Résultats pour "Text" dans Littérature, romans et fiction

On ne badine pas avec l'amour d'Alfred de Musset est un classique du theatre romantique francais. Cette version audio integrale en francais propose une interpretation dramatique full cast, avec des voix distinctes pour les personnages et une mise en scene sonore pensee pour l'ecoute. Entre...

I'm Serafina Lopez, and I'm an astrologer. No, not the airy-fairy type who wears long flowy skirts and enormous hoop earrings—you know, unless I want to. I'm an uber-serious businesswoman. My popular lifestyle app, "Live for you Star Sign," is getting so big, I've just been asked to be a guest on New York's most-watched morning show. This TV segment is going to launch my career into the stratosphere. Imagine my surprise when I show up on set to find out that I'm not the only guest.

Der Name ist Programm. Geschrieben und vorgelesen von Nick Bastian.

Mr Jones has a problem. He just doesn't know it yet. As he sleeps, the beasts of Manor Farm are conspiring. Rumours of an uprising spread. The goal? Remove the greatest obstacle to their freedom and happiness. Man.

Die große Höredition von Ferdinand von Schirach: mit 26 Stories, 2 Romanen und 13 Essays. Ferdinand von Schirach erzählt unglaubliche Geschichten, die dennoch wahr sind. Präzise, schnörkellos, lakonisch wie ein Raymond Carver und gerade deswegen mit unfassbarer Wucht. Diese Edition zeigt neben seinen Stories die ganze Bandbreite seines Schaffens. Denn auch seine Romane sind "fesselnd wie ganz großes Kino" (BRIGITTE). In meisterhaften Interpretationen sind hier Der Fall Collini und Tabu zu hören.

The Tao Te Ching is a Chinese classic text written around 400 BC and traditionally credited to the sage Laozi, though the text's authorship, date of composition and date of compilation are debated. The oldest excavated portion dates back to the late 4th century BC, but modern scholarship dates other parts of the text as having been written—or at least compiled—later than the earliest portions of the Zhuangzi.

Rejoignez Guillaume Vallon, interprète et enquêteur pour les rois de France au château royal d’Amboise. Laissez-vous entraîner par les mystères de la cour de France, et résolvez les enquêtes aux côtés de Guillaume Vallon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Cet audio est constitué de "Boubouroche", "Le Gendarme est sans pitié", "Un client sérieux", "L'Article 330", "Lidoire", "La lettre chargée", "Les Têtes de bois" et "Monsieur Badin".

"Jeudi dernier, c’est la journée la plus horrible de ma vie, le jour des plus grandes humiliations. J’ai vu que ce que tu appelles “amour” n’était qu’un caprice à satisfaire quel qu’en soit le prix. J’ai aussi vu qu’à moins de me soumettre à ce caprice je n’avais pas de place ni dans ta vie, ni dans ton humanité, ni dans ton estime. La question n’est pas de savoir si je t’aime assez pour supporter tes états d’âme ou si je le souhaite, je sais que je ne veux plus jamais subir ce que j’ai vécu jeudi dernier. Jamais."

This anonymous fourteenth-century text is the glory of English mysticism, and one of the most practical and useful guides to finding union with God ever written. Carmen Acevedo Butcher’s new translation is the first to bring the text into a modern English idiom - while remaining strictly faithful to the meaning of the original Middle English. The Cloud of Unknowingconsists of a series of letters written by a monk to his student or disciple, instructing him (or her) in the way of Divine union.

It's Always a struggle between moving in the real world while constantly getting texts.For an Female Chess Player there are texts she's getting to change her life and texts she's not getting that will change her life.

Frankenstein: The Original 1818 Text by Mary Shelley is a timeless gothic novel that explores the dangers of unchecked ambition and the ethical dilemmas of scientific advancement. First published in 1818, this groundbreaking work tells the story of Victor Frankenstein, a brilliant but reckless scientist who creates a sentient creature in his quest to conquer death. However, his experiment spirals into tragedy as the creature, abandoned and misunderstood, seeks both revenge and companionship.

"Ces pages, lues à deux voix, sont tirées de 'Textes pour un poème' (1949-1970) et de 'Poèmes pour un texte' (1970-1991). Les deux livres présentent un choix, à travers quarante années de poésie. Les titres qui s'inversent voudraient refléter - comme dans un miroir - la même image, suggérer une même démarche. [...] Les guets-apens de l'événement et du temps, qui tentent d'enserrer chacun entre les parois de l'âge, des frontières, du milieu social devraient être très vite balayés par les souffles de la poésie."

In The Soft Machine, William S. Burroughs begins an adventure that will take us into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

A sweeping and intellectually rigorous work of literary criticism that moves the field forward, from one of the preeminent public scholars “[Said’s] book is relaxed and discursive, original, immensely learned, fluently written.”―John Bayley, The New York Times Book Review Edward W. Said...

François Mauriac est né à Bordeaux en 1845. Il fit ses études chez les jésuites puis à la faculté de Bordeaux. À Paris, il s'inscrivit à l'école des Chartes, mais se consacra bientôt uniquement aux lettres. Dès 1906, il collaborait à la "Revue du Temps Présent" et publia en 1909 son premier livre, un recueil de poésie "Les Mains jointes". Il reçoit en 1925 le grand Prix du roman pour "Désert de l'amour". Président de la Société des Gens de Lettres en 1932, il est appelé à l'Académie française en 1933.

She was the bright girl in the cherry-colored scarf. The laugh that warmed the kitchen. The object of a gaze so consuming it replaced the woman underneath. For over a century, readers have experienced Edith Wharton's Ethan Frome through a single lens — the frame narrator's reconstruction of a man's longing, a man's entrapment, a man's despair. Mattie Silver, the young woman at the center of the tragedy, exists only as the object of that gaze: the dark-haired girl at the dance, the bright thing in the dark house, the body on the sled. We never learn what Mattie was thinking.

Charlie "the Devil" Singleton is the face of professional poker. Notorious for playing cards and women, he knows when to hold 'em, when to walk away, and when to run - and he's got skills at the poker table too. But Charlie's ready to change his ways, and the surprisingly sexy texts he's getting from Riley are making him want to bet everything... on her.

Autumn Jones is at a crossroads. With no job offers in sight, she can either return to Koshkonong, Wisconsin to work at her dad's feed store or she can move to New York and help her older sister Helen coordinate the Manhattan Kennel Club Show. She and Helen may fight like cats and dogs, but Autumn would rather live with a thousand Helens than go home after seven years of college.

Nikki Graham's loner trait was not because she had social anxieties, but because the things she saw as a child made her fearful of relationships. Logan Sloan grew up in a loving home with hardworking parents who owned a successful restaurant. That led him to want to become a chef and own a restaurant one day. To complete his dream, it meant he had to give up a chunk of his private life to manage his restaurant. That was until the day his computer died, and he texted a message to the wrong number.