Résultats lu par "Hannah Curtis" dans Toutes les catégories

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

Anna Ogilvy hasn’t opened her eyes for four years. Not since that night at The Farm when she was found asleep with a kitchen knife in her hand, her clothes bloodstained, the bodies of her two best friends lying close. She’d committed the crime of the century – but nothing and no-one could wake her from the nightmare. Believers in her innocence call her Anna O. Believers in her guilt call her Sleeping Beauty.

Eleven Minutes tells the story of Maria, a young girl from a Brazilian village whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer.” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune, yet ends up working as a prostitute.

We spend an average of 33 years of our lives asleep. But what really happens, and what are we capable of, when we sleep? Anna Ogilvy was a budding twenty-five-year-old writer with a bright future. Then, one night, she stabbed two people to death with no apparent motive—and hasn’t woken up since. Dubbed “Sleeping Beauty” by the tabloids, Anna’s condition is a rare psychosomatic disorder known to neurologists as “resignation syndrome.”

The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history’s greatest philosophers. There were four women, in particular, whose parallel ideas would come to dominate the twentieth century—at once in necessary dialogue and in striking contrast with one another.

Kim Slade is at work when there's a knock at her office door. Someone is waiting for her in reception. A woman claiming to be her mother. The mother who abandoned her thirty years ago. Monica Slade has been working as a live-in housekeeper for a judge and his wife, she says. But now Judge Hawkes is dead. The last thing Monica says before the police take her in for questioning is: "There are things you should know. About the past."

A few years into her marriage and under pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. The relationship was calm and her husband was a good man, but was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever - desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfilment.

Funny and doom-drenched, The Employees chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids.

My people use the power of the earth to sustain life and defy our enemies. I am the half-breed bastard child of a king. I was not meant to survive the trials cast my way. Yet, here I stand. The world has deteriorated in the years I was banished. The Elemental families are rife with deception, violence, and madness more than ever before.

In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

Verity finds out her mother is secretly dating a man she met online. After five long years of widowhood, Eleanor is finally happy—and back to her old self. Verity thinks he's after her money and her smart Cirencester townhouse. Her mother thinks that Verity just can't let her move on.

London in the 1920s is no place for a woman with a mind of her own. Gang wars, violence, and an unforgiving world have left pickpocket Alice Diamond scrambling to survive in the Mint, the gritty neighborhood her family has run for generations. When her father goes to jail yet again and her scam artist brother finds himself in debt to the dangerous McDonald crime syndicate, Alice takes over. Fighting for power at every turn, she struggles to protect her father’s territory and keep the people she loves safe from some of London’s most dangerous criminals.

Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

Throughout history, across cultures and countries, silk has reigned as the undeniable queen of fabrics, yet its origins and evolution remain a mystery. In a gorgeous and sweeping narrative, Silk weaves together its intricate story and the indelible mark it has left on humanity.

A bloodstained coat. Three missing women. One dead body. Detective Mary Hume reckons she's seen it all. But she's never seen anything like this. It begins with the discovery of a broken body in a lift shaft in an old Victorian warehouse. The postmortem reveals the bloodstains on the dead man's coat belong to three different people. DNA identifies one of them as Julie Cross, whose body was discovered six months earlier, covered in horrifying wounds.

The nine narrative episodes of Volume Four of the Emmy® Award-winning Netflix Original series Love, Death + Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson. Introduction by John Scalzi, with stories by John Scalzi, Stant Litore, Siobhan Carroll, Bruce Sterling, John McNichol, Dave Hutchinson, Marc Laidlaw, and Robert Bisi & Andy Lyon.

Detective Mary Hume is on the trail of a vicious serial killer. A killer who leaves a baffling code carved into the skin of his victims. The first victim, a young man, lies spreadeagled in his stylish Soho flat. Carved deep into his hairless chest—while he was still alive—are the numbers 1-4-3. The second victim is a vicar—murdered and mutilated in his own church, his body posed kneeling in the front pew. Etched into his torso are more cryptic numbers.

Lauren Wade hates Jem Carter, and Jem hates her. So when Lauren gets a message from Jem asking for help, she suspects it’s some sort of attention-seeking stunt by the woman she caught in bed with her husband. Lauren decides to simply alert her ex, Daniel, who thinks Lauren is the one trying to cause trouble. However, when Jem’s car is found abandoned on a bridge, the police become involved...and Lauren finds herself panicking. She is sure they will find out about a secret she's been hiding.

The Clarke family—Penny, Rod and their two young boys—are delighted when they are offered a holiday in a high-end guest house on a remote and beautiful island. Their hostess Anna seems like a lovely woman. But what the Clarkes don’t realise is that this is no random invitation, that Anna has carefully selected the family to satisfy her own sinister agenda. Penny soon begins to sense there’s something off about Anna. She often speaks about her husband and son, but is it odd that they are both away? And that Anna seems perfectly content to be alone in this isolated place?