Résultats lu par "Jess Wright" dans Toutes les catégories

Winner of the 2024 Audie Award for Multi-voiced Performance! This program includes a bonus conversation between the author and narrator. "The production's 10 outstanding real-life narrators portray the fictional audiobook's author and its nine narrators. Each of the talented real-life narrators...

Paraplegic young attorney Pen Wilkinson is putting her life back together after a tragic accident, working for a large bank in a faraway city. She soon begins to suspect that the job and the company are not what they seem to be, and suddenly, she is thrust into a nightmare. Unbelievably, Pen is accused by her employer and the media of fraud and wrongdoing, creating a scandal that threatens to bring down her company. Fired from her job, alone, and dodging attempts on her life, Pen uncovers a string of sophisticated, deadly corporate sabotage incidents.

Sara Everyone in Sugar Creek knows me as the girl with the fragile heart. I’ve worked my whole life to prove I’m normal, strong, and independent. And I thought I was until a simple illness knocks me down and reminds me I’ll never escape my limits. The worst part? I can’t bring myself to tell JD, the boy who’s been my protector since kindergarten and the man I’ve secretly loved for years. He gave everything to chase his NFL dream, and I refuse to be the reason he throws it away. JD Everyone in Sugar Creek knows me as the football star with a ticket out.

In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, ie all that invisible and unpaid organizing, list-making and planning women do to manage their lives, and the lives of their family members. Most of us carry some form of mental load - about our work, household responsibilities, financial obligations and personal life; but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair.

1989: Floods and record rainfall have turned the United States into little more than a drowned world. People left and right lose their wills to live and are coming down with a degenerative disease called The Ash. It burns people up from the inside out, numbing the senses, erasing memories, turning people into nothing more than crumbling, shambling echoes of who they used to be.

Claire Ann Rozette, newly hired English teacher in the small Montana town of Combustion, is hopeful for her future. She soon discovers that she enjoys high school teaching, and her newfound community has welcomed her with open arms. On top of this happiness, a sudden love interest appears, which seems to further ensure her joy. However, without warning, tragedy arrives, and Claire’s life veers out of control, her youthful dreams shattered. Claire struggles to reclaim her ruined life, but at every small victory, a dark force is at work behind the scenes to sabotage her.

In a secluded valley, local life has always unfolded beneath the brooding shadow of the mountain—a presence as constant as it is feared. Generations have passed down stories of the lodge at its peak, where cruelty and madness once reigned before the doors were sealed and the truth buried beneath snow and silence. Nearly a century later, a new owner reopened the lodge, and soon, people began to vanish… again.

Mallory is autistic …… and her mom, Laura Givens is on a mission to give her daughter the best life possible. Despite Mallory’s autism, anxiety, and depression. After pushing her denial and fears aside, Laura is determined to get Mallory the help she needs and won’t let anything, or anyone, stand in her way. Not even her husband, Scott, who is fiercely loyal. He loves his family with his whole heart and will protect them at any cost. So why does his daughter having a disability bother him so much?

When Tori's boss is murdered in front of her, she' s saved by part-time monster hunter, full-time bad boy Vince Lenoir, and their destinies entwine. In their hunt for the killer, they embark on an odyssey of epic proportions— literally. Legendary villains from Greek mythology have moved to America. They threaten to send humanity back to the classical era. To stop them, Tori and Vince must answer three questions: who they are, who do they want to be, and who lies at the heart of it all?

Cassie Linden worries about every word she can’t remember, terrified of the early-onset Alzheimer’s that stole her mother. Now, recently divorced, she’s back home to care for her aging father, who can no longer manage his beloved bees. To pay for her dad’s care, she puts her misgivings aside and convinces him to sell to a developer who’s putting up a luxury project next door. She also enlists the help of beekeeper Glenn Marsden, who fiercely opposes development of this last open space in town.

In the game of love, she is his last shot. Everyone loves the tall, funny, successful, and ridiculously handsome pool shark, Johnny Givens. He’s the guy every woman wants. So why hasn’t he found the? At forty-five years old, he’s tired of the dating scene, tired of not clicking with any woman that crosses his path. He’s over it. Rachel Garcia hopes for a better life, but for now, she bartends at her overbearing Uncle Dexter’s bar. And as for love, she has a few rules. No dating customers, no dating older men. Sounds simple enough.

The living aren’t the only ones listening. People think cemeteries are quiet. They aren’t. Not the old ones. Not the kind with crooked stones and names worn thin by weather and grief. They hum, they breathe, they watch. After a decade tending the dead, the sounds have stitched themselves into me—roots rubbing bones, frost shifting in the dirt, whispers caught in the cedars. It was supposed to be just another burial. Another evening alone with a backhoe and the wind. But this time the dark spoke back.

Now that Hanna has accepted her powers, she and her ghostly best friend Brandon are ready to help another ghost cross over. When a friend at school admits to not being able to sleep well due to some strange wailing she hears at night, Hanna knows this is the job for her. That same day, Caleb asks Hanna to contact a poltergeist. This job seems daunting as she is barely coming to terms with her powers—not to mention still struggling with regular high school issues and newly separated parents.

As a Seer, everybody seems to want something from Hanna, especially dead people. She tries to ignore their overwhelming pleas for help and live a normal life, but when she starts high school she can’t avoid the ghost haunting her history class. He lectures so loudly, he makes focus impossible and passing the class even more difficult.

When I first set out to research market competitors on the subject of helping new moms transition back to work, I was disappointed (but not surprised) to find so few resources–especially when you consider what a large percentage of the population goes through this experience.

Brunschweiger posits women have the right to be happy and, if they choose to, feel comfortable rejecting the societal conventional pressure of having children. Our author suggests that women and their partners will have more freedom and enjoyment if they are childfree. Brunschweiger doesn’t want humanity to go extinct as some may suggest; rather, she wants the Earth and its inhabitants to have an enjoyable and sustainable future.

Anabelle Fleming is starting her first day of high school, but for her it’s a different first day. She’s moved to the small town of Pinewood, Colorado, because her mother, famous writer of thrillers, divorced her father, the front man for a monstrously successful rock band.

Hey Mama, You’re Killin’ It! includes 30 days of why moms are remarkable. Each daily encouragement reminds moms that our compassion, strength, courage, passion, and much more are changing the world, one decision to love at a time.

Moving abroad for work, whether it is permanent or for a short term assignment, is something that many people do each year. Taking the family pet, however, is something that often throws a new set of challenges into the mix.

Hate is definite, solid. It is planted. It grows, not only aboveground where it can be seen and flaunted as a shield of identity, but also below the surface, its roots reaching and penetrating into unexpected places without permission. A child can pick it up easily, too easily, especially when everything else around her seems indefinite.