Résultats pour "Orlando" dans Fiction

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Desde que se publicó en 1928, Orlando ha sido una de las novelas más populares de Virginia Woolf por su originalidad y espíritu transgresor. Cuenta las peripecias de un joven aristócrata inglés, apuesto, rico, seductor y amante de la literatura—figura inspirada en la vida y la personalidad de la escritora Vita Sackville-West, gran amiga de la autora—que cabalga la Historia con mayúsculas desde el siglo XVI hasta el siglo XX y que, durante el reinado de Carlos II, se convierte en mujer.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Pubblicato per la prima volta nel 1928, "Orlando" ("Orlando: A Biography") è la straordinaria cronaca della vita del protagonista che si sviluppa nel corso di quattro secoli. L'elemento centrale del romanzo è quindi Orlando, personaggio androgino dal sesso certo ma in evoluzione. La sua esistenza fantastica, spesso assolutamente libera da qualsiasi schema, anche sessuale, attraversa il XVII, il XVIII, e il XIX secolo, e riporta un lucido e interessante resoconto della società inglese dell'epoca.

Tristan Montague has had his ability to cast magic broken. When his confrontation with Edith and Verity leave him unable to access his magic, he must seek out another technique to regain his access. He must learn the Restoring Palm. Now, together with Simon and the help of a dark mage, they must seek out someone who knows the technique and is willing to teach it to Tristan.

The power unleashed during the Ascendance, lingers. After defeating the Revenant, Monty realizes Simon’s blood has been poisoned—tainted. Simon is slowly transforming. His body is harnessing dark magic in ways thought unimaginable. Now, Monty is faced with the hardest choice. Let the poison run its course, transforming Simon into a dark immortal, increasing his power, but drawing the attention of those who would want him dead, or allow Simon to take the blood lessons, risking his friend’s life? Can Monty help Simon before he’s too far gone or will Simon become an unstoppable threat?

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Prime Minister, Herbert Asquith, and Inspector Gregson, long out of touch with Sherlock Holmes, meet the great detective on 28 June 1914, the day of the assassination of Archduke Ferdinand in Sarajevo. The Germans have introduced a new code and it has baffled the British secret service. As international tensions increase and more messages in the new code are intercepted, the urgency to decrypt mounts, but Holmes is preoccupied with the events that form the narrative of His Last Bow.

Michiko Nakatomi, an ancient vampire and leader of the Dark Council, is missing. After giving up control of the blood blades - weapons designed to destroy supernaturals - the Dark Council challenged Michiko’s leadership…and her right to exist. Rising tensions within the alliance of vampires, mages, and weres are threatening to tear the Dark Council apart.

Join Gavano, Bread, and Lambo as their adventure concludes—and just in time too! Too much time spent together on the road and in close confines has them at each other’s throats as greed, entitlement, and competition begin to run wild, and the three of them weasel their way into anywhere they can.

Monty and Simon survived the Stormblood, but not without grave consequences. Whatever method York used to complete the ritual opened a door to something ancient, dark, and evil. A Revenant. Now, that Revenant is hunting them. It needs their life force to be completely free. There’s only one way to get it. Eliminate them both. Together, they must face this new threat before it becomes too powerful to stop and destroys them all.

There’s no place like home...but they’re not headed to Kansas. The Sanctuary is the hidden home of the Golden Circle-a sect of powerful mages. It’s a sacred place of learning, magic, and deep secrets. When Tristan discovers his father, Connor Montague is being held prisoner, he vows to return to the Sanctuary and release him. There’s only one problem. The Sanctuary has been taken over by Mage Oliver. An Elder who has unleashed the magistrates and promises to destroy Tristan the moment he steps foot on the mountain.

When Fate pays Simon a visit accusing him of disrupting causality, she makes him an offer he can’t refuse - become mortal or die. There’s only one small problem. In order to become mortal, Simon must find the goddess, Kali the Destroyer, and convince her to remove her curse. To complicate matters further, Haven and Roxanne are under attack by an ancient spell - an entropic sphere designed to kill everyone inside the facility.

Watson spends half his wound pension on the turf and his gambling addiction renders him unable even to pay his half share of the rent of the rooms at Baker Street. But when one of his rare bursts of prosperity enables him to buy two strikingly good pictures from a pawnbroker, Mycroft Holmes takes a remarkable interest. And what is the meaning of the little rhyme that runs round the canvas of the painting.