Nouveautés

¿Se puede vivir de escribir, o se vive para hacerlo? En Dinero y escritura, Olivia Teroba comparte su lúcida mirada sobre las complejidades que implica imaginar una vida centrada en el arte en el mundo contemporáneo. A la vez, se posiciona frente a temas tabúes para quienes se dedican a este oficio, como la economía personal, los premios literarios, las deudas, la somatización y las herencias familiares.

"... niemand ist hier, der für mich Verständnis im Ganzen hat. Einen haben, der dieses Verständnis hat, etwa eine Frau, das hieße Halt auf allen Seiten haben, Gott haben." (Franz Kafka: Tagebücher. Zehntes Heft) Eine der Schriften Kafkas, die die ganze Reichhaltigkeit seines Geisteslebens und seiner Empfindungen, die der vielfältigen Bezüge und offenen Enden zwischen Ideen, Menschen, Träumen, Fragmenten, zwischen seinen Obsessionen aufzuzeigen in der Lage ist, bilden seine Tagebücher.

El 12 de febrero de 1910 aparece en el Daily Mirror la fotografía de la visita del emperador de Etiopía y otros altos dignatarios al acorazado Dreadnought. Esta visita diplomática es, sin embargo, una broma organizada para burlarse de la Armada inglesa. Y, broma dentro de la broma, uno de los falsos etíopes ni siquiera es un hombre: la primera por la izquierda, de hecho, no es otra que Virginia Woolf (1882-1941) disfrazada.

De 1985 à 1992, j'ai transcrit des scènes, des paroles, saisies dans le R.E.R., les hypermarchés, le centre commercial de la Ville Nouvelle, où je vis. Il me semble que je voulais ainsi retenir quelque chose de l'époque et des gens qu'on croise juste une fois, dont l'existence nous traverse en déclenchant du trouble, de la colère ou de la douleur. Annie Ernaux. Marianne Denicourt s'empare avec grâce de cette série d'instantanés urbains habilement saisis par Annie Ernaux.

In Artists, Siblings, Visionaries, acclaimed biographer Judith Mackrell turns her attention to British brother and sister artists Gwen and Augustus John. In many ways they were polar opposites. But as this vivid and insightful account of their lives shows, they were also remarkably alike, sharing a striving for escape, a commitment to their work and a profound if sometimes exasperating kinship throughout the course of their adult lives.

Opowieść o Januszu Przymanowskim, który „Rudym 102" zawojował całą Polskę Czy jest choć jeden dorosły Polak, który nie słuchał serialu „Czterej pancerni i pies"? Podczas emisji w peerelowskiej TVP każdego z odcinków wyludniały się ulice i podwórka. Ten popularny cykl zatrzymywał przed ekranami wiele pokoleń, a jego popularność trwa do dzisiaj. Sama książka Janusza Przymanowskiego to także fenomen, i to nie tylko w sensie literackim, ale socjologicznym i kulturowym. Skąd sukces opowieści, w której można znaleźć sporo naiwności, wręcz komiksowych uproszczeń?

Essere donna ed essere artista, agli albori del Novecento, era quasi inconciliabile. Eppure qualcuna è riuscita, con grande maestria, a lasciare incantevoli tracce del proprio passaggio nel mondo. Questa è la storia di Leonora Carrington e Remedios Varo: non più muse, ma "amabili streghe". Dall'Inghilterra alla Francia, dalla Spagna al Messico, dal Messico agli Stati Uniti, le loro vite sono unite da un labirinto di fughe, di guerre, di passioni e amicizie.

Al principio del ventesimo secolo, a seguito di una crisi di colera che devastò Napoli, la giornalista Matilde Serao volle raccontare al mondo il "ventre" della città, quei quartieri popolari abitati da schiere di poveri costretti all'antica e ingegnosa arte del tirare a campare. Città bella ma dimenticata dallo stato sabaudo, la Napoli di inizio '900 era preda di degrado urbano, crimine organizzato e malattie cui il popolo abbandonato faceva fronte attraverso uno sconfinato repertorio di credenze e superstizioni.

Marking the 250th anniversary of Jane Austen's birth, What Matters in Jane Austen? solves the mysteries of Austen’s fictional world. Jane Austen’s novels have been a staple of the English canon since the nineteenth century. Yet critics of the time did not appreciate the true complexity of her work. Nothing, John Mullan argues, is accidental or coincidental in Austen. As Austen herself said, she wrote for readers who have "a great deal of ingenuity themselves."

Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash.

Mary Wollstonecraft is widely hailed as the mother of modern feminism. The book that made her famous, A Vindication of the Rights of Woman, is a work of worldwide renown. Yet the range of her achievements as a thinker and writer reach far beyond this text. She was a multi-faceted author, and although the condition of women was a constant preoccupation throughout her life, she wrote on a wide variety of topics and in a range of literary forms, some of which she created herself.

A fascinating look at the real Gabrielle "Coco" Chanel, the designer who forever revolutionized the way women look. She was a free spirit, brilliant business woman, and beauty who never found reciprocated love. Madsen, with authority, delves into this fashion doyenne's business and private lives to reveal one woman's extraordinary progress: from orphan to millinery shopkeeper, from lodestar of feminine style to a very rich woman with a closet full of dark secrets.

Claire McCardell shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. Filled with personal drama and industry secrets, this story reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

We Might Just Make It After All brings us on the rollercoaster of adventures (and misadventures) that the best friends embarked on, from transferring colleges on a whim, to falling in and out of love with suitors, cramming into roach-infested Hell’s Kitchen apartments, and eventually designing the chic, simple bag that would launch the pair to global fame. Through it all, Katy and Elyce’s friendship remained unshakeable.