Résultats lu par "David Shaw-Parker" dans Toutes les catégories

For 300 years, The Pilgrim's Progress has remained perhaps the best-loved and most read of devotional fictions. In plain yet powerful and moving language, Bunyan tells the story of Christian's struggle to attain salvation and the Gates of Heaven. He must pass through the Slough of Despond, ward off the temptations of Vanity Fair, and fight the monstrous Apollyon. In Part II, his wife and children follow the same path, helped and protected by Great-heart, until for them, too, "the trumpets sound on the other side."

Loved and appreciated by all with whom he works, Harding lives an ordered, regular life in his protected religious environment. Then one day, a young reformer feels he has uncovered a mismanagement of funds and Harding is held to blame. The accusation comes as a shock not only to Harding himself but also to the cathedral community. It then comes to wider notice when the cause is taken up by a national newspaper.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

The Way We Live Now is a complex and compulsive tale that traces the career of Augustus Melmotte, a strange and mysterious financier who bursts into London society like a guided missile. In setting up a dubious scheme based on speculative money and stock market gambles, Melmotte manages to lure in several members of the English aristocracy, for whom money is the summum bonum. The world is at his feet - until the corruption catches up with him.

Young, attractive and wealthy, Alice Vavasor is a woman in the prime of her life. And yet one question torments her: "What should a woman do with her life?" Torn between the kind but dull Mr. Grey and her dangerous and exciting cousin George, she is prone to constant indecision and uncertainty, much to the detriment of Mr. Grey. Can You Forgive Her? is a crisp and engaging novel, brimming with romance, humor, and pathos. It is the first of six in Trollope's celebrated Palliser series.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

In The Last Chronicle of Barset, Trollope concludes his saga of ecclesiastical life. At the heart of the novel is the plight of Josiah Crawley, a proud, impoverished clergyman who faces difficult legal circumstances. Caught amid poverty, Josiah appears to have stolen a check and is forced to stand trial - despite the fact that he cannot remember its origins. To make matters worse, his daughter, Grace, desperately seeks the approval of Archdeacon Grantly, whose son she intends to marry.

Returned from Ireland after the death of his wife, Phineas Finn has a newfound ambition to rise through the ranks of English politics. But not long after regaining his seat in parliament, Phineas's luck begins to desert him. His reputation is tarnished after the press circulate rumours of an affair with Laura Kennedy, and his ambitions are frustrated by opposition from within the Party. Then, when his Party rival Mr Bonteen is discovered dead, all fingers point towards Phineas, leading to his incarceration and humiliation at the dock.

When Hedda Hellberg fails to return from a retreat in Italy where she has recently been grieving for her dead father, her husband discovers that her life is tangled in mystery. Hedda never left Oslo, the retreat has no record of her and, what's more, she appears to be connected to the murder of an old man gunned down on the first day of the hunting season in the depths of the Swedish forests....

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented Danish writer Bernhard Ingermann.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the masterful Swiss writer Adolphe Cherneviere.

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the very talented Hungarian writer Ferencz Herczeg.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.