Voir les résultats écrits par "Hugh Howey"

À la suite d'un soulèvement, les habitants du silo 18 sont face à une nouvelle donne. Certains embrassent le changement, d'autres appréhendent l'inconnu. Personne n'est maître de son destin. Le silo est toujours sous la menace de ceux qui veulent le détruire. Et Juliette sait qu'elle doit les arrêter. Labataille pour le silo a été gagnée. La guerre pour l'humanité ne fait que commencer.

Dans un futur post-apocalyptique indéterminé, une communauté d'hommes et de femmes a organisé sa survie dans un silo souterrain géant. Du monde extérieur, devenu hostile, personne ne sait rien, sinon que l'atmosphère y est désormais irrespirable. Les images de mauvaise qualité relayées par d'antiques caméras, montrant un paysage de ruines et de dévastation balayé de vents violents et de noirs nuages, ne semblent laisser aucune place à l'illusion. Pourtant, certains continuent d'espérer.

"Silo Origines" est le préquel de la trilogie post-apocalyptique de Hugh Howey, Silo. L'auteur nous ramène aux origines de son univers alors que le monde était encore tel que nous le connaissons. L'action se déroule entre 2010 et 2052 et seuls quelques dirigeants connaissent les étrangetés que l'avenir réserve.

In a ruined and toxic landscape, a community exists in a giant silo underground, hundreds of stories deep. There, men and women live in a society full of regulations they believe are meant to protect them. Sheriff Holston, who has unwaveringly upheld the silo’s rules for years, unexpectedly breaks the greatest taboo of all: He asks to go outside.

Wool introduced the silo and its inhabitants. Shift told the story of their making. Dust will chronicle their undoing. Welcome to the underground.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platform that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, a simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity's broad history, mankind had discovered the means for bringing about its utter downfall - and the ability to forget it ever happened.

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

Hugh Howey is known for crafting riveting and immersive tales of boundless imagination. Now comes Machine Learning, an impressive collection of Howey's science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and 15 additional stories collected here for the first time. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author's note.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It's a lonely job, and a thankless one for the most part - until something goes wrong, until a ship is in distress. In the 23rd century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren't supposed to.

Fünfhundert von uns wurden ausgeschickt, um diesen Planeten zu kolonisieren. Nur etwa fünfzig haben überlebt. Wir wachten fünfzehn Jahre zu früh auf und hatten bloß die Hälfte unserer Ausbildung erhalten. Man erwartete von uns nicht zu überleben... wir sollten bloß eine Aufgabe erfüllen.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Was würdest du tun, wenn du wüsstest, dass das Schicksal aller in deinen Händen liegt? Juliette Nichols, die neue Herrin in Silo 18, bricht mit den jahrhundertealten Regeln der unterirdischen Gemeinschaft - und lässt den riesigen Bohrer demontieren, um ihn für einen neuen Zweck einzusetzen. Denn Juliette weiß, dass ihr Freund Lucas und die anderen sterben werden, wenn sie nicht sofort handelt. Doch sie weiß nicht, dass ihr die größte Überraschung noch bevorsteht - ihr größter Gegner heißt noch immer Senator Thurman.

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

Im Jahr 2049 wird der junge amerikanische Architekt Donald Keene von Senator Thurman mit dem Bau einer riesigen unterirdischen Anlage beauftragt. Noch ahnt er nicht, was dahintersteckt: Ein politischer Konflikt zwischen Iran und den USA steht bevor - und eine Katastrophe, die die Erde unbewohnbar machen wird. In fünfzig unterirdischen Silos sollen die Menschen Zuflucht suchen. Aber das streng reglementierte Leben fordert Opfer.

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

When a robot defies his programming, is he broken? Or is he something else?

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

We live across the thousand dunes with grit in our teeth and sand in our homes. No one will come for us. No one will save us. This is our life, diving for remnants of the old world so that we may build what the wind destroys. No one is looking down on us. Those constellations in the night sky? Those are the backs of gods we see.