Satisfying Satanic Satire

The core of this piece is satire, marking a path of wanton destruction through Moscow as Satan and his delightfully hooligan entourage parade from one scene to another causing chaos and watching the aftermath in the name of...well, why the hell not? There is also a love story as well as retelling of the history of Pontius Pilate.

Marked with numerous interesting characters, Bulgakov creates a readable if somewhat uneven tale. The title characters are introduced about halfway through the novel and are an attempt to create some sort of deeply affecting love story, that I don't consider all that effective given that it is pretty much the sole aspect of their personality we see is them pining for one another. However, title characters or not they are not there often and rarely without Woland or his minions at their side in order to make things interesting. The satire is effectively humorist and blasts Soviet greed well, but then greed is a very easy thing to parody.

The most interesting aspect of the novel for me were the moments when we are given a metafiction/history written by The Master. The language is wonderful and the imagery is perfectly evocative and I truly wished I had the option of reading more.

The narrator, which is quickly becoming the make or break factor of every audiobook I purchase, is, to my mind, remarkable. While the accents are all variously British, they are unique and he endows every character with a certain uniqueness and charisma (or lack thereof if the book should call for it) and should be beloved by all. I can't honestly understand the negative marks throughout the rest of audible. If you want a boring consistent drone of a voice, I think you are better listening to an automation than a legitimate audiobook.

Additionally, the translation (Michael Karpelson, 2006) is my personal favorite and has the most personality (the others I have read are much more dry in their translation and it shows heavily in the dialogue). This book was left incompletely edited when the author died, not being all that well acquainted with the rest of his work, which would explain some of the issues, but issues or not this book is a delightful read with a solid narrator.

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There is nothing else quite like it

Any additional comments?

Russian literature gets a bad rap for being dry, thick, and dull, when the reality is much of the most respected Russian literature is filled with fantastic flights of fancy, and outrageous absurdities. Take, for example, a small scene in Anna Karenina where all of a sudden we get narration from the point of view of Levin's hunting dog. This scene seems so natural it's easy to forget we're getting the inner-monologue of a dog. Gogol, who Bulgakov is most similar too, was famous for his absurdities: his story The Nose is about a man's nose that leads a life of its own. And even that most serious of authors, Dostoevsky, wrote his best works about the struggles of man against the powers of the supernatural. And while many good people would scoff at the idea of religion being lumped into the same category as mere "fantasy", the idea of a naked witch riding a man turned into a pig over a sleeping Moscow is not that much harder to believe than an angel falling from heaven and corrupting all of mankind.

But what is this book about? Yes, the plot is easy enough: The Devil comes to Moscow, causes all sorts of trouble, then leaves, but that's not what the book is "about". For me, this novel was about a search for truth.

Famously, Communism biggest flaw was that after awhile everyone under it grew apathetic, nobody bothered to fix or change anything because it couldn't be fixed or changed; there was no point looking for the broken pieces because it would just cause a lot of trouble. But couldn't the same thing be said of religion? How do we know that the story of Jesus and Pontius Pilate happened as it says in the New Testament? Bulgakov makes a good case for his version of events being much more realistic than what's in the Christian Bible. Yet the story we have in the Gospels talks about a man who while being crucified suffered so that man could be forgiven for all their sins and on the third day after his burial he rose from the dead and ascended into heaven. Millions of people take that for an absolute, unarguable fact.

But how do stories really get told? Aren't the best stories really just exaggerations built upon more exaggerations? Couldn't the story of Homer in The Odyssey have started out as a true tale of a man lost at sea for awhile who managed to return home (an exciting enough story as it is), but then have been built upon by countless storytellers who turned it into the epic poem we now know? And maybe that's why in this novel The Master is belittled by the editors - not just because he's written the true (and less supernatural) version of events concerning Pontius Pilate and Jesus - but because he's dared to use his imagination at all in communist Russia. After all, Russia at the time was a state built on scientific reason, absolute logic, and pure atheism; Russia was building a new world order but was failing miserable, as Voland quickly discovers and as Bulgakov so humorously explores.

One of the greatest feats the novel pulls off is creating Pontius Pilate as a sympathetic, complex character. He's not made out to be the good guy, but neither is he all evil, either. And by the end of the novel we understand the real meaning of what Jesus (Yeshua here) preached when he said all men are good (something Pilate completely disagreed with). Salvation awaits for even the most troubled of people and is where, I believe, Bulgakov was being optimistic about what would happen one day in Russia - that communism would fail (which it did 60 years later).

However, all this would be just dry academic babbling if the book itself weren't any good, and oh, boy is this book wonderful. Ranging from moments of pure insanity - a cat with a gun - to moments of beautiful tenderness such as the fate of Judas and the moonbeams, this novel covers so much ground that it's nearly impossible to pin down and say with any certainty what it's really all "about". What is is though is wonderful, funny, and touching. The Master and Margarita is one helluva story and there is nothing else quite like it.

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Worth the effort

The Master and Margarita lurches violently between different tones farcical, romantic, surreal, tragic, and back again). I enjoyed parts of it more than others. The chapters that actually deal with the eponymous Master and Margarita and their pact with the devil and his minions are wonderful: poetic, intellectual and comic, often all at the same time. Unfortunately, it takes a long time to get to these sections, as much of the novel consists of farcical satire on various comical minor characters who are probably funny if you are familiar with life in 1930s Moscow, but merely feel like a lot of irritating wittering if you're not. I found myself frequently wanting to hit the chapter skip button.

Still, this may be just a matter of personal taste, and if anyone can get you through the more irksome chapters, it's Julian Rhind-Tutt, whose performance is quite brilliant, capturing the mixture of tones extremely well, injecting a scabrous nastiness into the farcical scenes, and giving the Devil a wonderfully lugubrious smugness.

The ending is spellbinding and I'm glad I persisted with this audiobook. It's a slog sometimes, but it's worth the journey.

37 personnes ont trouvé cela utile

COMPLETE acid trip of a novel!

A complete acid trip of a novel. My favorite part was the conversation between Pilate and Yeshua Ha-Nozri (Jesus). Well, I also dug Behemoth's penchant for guns, chess and vodka. This is one of those dream-like novels requiring the reader to spend years unwrapping. Its truth comes briefly during those dangerous, full-moon moments between sleep and wake.

33 personnes ont trouvé cela utile

Baffling and original

If, like me, you were perplexed by Gogol (nose?? overcoat??), you will probably be even more befuddled by this novel that includes Satan, Pontius Pilate, and housing issues in post-Revolutionary Moscow. I felt as if I were somehow missing information critical to enjoying the work, as if it were a long inside joke that other people seem to appreciate enormously, but which left me puzzled and unmoved. I could never have gotten through the book without Julian Rhind-Tutt's oustanding narration. Not only did he help sustain my interest when it flagged, but his different voices helped me track who was who in the panoply of generously-named characters, with their longs surnames, patronymics, and nicknames or aliases (always more difficult when you don't have the printed page for reference). Rhind-Tutt has a lovely range of expression, uses pacing and variations in tone to advantage, and does a terrific silky Satan.

29 personnes ont trouvé cela utile

Horible reading

The book is complex and require full attention, and the narrator dancing around with his heavy British accent on Russian characters. He increases his audio-volume and shout unexpectedly, you can imagine how inconvenient that is while you do your cardio and someone, suddenly SHOUT in your headset, must stop the cardio and turn down the volume (unprofessional) he is trying to perform, and its makes the book impossible to listen. Why in this website they never sample when narrators read a dialogue because that when we can see how horrible they are. It should be flat reading Like Jeremy iron in Alchemist.

20 personnes ont trouvé cela utile

Excellent narration of my favorite book

To me, this book is so brilliant and magical that I wasn't sure any narrator could do it justice. However, the narrator captured the spirit and exuberance of this book and brought it beautifully to life. I know it shouldn't be possible to have a favorite book, but this is mine - the best novel ever written. Bulgakov is a genius and the reader, Julian Rhind-Tutt, is absolutely wonderful.

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The Master and Margarita

What a superb novel, and what a truly outstanding performance. Never a dull moment. Post romanticism at its best. The whole thing a kind of creepy Chagall window.

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Faust on steroids

Bulgakov's imagination is incredible. This is Faust on steroids. The basic plot line revolves around the devil coming to Moscow in the Stalin era. If you can accept that as the premise, you'll enjoy this highly entertaining, often laugh-outloud funny book. Despite the sometimes outrageous scenes, the book will also make you think about such issues as good and evil, Pilate vs. Jesus, Soviet secret police, etc. No wonder my Russian friends tell me this is the most popular novel among today's Russians.

Julian Rhind-Tutt is just fantastic as a reader. He has a different voice for the many different characters, making it easy to follow a Russian story where everyone seems to have at least three different names.

Highly recommended.

9 personnes ont trouvé cela utile

one the best novels ever written

This novel is one of the great works of fiction. It exists on many layers and moves from tragedy to comedy in a seemless fashion. The audio version could be better, but it is very difficult to translate from the Russian. Still, a great way to experience this masterpiece.

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