Résultats Éditeur "Audible Studios" dans Biographies et mémoires

Heer and Sumira share the tale of a friendship thriving despite the diversity of transgender experiences, Adira speaks to the affect of parental disaffection on the blossoming of a first love, Sudipta digs into the past to speak of an unlikely queertopia they’d found and HSW shares a journey of coming to terms with asexuality. To hear about these, and many more, join us as we explore the varying hues and journeys of queerness through this anthology of first-person LBT narratives.

Growing up a Guyanese Indian immigrant in Central Florida, Rajiv Mohabir is fascinated by his family’s stifled Hindu history and the legacy of his ancestors, who were indentured laborers on British sugarcane plantations. In Toronto he sits at the feet of Aji, his unlettered grandmother, listening to stories and songs in her Caribbean Bhojpuri. By now Aji’s eleven children have immigrated to North America and busied themselves with ascension, Christianity, and the erasure of their heritage. But Rajiv wants to know more: where did he come from, and why does he feel so out of place?

Buddy Cole, the acid-tongued raconteur created by comedian Scott Thompson, earned international fame as one of the most beloved characters on Kids in the Hall. Originally published in 1998, Buddy’s classic faux-memoir was a master class in pushing the envelope and pissing off the censors. Now, 20 years later, Scott Thompson is bringing Buddy back to the stage, with an international tour and also a reissue of Buddy Babylon, presented with new never-before-seen material, introducing Buddy to new generations.

Dall'11 maggio 2016 le unioni civili sono legge. E se sul matrimonio è stato scritto molto e sulle donne altrettanto, sulle donne che hanno deciso di sposarsi fra loro si sa molto meno. A riempire con la sua intelligenza questo vuoto, arriva Chiara Sfregola che, a partire dalla sua esperienza di lesbica, di femminista e di moglie, racconta con un passo a metà tra saggistica e memoir cosa è stato storicamente e cosa sta diventando, oggi, il matrimonio.

"Desideravo raccontare storie vere, a volte tragiche, spesso dure, altre ancora amare, qualcuna gioiosa, ma tutte assolutamente libere. Ci ho provato. Ho pedinato vite. Ho trascritto verbali, in modo onesto e partecipe e spero anche godibile." Non basta una parrucca è un viaggio nel mondo del transgenderismo raccontato direttamente dalle interessate: settanta donne "trans" scelte tra circa quattrocento interviste raccolte in più di tre anni di lavoro.

Memorias LGTBI Negras. Esta es la historia de George Matthew Johnson. Una historia para todes nosotros. En estas rompedoras memorias para jóvenes adultes, George M. Johnson, destacade escritore y activista LGTBQIAP+ comparte recuerdos desgarradores a la par que gloriosos sobre lo que supone crecer como persona Negra y queer en Estados Unidos.

Free Rose Light is the wide-ranging story of the people and community of South Street Ministries, in Akron, Ohio, told in the style of the ministry - improvisational, risky, and present. As much as this is the story of South Street through O'Connor's experience of the organization, it is also an invitation to the listener by example.

The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.

Karla Jay's memoir of an age whose tumultuous social and political movements fundamentally reshaped American culture takes listeners from her early days in the 1968 Columbia University student riots to her post-college involvement in New York radical women's groups and the New York Gay Liberation Front to Southern California in the early '70s, where she continued in the battle for gay civil rights. We see her helping to organize the takeover of The Ladies Home Journal and “ogle-ins” - where women staked out Wall Street and whistled at the men.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Seit ihrem zehnten Lebensjahr strebt Glennon Doyle danach, gut zu sein: eine gute Tochter, eine gute Freundin, eine gute Ehefrau - so wie die meisten Frauen schon als Mädchen lernen, sich anzupassen. Doch statt sie glücklich zu machen, hinterlässt dieses Streben zunehmend ein Gefühl von Müdigkeit, Über- und Unterforderung. Glennon - erfolgreiche Bestsellerautorin, verheiratet, Mutter von drei Kindern - droht, sich selbst zu verlieren. Bis sie sich eines Tages Hals über Kopf in eine Frau verliebt - und endlich beschließt, ihr Leben selbst in die Hand zu nehmen.

The year was 1991. Vivek was eight. He realized he was gay. Only he didn't: he just figured that he wanted to be different. And that he was in love - for want of a better word - with Deepak, his best friend. Then Mast Kalandar released, with Anupam Kher playing Pinku, a stereotypical gay character. And Vivek realized he didn't want to be Pinku. So he tried to walk differently, gesticulate differently, and speak in as gruff a voice as he could - all to avoid being Pinku.

From the 1950s through the 1970s, downtown Manhattan was a hotbed of creative life where artists and writers were free to explore ideas and push boundaries. As a young man, celebrated author and playwright Joseph Caldwell arrived from Milwaukee to become one of the original pioneers of New York's gay bohemian community. In this charming, brutally candid memoir, Caldwell describes his tenure working at the venerated classical music station WQXR, marching in civil protests and being arrested, his evolution as a writer, and his many accomplished acquaintances.

On her journey to near stardom in the music business, Monica Madrid wound up a broke, demoralized alcoholic. Through the twists and turns of a colorful life, she rubbed elbows with Prince, Rick James, and other artists and was in a musical battle with Tupac Shakur. She came close to fulfilling her childhood dream, but once it was stripped from her grasp, her path led to money, prestige - and broken relationships. Monica's story is one of loss, love, and redemption.

Recounting her experiences with sexist discrimination, sexual harassment, and sexual violence - beginning in childhood, through the present - Woods lays out clear and unflinching personal vignettes that build in intensity as the number of times grows. Individually, and especially taken as a whole, these stories amount to powerful proof that sexual violence and discrimination are never just one-time occurrences, but part of a constant battle all women face every day.

If you are transgendered, the feeling of wanting your body to match the sex you feel you are never goes away. For some, though, especially those who grew up before trans people were widely out and advocating for equality, these feelings were often compartmentalized and rarely acted upon. Now that gender reassignment has become much more commonplace, many of these people may feel increasing pressure to finally undergo the procedures they have always secretly wanted.

Der Bus der Linie 57 ist das einzige, was Sasha und Richard miteinander verbindet. Richard ist Afroamerikaner, geht auf eine öffentliche Schule und hat gerade einen längeren Aufenthalt in einer betreuten Wohngruppe für jugendliche Straftäter hinter sich. Sasha ist weiß, besucht eine Privatschule und identifiziert sich selbst als agender. Nur acht Minuten täglich verbringen Sasha und Richard gemeinsam im Bus 57. Bis zu dem Tag als Sasha den langen weißen Rock trägt und Richard ihn anzündet.

In 1977, Eric Poole is a talented high school trumpet player with one working ear, the height-to-weight ratio of a hat rack, a series of annoyingly handsome bullies, and a mother irrationally devoted to Lemon Pledge. But who he wants to be is a star…ANY star. With equal parts imagination, flair, and delusion, Eric proceeds to emulate a series of his favorite celebrities, like Barry Manilow, Halston, Tommy Tune, and Shirley MacLaine, in an effort to become the man he’s meant to be - that is, anyone but himself.

What does it really mean to be a man? In Man Alive, Thomas Page McBee attempts to answer that question by focusing on two of the men who most impacted his life - one, his otherwise ordinary father who abused him as a child, and the other, a mugger who almost killed him. Standing at the brink of the life-changing decision to transition from female to male, McBee seeks to understand these examples of flawed manhood and tells us how a brush with violence sent him on the quest to untangle a sinister past and freed him to become the man he was meant to be.

With intolerance and inequality increasingly normalised by the day, it's more important than ever for women to share their experiences. We must hold the truth to account in the midst of sensationalism and international political turmoil. Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century. People, politics, pressure, punk. Keep telling your stories.