Death appears completely unqualified to do its job. It should apply for a cabinet position in the government. Hey yo!

"Final Destination" starts with an intriguing premise for an X-Files episode – a group of high school students narrowly escape a plane explosion thanks to a premonition, only to find themselves stalked by Death itself in the aftermath. It’s a clever setup, but the movie drags its feet getting to the fun part. The initial plane disaster sequence is drawn out like it’s gunning for an Oscar in tension building, but instead, it feels like a slow crawl through a TSA line. The characters spend far too much time brooding about fate and existential dread before the real fireworks begin.

Once the film finally lets loose and the Rube Goldberg death traps start rolling, it hits a much better stride. Each subsequent demise becomes more absurd than the last, delivering the kind of schlocky, over-the-top fun that horror fans crave. There’s a certain perverse joy in watching the universe bend itself backward to off these characters in increasingly elaborate ways, as if Death took a weekend workshop in improvisational murder. It's the kind of movie that practically demands a group viewing, where half the fun is shouting predictions at the screen like a demented game of Clue: "It was the faulty microwave cord in the kitchen with the poorly placed puddle!"

The cast, led by a moody Devon Sawa and a wildly underused Tony Todd, struggles to make the clunky dialogue feel meaningful, but the real stars here are the death scenes themselves – more creative than the writing and far more memorable than any of the actual characters. By the time the movie throws subtlety to the wind in its final act, it's gone from "grim supernatural thriller" to something closer to a darkly comic carnival ride.

In the end, "Final Destination" is a mixed bag – sluggish at the start but ultimately rewarding if you hang in there. It’s a popcorn horror flick that knows how to make an audience wince, cringe, and occasionally cackle at the sheer audacity of its kills. Would I watch it again? Sure, but only if I’m in the mood to laugh at Death's clumsiest attempts at efficiency.