Titres dans Humour noir

Sarah Todd is pregnant. She doesn’t believe in cravings, and is determined to live the next seven months giving her baby all they nutrients it needs to grow into a healthy boy, or girl. The baby, however, has other plans. How far is she willing to go to succumb to her… CRAVINGS?

One wealth-obsessed man – who is also dead. One status-obsessed woman – who is the perfect accessory. Their four inheritance-obsessed children – each with a killer instinct. And a murder-obsessed outsider looking to expose them all. But there’s one thing money can’t buy… and that’s the truth.

Patrick Bateman is 26 and works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. And he is taking us to a head-on collision with America's greatest dream - and its worst nightmare...

Björn Diemel will reden: sowohl über die Einschulung seiner Tochter als auch über das Tantra-Seminar, das er aus Versehen mit seiner Ex-Frau besucht hat. Leider hat ein Unbekannter Björns Achtsamkeitstrainer, Joschka Breitner, krankenhausreif geprügelt – bei dem Versuch, dessen Tagebuch an sich zu bringen. Björn entwendet kurzerhand selbst die Aufzeichnungen seines Therapeuten und macht sich auf die Suche nach dem Täter.

Une série de meurtres brutaux secoue la petite ville de Money, Mississippi : des hommes blancs sont retrouvés atrocement mutilés. Mais ces meurtres recèlent un mystère, car sur chaque scène de crime on retrouve un second cadavre qui ressemble comme deux gouttes d’eau à Emmett Till, un garçon noir lynché dans la même ville en 1955. Lorsqu’un duo d’enquêteurs tout en second degré est dépêché sur les lieux, il se heurte à la résistance attendue du shérif, de ses adjoints, du légiste et d’une cohorte de Blancs tous plus racistes les uns que les autres. Les deux agents spéciaux pensent avoir affaire à des crimes punitif.

Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way.

The centre of the world: 1990s Manhattan. Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn’t been and with people he doesn’t know. On the eve of opening the trendiest nightclub in New York history, he’s living with one beautiful model and having an affair with another. Now it’s time to move to the next stage. But the future he gets is not the one he had in mind.

Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing f****n junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total f***n embarrassment tae the selfish, f****d-up brats ye've produced. Choose life.

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess. She’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

He became a best-selling novelist while still in college, immediately famous and wealthy. He watched his insufferable father reduced to a bag of ashes in a safety-deposit box. He was lost in a haze of booze, drugs and vilification. Then he was given a second chance. This is the life of Bret Easton Ellis, the author and subject of this remarkable novel. Confounding one expectation after another, Lunar Park is equally hilarious, horrifying and heartbreaking. It’s the most original novel of an extraordinary career - and best of all: it all happened, every word is true.

Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life. But first she must carefully arrange her own death.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

Quand Samantha accepte l’invitation à une soirée organisée par quatre filles un peu sinistres, elle plonge sans le savoir dans un monde inquiétant, entre le conte de fées et l’histoire d’horreur.

Viktor Alekseyevich Zolotaryov is an aspiring writer in Ukraine, with only his pet king penguin, Misha, for company. After Viktor gets a job writing obituaries for a local newspaper, he soon finds that his articles are being used as a hit list by some unknown organisation. Feeling as lost and unhappy as his penguin, Viktor’s life takes a complicated turn when he takes in Sonya, the young daughter of an old friend, and hires Nina to be her nanny. Can Viktor protect everyone and keep himself (and his penguin) alive, or is he destined to become the subject of the paper’s latest obituary?

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.