Titres dans Passage à l'âge adulte

Brendan's best friend, his only friend, is Ronan McCoy. He knows things about Brendan that no one else does: about his job washing the cars at Feeney's Funeral Home, about the loneliness he sometimes feels even when surrounded by hundreds of others at school. But Brendan never told Ronan about the dark feeling that sits at the bottom of his stomach, the feeling that tells him something bad is coming. It never comes when Ronan's around. Ronan is smart and sporty and popular, totally comfortable in his own skin: all the things that Brendan himself isn't.

Emmett returns home to pick up his little brother Billy, tie up his late father's estate and get out of town for good. Since leaving the Kansas youth facility where he served time, Emmett has wanted one thing: to give them both a fresh start - and that means heading out to the sparkling west. Young, precocious Billy has plans of his own - to get to San Francisco, where he believes their long-estranged mother is waiting for them.

From the author of the global breakout bestseller The Last Love Note comes the story of a young woman struggling to piece her life back together in the wake of a tragic accident, and the man who gives up everything to help her. When Evie Hudson wakes in an unfamiliar hospital room, she thinks she’s fresh out of a teenage party with her best friend, Bree. Except, Bree isn’t around anymore and high school was years ago. Evie had just survived the crash that killed her husband, Oliver—whom she can't remember either.

Il était une fois une famille heureuse et unie. Des jumelles de six ans qui se ressemblaient comme deux gouttes d'eau. Des enfants fusionnelles qui grandissaient ensemble et s'adoraient. Avant de se jalouser et s'empoisonner. Il était une fois deux fillettes inséparables. Pour le meilleur, ou pour le pire ? Il était une fois une histoire qui n'a rien d'un conte de fées. "Avec elle", de Solène Bakowski, et "Sans elle", d'Amélie Antoine, deux romans pour un projet commun. Un point de départ identique pour deux histoires distinctes qui peuvent se lire indépendamment l'une de l'autre.

Peak District, Mercia, AD 910: a young girl, Freda works hard to avoid her father's temper, while longing for his approval. She loves foraging in the woods and hearthside stories of heroes. Secretly she thinks in poetry and dreams of one day being able to write; her quills are grass stalks and sticks, her parchment the sky, the earth, her skin. But Freda's world is at war, and when her village is decimated in a savage raid and her father goes missing, Freda must find the strength to survive.

Christine is on tour for her novel, a revenge fantasy based on a real-life relationship gone bad with an older professor ten years prior. Now on the road, Christine is seeking answers—about how to live a good life and what it means to make art—through intimate conversations with strangers, past lovers and friends. A delicate, provocative high-wire act about the fictions we construct for ourselves just to survive, Discipline is a terse triumph about art-making and rigor, intimacy and attention, punishment and release.

The human “oddities” in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum’s golden ticket. Until she’s rescued by two compassionate strangers. Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it.

In the summer of 1967, the Levitsky family convenes for a long weekend at their home in the suburbs—an idyllic holiday for the perfect family. But Nora has always known better. Growing up, she learned to tiptoe around her mother Lillian’s explosive temper. Her father did the same. Nora’s sole confidante was their housekeeper, Clara, and their bond has only strengthened through the years.

It's 2007, and Mr Sidhu is the sub-postmaster of the local post office in Richmond. He's grieving the passing of his wife and is preoccupied with honouring his final promise to her: to make sure his two grown-up children are settled and comfortable, which means helping Raju buy his own place and seeing to it that Meenu finally marries her long-term fiancé, Craig. But Mr Sidhu is thrown off course when he begins developing feelings for his co-worker Rose, and everything begins to change, including his relationship with his children. And then Mr Sidhu's weekly accounts begin reporting a loss.

A tea party at an Oxford college. Earnest undergraduates in floral dresses clink cups, discussing essay-crises, punting, summer balls. But to one student, they are grotesquely transformed: she is sitting among ominous armadillos with scaly shells, buzzing with black flies. Then, the laughter comes. As she is engulfed by mirthless hysterics, the Principal has no choice but to send her away.

Seventeen years ago, Tilly Stone (age thirteen) is left to fend for herself in rural Pennsylvania when her infamous eco-terrorist father disappears under mysterious circumstances. Ever since she's tried to forget the dams they blew up together and forge a new life until her father's return threatens to upend her small-town world and her friendship with the dogged FBI agent still pursuing him. Ultimately, as the past and present fuse and blow up with more than one kind of casualty, Tilly must choose between the father she loves and her home.

Eighteen-year-old Aine Kamara has been anticipating a reunion with her older sister, Mbabazi, for months. But when Mbabazi shows up with an unexpected guest, Aine must confront an old fear: her beloved sister is gay in a country with tight anti-homosexuality laws. Over a weekend at Aine's all girls' boarding school, sisterly bonds strengthen, and a new friendship emerges between Aine and her sister's partner, Achen. Later, a sudden death in the family brings Achen to Mbabazi's and Aine's village, resulting in tensions that put Mrs. Kamara's Christian beliefs to the test.

Alexis Spencer will use any inspirational quote to rationalize her failures and shortcomings. Her closest friends are a distant memory, and her college debt is still as high as the day she left. But that’s all fine and dandy, because “whatever will be, will be.” However, when Alexis loses her job and her relationship on the same day, there’s no quote strong enough to get her through that. In typical fashion, she blames the world for her problems, including her younger self, who should have tried harder.

Some stories don't age — they evolve. Little Women is not just a novel about four sisters; it's about growing up in a world that doesn't wait for anyone. It's about ambition that doesn't always wear boots, kindness that costs everything, and the quiet revolutions that begin around the dinner table. Louisa May Alcott didn't write fairy tales. She wrote what she saw — and what she dreamed could be better. Her heroines don't need rescuing; they make choices, break molds, and leave footprints. You might recognize them. You might be one of them. This is not a story frozen in time.

Maggie is the growing up story of a young girl in early 1900s Ontario who is born into a large family of Pennsylvania Dutch background. She faces the prejudice of some of her husband's family who are overly proud of their English heritage. This family story is set against the background of the First World War and afterwards where anti-German sentiment is rampant. Having overcome much of that family prejudice, Maggie thinks she has a good marriage—until she doesn't.

When Caleb Hayes accidentally douses Nora Blake with soda, her quiet high school life at Cedar Grove turns upside down. Sparks fly, but Nora’s scarred heart—still healing from her ex’s betrayal—makes her wary of the charming new boy. With her best friends Lila, Jade, and Sienna by her side, Nora navigates fights, forgiveness, and first love.

Le voyage d'Octavio est celui d'un analphabète vénézuélien qui, à travers d'épiques tribulations, va se réapproprier son passé et celui de son pays. Le destin voudra qu'il tombe amoureux de Venezuela, une comédienne de Maracaibo, qui lui apprend à écrire. Mais la bande de brigands "chevaleresques", menée par Rutilio Alberto Guerra, pour laquelle il travaille, organisera un cambriolage précisément au domicile de sa bien-aimée. Avant que ne débute un grand voyage dans le pays qui porte son nom.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother.

A workhouse orphan, Oliver experiences the terror and brutality of the criminal underworld. His companions, a thief, a whore, a pickpocket, and a fence, are destined for gruesome ends, but Oliver emerges unscathed from the darkness of the underworld.

La vie d'Alice Lambert est en vrac. Après avoir quitté son mari, sa maison et tous ses repères, elle se voit obligée de s'installer à Paris chez son père, avec qui elle est en conflit depuis toujours. À l'aube de ses cinquante ans, elle doit réinventer sa vie et repartir à zéro, mais ce nouveau défi lui semble insurmontable… Par les fenêtres de ce grand appartement désert, elle voit le monde tourner sans elle et revisite son passé entre deux verres de whisky.