Titres dans Anglaise, irlandaise, écossaise, et galloise

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

Oscar Wilde est un écrivain irlandais. Il se construit un personnage d'esthète et de dandy. À l'issue de ses études, Wilde s'installe à Londres, où il parvient à s'insérer dans la bonne société et les cercles cultivés, s'illustrant dans plusieurs genres littéraires. Au tournant des années 1890, il précise sa théorie esthétique dans une série de dialogues et d'essais, et explore dans son roman "Le portrait de Dorian Gray" (1890) les liens entretenus par la beauté, la décadence et la duplicité.

Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.

Secret agent Richard Hannay travels across war-torn Europe in search of a German plot and an Islamic messiah. He is joined by three others: John S. Blenkiron, an American who is determined to battle the Kaiser; Peter Pienaar, an old Boer Scout; and the colorful Sandy Arbuthnot, who is modeled on Lawrence of Arabia. Their success or failure could change the outcome of the First World War.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

Shelagh Delaney was just 19 when her debut play, A Taste of Honey, premiered in 1958. One of the great ‘kitchen sink dramas’, it was ground-breaking in its portrayal of working-class Northern women, gay and Black men, and influenced popular culture from The Smiths to Coronation Street. This collection opens with a 2004 radio production of A Taste of Honey, followed by seven dramas specially written for BBC Radio, all showcasing Delaney’s extraordinary gift for depicting the experiences and emotions of ordinary women and children.

John Keats' letters paint an unforgettably vivid and moving picture of the richly productive but also tragic final years of the poet's life. As he ponders on the nature of the writer's craft, he must first confront his brother's death from tuberculosis and then the imminent prospect of his own, tormented by the fear that he will not live to consummate his relationship with Fanny Brawne.

It's Darcy and Elizabeth's wedding day, and the journey is just beginning as Jane Austen's beloved Pride and Prejudice characters embark on the greatest adventure of all: marriage and a life together filled with surprising passion, tender self-discovery, and the simple joys of every day.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

The real Jonathan Wild, born about 1682 and executed at Tyburn in 1725, was one of the most notorious criminals of his age. His resemblance to the hero in Fielding's satire of the same name is general rather than particular. The real Jonathan (whose legitimate business was that of a buckle-maker) like Fielding, won his fame, not as a robber himself, but as an informer, and a receiver of stolen goods.

Sophisticated wit and intense emotion, religious fervor and erotic sensuality, delight in life’s pleasures and fascination with death, are all to be found in the paradoxical poetry of John Donne. One of the foremost metaphysical poets, Donne’s ingenious metaphors and inspired use of language has earned him affection and reverence in near equal measure to Shakespeare.

André Gide met Wilde many times and was one of the small number of celebrities who maintained contact with him until his death in Paris in 1900.

A classic BBC Radio full-cast production of Dylan Thomas' poetic play for voices starring Richard Burton as the narrator. To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black.... When Richard Burton breathed the opening words of 'Under Milk Wood' into a microphone, broadcasting history was made.

From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens' favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens’ trickery only fully realised when his novels are read aloud? In 13 entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens’ eccentric genius, from his delight in clichés to his rendering of smells and his outrageous use of coincidences.

La collection audio Crème de Crime rassemble des polars emblématiques de la littérature policière. Qui sont les 4 justiciers, ces mystérieux personnages châtiant les criminels impunis et réparant les injustices à travers le monde ? La question agite toute la presse anglaise car les 4 individus menacent d'exécuter le ministre des affaires étrangères s'il n'abandonne pas le projet de loi qu'il prépare. Les 4 justiciers, dotés d'une habilité et d'une audace inouïes, multiplient les avertissements publics.

Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

Through the sands of the scalding deserts of India, two loafing vagabonds follow a half-scribbled map, heading for a land they hope to conquer.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Winner of the 2001 Olivier Award for Best New Play, Blue/Orange sets the stage for a clash of wills between two psychiatrists: one is a new, inexperienced doctor just starting out, the other is his well-established mentor. The diagnosis and treatment of a young black man named Chris, who claims to be the son of African dictator Idi Amin, sparks a conflict between the two doctors. As Chris becomes a pawn in their battle, listeners are left wondering who, if anyone, is sane in this dark, edgy comedy.

Macbeth, one of Shakespeare's most popular plays, is among the most powerful and influential tragedies in the English language. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king in order to succeed to the throne. Tortured by his conscience and fearful of discovery, he becomes fatally enmeshed in a web of treachery and deceit.