How Black Music Took Over the World
Impossible d'ajouter des articles
Désolé, nous ne sommes pas en mesure d'ajouter l'article car votre panier est déjà plein.
Veuillez réessayer plus tard
Veuillez réessayer plus tard
Échec de l’élimination de la liste d'envies.
Veuillez réessayer plus tard
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
Bénéficiez gratuitement de Standard pendant 30 jours
5,99 €/mois après la période d’essai. Annulation possible à tout moment
Acheter pour 17,99 €
-
Lu par :
-
Shamaan Casey
-
De :
-
Melvin Gibbs
À propos de ce contenu audio
“An insightful, revelatory, and informative read.” —Meshell Ndegeocello, singer-songwriter and poet
Why do Bob Marley, John Coltrane, Aretha Franklin, and Nina Simone move us the way they do? What drives the worried notes of the Delta blues? What makes Beyoncé’s triumph Cowboy Carter inescapably great?
As Melvin Gibbs shows in How Black Music Took Over the World, it is the musical inheritance of Africa. Beginning with two rhythmic building blocks he calls the cell and the frame, Gibbs shows how those tools can transport listeners to “a realm where sounds become vehicles for human movement.” Reforged in the African diaspora in the Americas, they are played today on church organs, electric guitars, computers, telephones, or a simple gourd. Kool & the Gang called Black musicians the “scientists of sound”—and Gibbs shows how they discovered the world’s music.
Gibbs’s vantage is unique. A world-class musician fluent in many genres, Gibbs is as comfortable in an old-school Times Square record shop as he is breaking down mathematics and music theory with university professors. Imbued with his own journey and a sharp eye for the sins and triumphs of history, How Black Music Took Over the World is an unforgettable revelation of one of humanity’s greatest achievements.
adbl_web_anon_alc_button_suppression_c
Aucun commentaire pour le moment