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How to Listen to and Understand Opera
- Lu par : Robert Greenberg
- Durée : 24 h et 25 min
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Description
To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?
And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.
As you meet the geniuses - including the likes of Monteverdi, Mozart, Verdi, Wagner, and Puccini - who have produced some of the landmark artistic achievements of the form, and listen to many of their most beautiful moments, you'll grasp how the addition of music can reveal truths beyond what mere spoken words can convey, and how opera's unique marriage of words and music makes the whole far greater than the sum of its parts.
Beginning with opera's origins in the early 17th century and continuing into the 20th, you'll trace the art's evolution and its ability to convey every shade of human emotion, whether sorrow or joy, drama or buffoonery. You'll understand how different types of voices enhance character. And you'll understand how the invention of the aria gave operatic composers a new power to make human emotions soar, adding to the impact of what continues to be one of the most beautiful musical forms ever devised.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
Ce que les auditeurs disent de How to Listen to and Understand Opera
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Global
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Interprétation
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Histoire
- Utilisateur anonyme
- 17/09/2022
Not a book but a course
On the plus side, we get recordings of operatic moments, which wouldn’t be on an audiobook.
On the other hand, where a book would deep dive and be factual, this course is light on content, spends litterally hours detailling plots of a few operas and is laden with dad jokes, folksy language (« my friends ») and horrible italian accent (« recitative »).
Maybe for people who have never seen an opera.
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