Titres dans Régence

Two years after the death of the Earl of Riverdale, his family has overcome the shame of being stripped of their titles and fortune - except for his onetime countess, Viola. With her children grown and herself no longer part of the social whirl of the ton, she is uncertain where to look for happiness - until quite by accident her path crosses once again with that of the Marquess of Dorchester, Marcel Lamarr.

Unlike his brothers, Vane Cynster vows to never marry. The eligible women of London have different plans for him, however. Seeking safety at Bellamy Hall, the residence of his eccentric godmother, Vane doesn't expect to meet any new unmarried women. But upon his arrival, he encounters the voluptuous Patience Debbington in the garden. When their gazes meet for the first time, she is filled with a sensation that leaves her quivering.

For Hudson, the newly titled Viscount Stildon, moving to England from India where he was born and raised was already an arduous enough endeavor. When he learns the fate of the racing empire he inherited along with his title depends upon him getting in the good graces of another stable owner, he's even more at a loss. The stable at the neighboring estate has been Miss Bianca Snowley's refuge for years, and when a strange man appears to be stealing the horses, she jumps to their protection without a second thought.

Sir Philip Rookwood is the disgrace of the county. He's a rake and an atheist, and the rumors about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It's orgies.) Guy Frisby and his sister, Amanda, live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she's forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren't what he expects. Sir Philip turns out to be charming, kind - and dangerously attractive.

Major Matthew Southam returns from India, hoping to put the trauma of war behind him and forget his past. Instead, he finds a derelict estate and a family who wish he'd died abroad. Charlotte MacKinnon married without love to avoid her father's unpleasant choice of husband. Now a widow with a young son, she lives in a small Cotswold village with only the money she earns by her writing. Matthew is haunted by his past, and Charlotte is fearful of her father's renewed meddling in her future. After a disastrous first meeting, can they help each other find happiness?

The only question which hangs over the life of Sir Richard Wyndham, notable whip, dandy and Corinthian, is one of marriage. On the eve of making the most momentous decision of his life, he is on his way home, a little worse for drink, when he chances upon a beautiful young fugitive climbing out of a window by means of knotted sheets - and so finds a perfect opportunity for his own escape.

The Marquis of Kexley is just falling asleep beside the beautiful Isobel Heywood, when in a soft voice she suggests that they should be married. Only by pretending to be asleep does he escape answering her and then he realises that because she is a widow, she is extremely dangerous in that she is free for him to marry her. In his other affaires-de-coeur, the women were already married, so he was safe, and he avoided debutantes with ambitious mothers like the plague. Because Isobel is so possessive he thinks it best to leave London at once.

“A witty, charming, delight of a book!” —Evie Dunmore, USA TODAY bestselling author A tart young woman and an arrogant lord collide in this flirty, sexy, and remarkably modern historical romance, perfect for fans of Bridgerton. Anna didn’t intend to ride in a high-stakes horse race or...

As marriage proposals go, Charles Draysmith's suit is as romantic as the moors in December. Emma Peterson might be only a vicar's daughter, and he the new Marquis of Knightsdale, and perhaps he would rather marry her than endure the marriage mart. But when he suggests how much he'll enjoy securing an heir, well, a lady can only endure so much.

There is no gentleman in all of London considered more rude, impolite, blunt, and just plain awful than the Earl of Huntly. Miss Emmagene Stitch, self-proclaimed spinster, is considered nearly as unpleasant with her sharp tongue and opinions. The only thing Emmagene and Huntly can agree upon is their dislike of the house party they both find themselves attending. Forced into Huntly's company by their hostess, Emmagene finds herself attracted to the earl despite the deficits to his character. Their affair is as unexpected as it is passionate.

Wealthy wool magnate Tremaine St. Michael is half French, half Scottish, and all business. He prowls the world in search of more profits, rarely settling in one place for long. When he meets practical, reserved Lady Nita Haddonfield, he sees an opportunity to mix business with pleasure by making the lady his own. Nita Haddonfield has a meaningful life tending to others, though nobody is dedicated to caring for Nita.

Never let it be said that a Cynster male can't face up to the one unassailable truth: A successful marriage gives life its fullest meaning. To all of English society, Simon Frederick Cynster has a perfect life—one of enormous wealth and impeccable social status. His lean handsomeness turns the...

After her father's death, Kate was left an orphan, striving to make ends meet as a governess until her Aunt Minerva rescues her from poverty. Kate hardly knows what to expect at the grand house of Staplewood. Her uncle lives in one wing, while her handsome, moody cousin, Torquil, occupies another; guests are few and far between, but even family dinners are rigidly formal. And, over it all, Minerva's word is law. But the sudden arrival of Cousin Philip throws Minerva's control over the household into doubt, and Kate begins to suspect the shocking reason for Minerva's generosity.

Now the new Duke of Hollinburgh, Nicholas Radnor has two duties to fulfill: locate the mysterious woman mentioned in his late uncle's will and acquire a suitable bride. When bedazzling, unconventional Iris Barrington shows up at the estate, Nicholas believes he may have found the missing beneficiary—unless she is a charlatan, or worse. But as for his second duty—he is finding it difficult to think of any other woman while tantalizing thoughts of Iris occupy his mind.

Cameron Saxby is contented in his life as a bank clerk in Edinburgh, knowing that if he works hard, he has a good career in front of him. But fate has a different plan for him—as heir to the late Lord Saxby. Inheriting the title drags Cameron away from his unassuming Scottish roots and drops him into the wealthy estate of Maeswood Hall, surrounded by deferential villagers and the resentful family of the late baron, a man who left such a trail of misery in his wake that someone murdered him.

New to London society and rather...awkward...Lady Grace Belmont would just as soon hide behind the palm trees as dance with a man she doesn't know. But Baron Dawson is on the hunt for a wife. Grace's generous curves and remarkable height do not intimidate him. In fact, it would be more accurate to describe his reaction to the charming newcomer as lust.

Lord Waincliffe breaks his horse’s bridle out one day and calls at the nearest house for help so that he can ride home in safety. It belongs to Terence Stourton, a Professor of Literature, and he meets his daughter, Rosetta, who repairs the bridle for him. Not only does he think that Rosetta is the most beautiful girl he has ever seen, but he feels there is something unusual about her. Only when he returns home, does he realise that she bears an extraordinary resemblance to his sister, Dolina.

The handsome Virgo, Marquis of Fane, has a reputation as a bit of a ladies' man and doesn't care for the high-society socialites chasing after him and his fortune. His passions are racehorses and art, and he sets his sights on a painting called 'The Virgin of the Lilies'. But while investigating the painting’s dubious provenance the Marquis encounters Cyrilla, the shy and beautiful daughter of the artist and is instantly, utterly bewitched.

Peregrine Ashby, the newly and unexpectedly titled Earl of Rutland, is muddling through the affairs of becoming a suddenly wealthy and titled man of means. After the disaster of his parents’ loveless marriage, he’s sworn off wife-hunting. But when he stumbles quite literally into a mysterious beauty wearing a mask at a ball who begs for his help, he can’t deny her. After the magic of the night is over and the mysterious beauty has vanished, he remains haunted by her and what might have been.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.