The Forsyte Chronicles

John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. As the disintegrating values of the Victorian era progress to World War I and the political uncertainty of the 1930s, the family's material and emotional struggles are set within the dwindling status of the affluent middle-classes. 

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

The three novels that make up this trilogy have long been recognized as masterpieces of 20th-century literature, and Galsworthy as one of its leading exponents. But don’t let that be the reason you put off listening to this wonderful work. There are passion and lust in these pages, high art and low comedy, and unthinking violence that ride alongside ever-correct manners. Scandal, tragedy, despair, rape, accidental death, marriage, remarriage and a healthy leavening of births all unfold against a rolling backdrop of a world war.

In this first book of "The Forsyte Saga", Galsworthy paints a vivid portrait of a wealthy and ambitious London family at the turn of the century. Interwoven with this is the ill-fated romance of Irene and Bossiny.

The Man of Property, the first novel in Galsworthy's epic social satire The Forsyte Saga, introduces us to Soames Forsyte, a solicitor and prominent man of his important family. Accustomed to getting whatever he wants, he sets his sights with absolute determination on the beautiful Irene, in spite of her pennilessness and her indifference to him.

"Indian Summer of a Forsyte", an interlude, recounts the lyrical last days of old Jolyon Forsyte as he basks in the glow of his visits with the beautiful Irene. In Chancery deals with Soames' divorce and marriage to a French woman, Annette, and the love story of Irene and young Jolyon.

In Chancery, the second novel in John Galsworthy's epic social satire The Forsyte Saga, follows the events of A Man of Property. After suffering the death of her lover and abuse from her husband, Soames, Irene Forsyte finally leaves her marriage for good. Though socially disgraced by her affair, she forms a bond with Old Jolyon, a father of the Forsyte clan who had grown distant from the family after reconciling with one of his outcast sons.

The three novels that make up this trilogy have long been recognized as masterpieces of 20th-century literature, and Galsworthy as one of its leading exponents. But don’t let that be the reason you put off listening to this wonderful work. There are passion and lust in these pages, high art and low comedy, and unthinking violence that ride alongside ever-correct manners. Scandal, tragedy, despair, rape, accidental death, marriage, remarriage and a healthy leavening of births all unfold against a rolling backdrop of a world war.

This is the final book of "The Forsyte Saga". The interlude "Awakening" introduces us to young Jon's discoveries and his love for his mother Irene. To Let tells of Soames' daughter Fleur's and Jon's love for each other - a love which is subjected to the stigma of their parents' divorce.

“So many people have written and claimed that their families were the original of the Forsytes,” wrote Galsworthy, “that one has almost been encouraged to believe in the typicality of an imagine species.” It is the Spring of 1920, 34 years on from the beginning of the Saga. “Young Jolyon” is married to Irene after her divorce from Soames, and they now have a son, Jon. Soames has re-married and has a daughter, Fleur. A new generation of Forsytes comes of age and the Saga continues.

In To Let, Irene's son Jon and Soames' daughter Fleur, now both 19 years old, fall in love. But when Jon learns of the past feud between their families, he decides that he cannot marry Fleur. To drive her from his mind, he travels to America with his mother Irene. Fleur now throws herself at her long-standing admirer, Michael Mont, a fashionable baronet's son, and the two are married.

John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.

The White Monkey is the fourth of the nine novels in The Forsyte Chronicles and marks the opening of the second trilogy in the series, called A Modern Comedy. In this new chapter, Fleur and Michael Mont begin to question their marriage when their good friend, author Wilfred Desert, can no longer contain his passion for Fleur. Fleur finds herself torn between her love for Michael and passion for Wilfred.

Galsworthy¿s masterly portrait of the Forsyte family continues here with the fifth novel, The Silver Spoon, coming second in the second trilogy, called A Modern Comedy.

The "man of property", Soames Forsyte, has mellowed with the passing of the years until, in his old age, he is a patient and benign figure, guarding with especial tenderness the welfare of his daughter, Fleur. But all his watchfulness and devotion are powerless to avert tragedy when Fleur revives her old love affair with Jon Forsyte on Jon's return to England with his American wife.

The third volume of this gripping family saga, End of the Chapter, shifts to the Cherrells - cousins of the Forsytes by marriage. Young Dinny Cherrell in particular cherishes their ancestral home, Condaford Grange, which represents stability in a rapidly changing world. Through his depiction of the lives and loves of this family, Galsworthy throws a brilliant spotlight on the social and political upheavals of the 1930s.

Maid in Waiting is the beginning novel in the last trilogy of John Galsworthy's Forsyte Chronicles. In this 7th installment, the story continues of the lives and times, loves and losses, fortunes and deaths of the fictional but entirely representative family of propertied Victorians, the Forsytes.

John Galsworthy's epic Forsyte Chronicles, a nine-volume series of novels dramatizing the fictional but entirely representative family of propertied Victorians, the Forsytes, has become established as one of the most popular and enduring works of 20th century literature. He made their lives and times, loves and losses so real that readers accused him of including real individuals whom they knew as the characters in his drama.

After just 18 months of marriage, Clare has fled from her highly esteemed but sadistic husband, Gerald, in Ceylon and boarded a ship back to England. Onboard, she meets a charming but penniless expatriate named Tony Croom, who falls madly in love with her. They develop a close but platonic relationship, unaware that Clare's husband has set detectives on her. When Clare refuses to return to her husband, he accuses her of adultery with Tony in a highly public divorce case.