Résultats Éditeur "SNR Audio" dans Horreur

Robert Louis Stevenson's masterpiece of the duality of good and evil in man's nature sprang from the darkest recesses of his own unconscious—during a nightmare from which his wife awakened him, alerted by his screams. More than a hundred years later, this tale of the mild-mannered Dr Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr Hyde—has lost none of its ability to shock. Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul.

Bram Stoker’s masterpiece, in which the instantly recognisable Count Dracula plans to sate his dreadful appetites in England only to be thwarted by an intrepid band of friends, remains an enthralling story. Exploring themes of sexuality, religion, technology and good versus evil, and told through journal entries, letters and telegrams, its cultural and literary significance is undisputed.

The Ultimate Ghost Stories Collection is a fully indexed collection of classic ghost stories, read by three Audie-winning narrators. Included here are stories by Henry James, M.R. James, Edgar Allan Poe, Charles Dickens, Edith Wharton and Washington Irving.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein and his creation. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. 

Robert Blake—a young man with an interest in the occult—becomes fascinated by a large disused church set on a hill which he can see from his lodgings. His researches reveal that the church has a sinister history and is dreaded by the local inhabitants as being haunted by a primeval evil.

Written in the summer of 1926, it was first published in Weird Tales, February 1928. It is the only story written by Lovecraft in which the extra terrestrial entity Cthulhu himself makes a major appearance. It is written in a documentary style, with three independent narratives linked together by the device of a narrator discovering notes left by a deceased relative. The narrator pieces together the whole truth and disturbing significance of the information he possesses

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest—the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day.

The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.

The dark and twisted story of Wilbur Whateley and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade—all the while becoming indoctrinated into dark rituals and witchcraft by his grandfather.

This audiobook includes unabridged recordings of 13 of H. P. Lovecraft's most well-renowned stories, read by Audie-Award winner Jonathan Keeble. The stories included here are: 'The Colour Out of Space', 'The Dunwich Horror', 'The Whisperer in the Darkness', 'The Haunter of the Dark', 'Call of Cthulhu', 'The Rats in the Walls', 'From Beyond; Dagon', 'At the Mountains of Madness', 'In the Vault', 'The Shadow Over Innsmouth', 'The Dreams in the Witch House', 'The Dream-Quest of Unknown Kadath'.

Itinerant schoolmaster Ichabod Crane comes to ply his trade in the quiet countryside near Tarry Town and falls in love with Katrina Van Tassel, the daughter of a wealthy farmer. But her hand is also sought by local hero Abraham “Brom Bones” Van Brunt who wages a war of pranks and practical jokes against the quirky outsider, who has become fascinated by the local folklore and spooky tales

The story follows Walter Gilman, who takes a room in the Witch House, an accursed house in Akham, Lovecraft's fictional New England town. The house once harbored Keziah Mason, a witch who disappeared mysteriously from a Salem jail in 1692. Gilman discovers that over the centuries most of its occupants have died prematurely. In his dreams while at the house, Gilman travels to the city of Elder Things and communes with the evil witch and her henchmen.

The narrator travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries—and their encounter with an untold menace in the ruins of a lost civilization—is a milestone of macabre literature.

The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

Before throwing himself from the window of his attic, the untitled protagonist writes some notes related to his mental state. Then, he begins to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island and, from there, things only get stranger.

The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.