Résultats lu par "Jane Miller" dans Toutes les catégories

Hollywood filmmaker Sam Irvin (director of Elvira's Haunted Hills, executive producer of Gods and Monsters) looks back at his outrageously charmed and hilarious life as a closeted gay monster kid who, as a teenager, created his own fanzine as a conduit to meet his horror film idols. This unabridged audiobook is narrated by author Sam Irvin, with guest star voices of Cassandra Peterson, Jane Seymour, Stephanie Beacham, Olivia d’Abo, Juliet Mills, Maxwell Caulfield, Linda Hayden, Madeline Smith, Chloe Franks, Alex Hyde-White and Julie Brown!

Julia is a care robot. A technological marvel created in a world not so different from our own. Designed to function with the utmost care and precision, she is charged with looking after an eccentric old professor. Things seem normal at first, but when she starts losing time, her suspicions turn to the old man - and then things really get weird.

Jane Miller, CEO and founder of JaneKnows.com, a career advice website, has spent three decades in the corporate world in executive positions at PepsiCo, Heinz, Hostess, and Bestfoods. Now, she's written a how-to for millennials wanting to make it to the top. This is a sassy, substantial listen, headlined with myths (Size Doesn't Matter/You Can Sleep Your Way to the Top); punctuated by devilish asides ("let's walk out now and get drunk on morning martinis"); and containing end of chapter Mirror Mirrors to help the listener develop the roadmap to their “top.”

Mary Miller's writing is unapologetically honest and efficient, and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge, if Gaitskill's and Eldridge's stories were set in the South and reeked of spilled beer and cigarette smoke.

An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging.

Four times in his 10-year search for the perfect woman, Gordon Murphy has been wrong. Now, he's set his sights on Cassandra Mitchell—despite the fact that she's living happily with Staff Sergeant Karl Alberg of the RCMP. Murphy is educated, attractive, wealthy—and a killer.

It's midsummer in British Columbia, and it's hot. Murderously hot, as RCMP Staff Sergeant Karl Alberg finds when his day at the beach with his ex is cut short by the discovery of a fresh corpse. And back in Sechelt, a nuisance call from an eccentric redneck swiftly leads Alberg into a psychological Gordian knot and a second crime a decade old.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.