Résultats pour "Anatole France" dans Policier, thrillers et œuvres à suspense

Anatole France (1844-1924) was a French poet, journalist, and novelist who wrote several best sellers. The Revolt of the Angels is a mischievous take on the theology of modern society; it chronicles the thoughts of Arcade, a lowly guardian angel, as he discovers the ugly truths of his divine master in the library of his human charge As Maurice, the young man abandoned by Arcade, struggles to get his guardian back, one gets a view of a wide variety of the author’s artistic personalities, most of whom are fallen angels.

In The Mass of Shadows, Anatole France weaves a solemn and haunting tale of love, memory, and the fragile boundary between life and death. Through the voice of a sacristan recalling his father’s stories, we enter a world where the dead return not in terror, but in reverence—souls bound by affection, regret, and unfinished devotion. Once a year, they are granted a single hour to reunite with those they loved, gathering silently in their parish church to attend a Mass said not for the living, but for memory itself.

Anatole France reinventa la oscura fábula de un noble con un secreto sangriento. El castillo de Barba Azul esconde un misterio que ninguna de sus esposas ha vivido para contar. Con cada nueva esposa, resurge la esperanza de un amor verdadero y la ominosa sombra de la curiosidad. Pero, ¿puede el amor vencer al miedo? ¿Puede la verdad oculta ser más deslumbrante que la leyenda más negra? En esta retorcida y cautivadora versión, France desentraña el corazón humano, confrontando nuestros deseos más profundos y nuestros temores más oscuros.

In questo terzo libro della Storia contemporanea, il signor Bergeret si riconcilia finalmente con la vita. Diventato professore titolare, acquisita la dolce compagnia di un cane, continua, fra riflessioni filosofiche e prese di posizioni politiche del tutto scomode riguardanti l’affare Dreyfus, ad accompagnarci nel viaggio di questa Francia in cui governi radicali e conservatori si alternano, e in cui l’antisemitismo viene considerato patriottico.

In questo secondo volume della tetralogia della Storia contemporanea, che segue “L’olmo del Mail”, troviamo il signor Bergeret impegnato in discussioni politiche sulla corruzione dei funzionari della Repubblica e su questioni di morale cristiana e non, mentre, nella sua vita domestica (di cui il manichino di vimini è ingrato simbolo), egli acquisisce “l’inestimabile vantaggio di essere tradito”.Cornice musicale: A real slow rag, di Scott Joplin.

Anatole France (1844 – 1924), è stato uno scrittore francese, Premio Nobel per la letteratura nell'anno 1921. Nel 1896 iniziò a scrivere la Tetralogia della storia contemporanea, composto di quattro romanzi, di cui questo è il primo. I romanzi hanno per protagonista il signor Bergeret, modesto e disilluso, ma colto e arguto professore di un liceo di provincia, attraverso i cui occhi France descrive la società del suo tempo.

Mademoiselle Jeanne, drawn by curiosity and the allure of mystery, attends a midnight Mass at the village church, said to be haunted by spirits of the departed. As the night unfolds, the air grows thick with a palpable sense of dread, and the shadows of the past emerge to claim their presence among the living. In the dim candlelight, ghostly figures and ethereal whispers fill the sacred space, weaving an eerie tapestry of fear and fascination. As Jeanne witnesses the ethereal procession, she is confronted with the haunting reality of mortality and the power of faith.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

The problem with the dark is you don’t really know what’s lurking in there. Something hiding? Something menacing? Or just an inky dome for the stars to twinkle on? Writers rarely let us dwell on the latter. No, they would much rather they put our nerves on edge, that our skin would begin to crawl and that the cold sweat of fear propels our pulse and heartbeat to nightmare-inducing trauma. I think they’re ready.