goes round to Peter's parents to be consoled. They take her in - then things go a little weird. This rousing audio dramatisation stars Diane Morgan, Colin Hoult, Janine Duvitski, John Henshaw, Zoe Gardner, Zahra Barri, John Biddle, Tony Marshall, Christine Hall, and Sean Grundy. It was directed by Alison Crawford.

Raven Wood spends her days at Florence's Uffizi gallery restoring Renaissance art. But an innocent walk home after an evening with friends changes her life forever. When she intervenes in the senseless beating of a homeless man, his attackers turn on her, dragging her into an alley. Raven is only semiconscious when their assault is interrupted by a cacophony of growls followed by her attackers' screams.

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.

Endymion is the largest work by John Keats and was composed between April and November 1817. It was published in April 1818, and the critical reception was almost universally hostile. The plot is built around the ancient Greek legend of Endymion, the young shepherd whose beauty was such that the goddess of the Moon entreated Zeus to cast him into a permanent sleep so that she could gaze on him without interruption. Keats expands this story into an epistle on beauty and love, and weaves into it elements from several other Greek legends.

Can science and faith mix? Teens come face to face with this question as their studies consider everything from the origins of the world to how DNA works. This captivating book is full of interesting facts and surprising stories that make the case for the Christian faith while exciting teens about science. Science and God is a collaboration between Oxford University scientist John Lennox and Katy Morgan, an author for young people.

Meet Molly Massacre and her horror-themed OnlyFans account. Fall into the pit when Kelly discovers the fast-food restaurant she works at is built on a set of ley lines. Take a disgusting muckbang challenge, learn the twisted truth of positivity gurus, and much more.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

In compiling this collection of humorous short stories by both well known and more obscure authors, Alexander Jessup applied a broad interpretation of humour; the stories span the period between 1839 and the beginning of the first World War.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.