Résultats Éditeur "Spoken Realms" dans Anglaise, irlandaise, écossaise, et galloise

André Gide met Wilde many times and was one of the small number of celebrities who maintained contact with him until his death in Paris in 1900.

Arthur Ransome brilliantly wrote about Oscar Wilde in A Critical Study, published in 1912, and then went on to write the popular and better known children's series, Swallows and Amazons, in 1930. Ransome considers Oscar Wilde a visionary of whom every classical scholar must know. Oscar Wilde changed the culture of his own day and, by doing so, changed ours. Wilde tried various literary activities, poetry, drama, dialogues and essays, a novel, and even wrote about interior decoration. To him, art was supreme, and he pursued that ideal in every expression that he encountered.

The novel is the story of a scientist who, through the study of optics finds a way to make things invisible. In a desire for recognition, fame, and the advantages of being invisible, he subjects himself to the process. But being unseen isn't as positive as he had hoped, and he soon finds himself regretting his condition, and his mind also becomes warped. He becomes mentally unhinged. Later, he embraces his invisibility and begins to spiral into a lust for power and control, and he reveals a plan he has hatched to unleash his personal "terror" on the world.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Oliver Twist is the well-loved tale of an orphan, who starts life in a workhouse and finds himself embroiled in London's criminal underworld, before being saved by a kind gentleman who knows something of his surprising family history. A satire and social commentary as well as a page-turning yarn, full of grit, wit, and some of the most memorable characters in English Literature. The second published serialised novel by Charles Dickens, The British Library remarks that "it has proven to be one of the best-loved novels in the history of literature".

Exiles is the only play written by James Joyce. It draws material from "The Dead", the final story in his famous short stories collection, Dubliners. It centers around four individuals - Richard, Robert, Bertha, and Beatrice - and the complex romantic entanglements between them as tensions rise and relationships are tested.

"The Eve of St. Agnes" was written in January 1819 and first published in 1820. It is a Romantic Narrative poem written in 42 Spenserian stanzas. John Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of the feast of St. Agnes (the patron saint of virgins who died a martyr in 4th century Rome.) The eve falls on January 20th; the feast day on the 21st.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output, the majority of his best-known works being written in the year 1819. The six odes composed during this year are among his most famous and well-regarded poems. The first five were composed during the spring of 1819, while 'To Autumn' was composed in September. The exact order of composition of the first five is unknown.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

Lamia is a tragic narrative poem in two parts. It was written in 1819 and first published in 1820 with "Isabella" and "The Eve of St. Agnes". The Greek god Hermes has left Olympus in search of a beautiful nymph. He comes across Lamia, a woman trapped in the form of a snake, who promises to reveal the nymph to him if he, in exchange, restores her human form so she may seek the love of Lycius, a youth of Corinth.

The lyrical ballad The Lady of Shalott is one of Tennyson's best-known and best-loved poems. It is based on the story of Elaine of Astolat, a figure from Arthurian legend, who dies from her unrequited love for Sir Lancelot. The subject matter provided inspiration for many of the Pre-Raphaelite painters. Tennyson published two versions of the poem, both of which are included in this recording. The first was written in 1832, and the second—the better-known of the two versions—in 1842.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.