Résultats Éditeur "Recorded Books" dans Auteurs

After three acclaimed novels - The Russian Debutante's Handbook, Absurdistan, and Super Sad True Love Story - Gary Shteyngart turns to memoir in a candid, witty, deeply poignant account of his life so far.

Shteyngart shares his American immigrant experience, moving back and forth through time and memory with self-deprecating humor, moving insights, and literary bravado. The result is a resonant story of family and belonging that feels epic and intimate and distinctly his own. Provocative, hilarious, and inventive, Little Failure reveals a deeper vein of emotion in Gary Shteyngart' s prose.

Dave Eggers scored a worldwide phenomenon with this memoir that topped national best-seller lists and has since become a staple for summer reading and book clubs. A compelling voice for Generation X, Eggers hererecounts his early 20s, caring for his younger brother after their parents’ unexpected deaths and his endeavors in a variety of media.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

In 1972, when Alexandra Fuller was two years old, her parents finally abandoned their English life and returned to what was then Southern Rhodesia and to the beginning of a civil war. By the time she was eight, the war was in full swing. Her parents veered from being determined farmers to being blind drunk, whilst Alexandra and her sister, the only survivors of five children, alternately take up target practice and sing Rod Stewart songs from sun bleached rocks.

The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT's fans, mentors, and readers came to terms with the fact that the gay male-ex-truck stop prostitute turned literary wunderkind was really a girl from San Francisco whose sister-in-law wrote the books. 

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

This autobiography was immediately hailed as a masterpiece upon publication and has even been called the greatest nonfiction book ever written. Henry Adams, whose great-grandfather and grandfather were both U.S. presidents, fills his story with one unforgettably brilliant observation after another. Filled with uncommon wisdom, this book also serves as a thoughtful history of 19th-century America.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

A leading scholar draws on fifty years of reading and studying J.R.R. Tolkien to explain how he created an entire world.

On August 3, 1845, young Emily Dickinson declared, "All things are ready" - and with this resolute statement, her life as a poet began. Despite spending her days almost entirely "at home" (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson's life through 10 decisive episodes that distill her evolution as a poet.

Born in Tuscumbia, Alabama in 1880, Helen Keller lived the first two years of her life as any normal seeing and hearing child might. Then, one dreary February, Helen was stricken with a mysterious illness that left her blind and deaf. It wasn’t until the age of six, when Miss...

Stephen Greenblatt’s early masterwork on Sir Walter Ralegh’s life as art, AVAILABLE FOR THE FIRST TIME IN AUDIO! Exposing the tensions and contradictions of Renaissance England, Stephen Greenblatt presents Sir Walter Ralegh as a symbol of his age—focusing on his lifelong attempt to fashion...

A long-overdue reappraisal of the groundbreaking nineteenth-century writer who reshaped the literary and social norms of her age. By the age of thirty, the young woman who was born Aurore Dupin in 1804 in a Paris garret had become the internationally renowned George Sand. In English, her novels...

Writing as Lemony Snicket, Daniel Handler has led several generations of young readers into that special and curious space of being hopelessly lost, and joyfully finding yourself, in the essential strangeness of literature. The wondrous and perilous journey of the Baudelaire orphans sprung from the author’s own path, from his childhood discovery of Baudelaire’s poetry through the countless peculiarities of his pursuit of a literary life—abject failure and startling success, breakthrough and breakdown, concordance and controversy—lit along the way by the books and culture he loved best.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928-2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage? Drawing on Wiesel’s prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question.

This first complete biography of poet and writer Margaret Walker (1915-98) offers a comprehensive close reading of a pillar in American culture for a majority of the 20th century. Without defining herself as a radical or even a feminist, Walker followed the precepts of both. She was an artist of tradition and social change, a public intellectual and institution builder. Among the first to recognize the impact of black women in literature, Walker became a chief architect of what many have called the new Black South Renaissance. 

Jane Smiley has long been acclaimed as one of America’s preeminent novelists. Less known is her nonfiction, her steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Her approach is both enthusiastic and meticulous, always quick to dive beneath surface-level interpretations of authors and their work. This volume of nonfiction begins with a personal introduction that traces Smiley’s migration from Missouri to California a quarter-century ago.