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When builders renovating a café in King's Lynn find a human skeleton behind a wall, they call for DCI Harry Nelson and Dr Ruth Galloway. Ruth is preoccupied with the threatened closure of her department and by her ever-complicated relationship with Nelson. However, she agrees to look at the case. Ruth sees at once that the bones are modern. They are identified as the remains of Emily Pickering, a young archaeology student who went missing in the 1990s. Emily attended a course run by her Cambridge tutor. Suspicion falls on him and also on another course member - Ruth's friend Cathbad.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The twelfth book featuring Lord Peter (the third novel to feature Harriet Vane) is set in an Oxford women's college. Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back.

Everything has changed for Dr Ruth Galloway. She has a new job, home and partner and is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Amyas March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging.

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

Discover Dorothy L. Sayers' inimitable Golden Age detective in this complete collection of the complete Lord Peter Wimsey stories, together in one volume for the first time. Presented in chronological order, these short stories see Lord Peter Wimsey bringing his trademark wit and unique detection skills to all manner of mysteries.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The 11th book featuring Lord Peter, set in a country church, is often named as the best detective story ever written. When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.

Dr Ruth Galloway is called in when a child's bones are discovered near a prehistoric site on the north Norfolk salt marshes. Are they the remains of a local girl who disappeared ten years earlier - or are the bones much older? DCI Harry Nelson refuses to give up the hunt for the missing girl. Since she vanished, someone has been sending him creepy anonymous notes about ritual sacrifice. He knows that Ruth's expertise and experience could help him finally to put this case to rest.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His eighth appearance takes him to an artists' colony (based on a real one) in Scotland during the 1920s. Lord Peter Wimsey could imagine the artist stepping back, the stagger, the fall down to where the pointed rocks grinned like teeth.

They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride, Harriet Vane, find the previous owner's body in the cellar. Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.

The best of the golden-age crime writers, praised by all the top modern writers in the field, including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. But in this thrilling murder story, she tells her story instead through the letters of the victim and the suspects. The bed was broken and tilted grotesquely sideways. Harrison was sprawled over in a huddle of soiled blankets.

Dr Ruth Galloway's forensic skills are called upon when builders, demolishing an old house in Norwich, uncover the bones of a child - minus the skull - beneath a doorway. Is it some ritual sacrifice or just plain straightforward murder? Ruth links up with DCI Harry Nelson to investigate. The house was once a children's home. Nelson traces the Catholic priest who used to run the place. He tells him that two children did go missing forty years before - a boy and a girl. They were never found.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. In his tenth appearance, he takes a job as an advertising copywriter to expose a ruthless killer. Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions....

Can Lord Peter Wimsey prove that Harriet Vane is not guilty of murder--or find the real poisoner in time to save her from the gallows? Impossible, it seems. The Crown's case is watertight. The police are adamant that the right person is on trial. The judge's summing up is also clear. Harriet Vane is guilty of the killing her lover. And Harriet Vane shall hang. But the jury disagrees.

All that was left of the garage was a heap of charred and smouldering beams. In the driving seat of the burnt-out car were the remains of a body.... An accident, said the police. An accident, said the widow. She had been warning her husband about the danger of the car for months. Murder, said the famous detective Lord Peter Wimsey - and proceeded to track down the killer.

The Night Hawks, a group of metal detectorists, are searching for buried treasure when they find a body on the beach in North Norfolk. At first Nelson thinks that the dead man might be an asylum seeker but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons. Nelson at first thinks that Taylor's death is accidental drowning, but a second death suggests murder.

DCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead....

Robert Falcon Scott and the men of his polar expedition were heroes of their age, enduring tremendous hardships to further the reputation of the empire they served. But they were also husbands, fathers, sons and brothers. Now for the first time, and with unprecedented access to family archives, Katherine MacInnes retells the story of the race for the South Pole from the perspective of the women whose lives would be forever changed by it, five women who offer a window into a lost age.

Dr Ruth Galloway is flattered when she receives a letter from Italian archaeologist Dr Angelo Morelli, asking for her help. He's discovered a group of bones in a tiny hilltop village near Rome but doesn't know what to make of them. It's years since Ruth has had a holiday, and even a working holiday to Italy is very welcome!

Boiled human bones have been found in Norwich's web of underground tunnels. When Dr Ruth Galloway discovers they were recently buried, DCI Nelson has a murder enquiry on his hands. The boiling might have been just a medieval curiosity - now it suggests a much more sinister purpose. Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she's gone 'underground'.

Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: dawn, 1963. Ruth returns to Norfolk determined to solve the mystery, but then COVID rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling.