Nouveautés

Welts on Your Butt a Calf Could Suck brings small-town stories to life from the gravel roads and hog lots of northwest Missouri—where dinner came at noon, supper came at sundown, 4-H wasn’t just an after-school activity, and life’s best lessons were often learned the hard way (sometimes barefoot).

The Jackfruit Chronicles is a heartfelt memoir that delves into the stunning flavours and captivating history of Bengali food while giving a voice to those individuals who introduced this cuisine to the United Kingdom. Beginning with the arrival of Shahnaz’s grandfather, Habib, in Manchester in the 1950s, this book not only focuses on the author's family story but also the broader narrative of the Bangladeshi diaspora, their struggles and their quest for a better life in Britain.

Roberto Gómez Bolaños, “Chespirito”, fue uno de los comediantes más queridos y respetados en el mundo de habla hispana. Sus divertidos programas de televisión y personajes entrañables han marcado la niñez —y la vida— de numerosas generaciones de televidentes. Sin querer queriendo es un testimonio apasionante y lleno de añoranza de las andanzas, batallas y triunfos de un hombre que conquistó el mundo del espectáculo mediante el trabajo, la tenacidad, el extraordinario ingenio y el sentido humano.

Schon als Kind bekommt Yehudis Fletcher stets den gleichen Satz zu hören: »Yehudis, was hast du wieder angestellt?«. In ihrer streng orthodoxen jüdischen Gemeinde fühlt sie sich oft als Außenseiterin: Sie stellt mehr Fragen, sie widersetzt sich öfter und sie wird häufiger getadelt als die anderen. Als sie sexuelle Gewalt durch einen Rabbi erfährt, wird der Täter gedeckt – und sie kritisch beäugt.

Larissa Salmina and Francis Haskell met by chance in a Venetian restaurant in September 1962. Prior to this fateful meal, Larissa escaped the siege of Leningrad and lived in the Urals, surrounded by Spanish revolutionaries. She became Keeper of Italian Drawings at the Hermitage and attended the 1962 Venice Biennale, where she stole (“I didn’t steal it. I liberated it”) a Matisse painting. Francis was a historian who never felt safe in England, his own country, and had abandoned hope of falling in love or finding anyone who could love him.

Alexis Okeowo grew up in Montgomery—the former seat of the Confederacy—as the daughter of Nigerian immigrants. Here, she weaves her family’s story with Alabama’s, defying stereotypes about her endlessly complex, often-pigeonholed home state. She immerses us in a landscape dominated today not by cotton fields but by Amazon warehouses, encountering high-powered Christian business leaders lobbying for tribal sovereignty and small-town women coming out against conservative politics. Okeowo shows how people can love their home while still acknowledging its sins.