Résultats Éditeur "Naxos AudioBooks" dans Classiques

Jane Austen’s most popular novel, originally published in 1813, some 17 years after it was first written, presents the Bennet family of Longbourn. Against the background of gossipy Mrs. Bennet and the detached Mr. Bennet, the quest is on for husbands for the five daughters. The spotlight falls on Elizabeth, second eldest, who is courted by Mr. Darcy, though initially she is more concerned with the fate of her other sisters. This marvelous account of family life in Regency England is read with customary panache by Juliet Stevenson.

In the quiet world of rural English clergy, lives are full of challenges, conflicts, desires and expectations. George Eliot’s first published work of fiction (1857) comprises three separate stories and has the hallmarks of her famous later works–her gentle wit and clever satire, her psychological insight, and her keen observation of human nature and frailty. These are beautifully written and poignant tales, set in and around the fictional Midlands town of Milby.

Zola’s The Ladies’ Paradise (Au Bonheur des Dames, 1883) plays out in a colossal and opulent Parisian department store of the same name. Its owner, Octave Mouret, builds his innovative, upmarket women’s fashion empire at the expense of the city’s smaller, traditional shops.

Considered one of China's great classical novels, Wu Ch'êng-ên's Journey to the West was translated by Arthur Waley in abridged form as Monkey in 1942 and has delighted English readers ever since. It is a riveting adventure story about a priest's quest to obtain holy Buddhist scriptures for the Tang emperor; joining him on this rollicking journey: Sandy, Pigsy, and the mischievous monkey king, Sun Wukong, whose flying cloud and magic cudgel are never far from his infamous deeds.

One of Dickens’ earlier novels, dating from 1839, it charts the fortunes of an honorable young man, Nicholas Nickleby, who has set out to make his way in the world. Dickens presents his remarkably vivid display of Victorian characters and the life they lead, from the generous to the fated to the crushed. Hope springs eternal, however, and righteous persistence brings rewards.

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin's garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy's great masters.

Loved and appreciated by all with whom he works, Harding lives an ordered, regular life in his protected religious environment. Then one day, a young reformer feels he has uncovered a mismanagement of funds and Harding is held to blame. The accusation comes as a shock not only to Harding himself but also to the cathedral community. It then comes to wider notice when the cause is taken up by a national newspaper.

A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.

This outstanding historical recording made in 1941 for radio is widely regarded as one of the finest Hamlet performances ever, and one of John Gielgud's greatest moments. Though he went on to record it for commercial release, nothing matched this recording in the BBC studios, made before the days of editing.

Published in 1884, Against Nature (À rebours) concerns the attempts of its cultured and neurotic anti-hero, Des Esseintes, to escape contemporary Parisian life. At his rural retreat he is able to indulge his particular artistic tastes as he muses on a range of topics including literature, religion and painting.

William Dorrit has been a resident of the Marshalsea debtors prison for so many years that he has gained the nickname "The Father of the Marshalsea". However, his suffering is eased by his close bond with youngest daughter Amy, or "Little Dorrit". The dashing Arthur Clennam, returning to London after many years in China, enters their lives and the Dorrits' fortunes begin to rise and fall. A biting satirical work on the shortcomings of 19th century government and society.

David Timson talks about Charles Dickens, much loved for his great contribution to classic English Literature.

In Clea, the concluding part of the Alexandria Quartet, Darley returns to Alexandria now caught by war-fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal - and a clarity of purpose emerges as the story moves toward its cadence.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

In Balthazar, the second volume in Durrell’s Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes that attempt to explain what really happened between the tempestuous Justine, her husband, Nessim, Clea the artist, and Pursewarden the writer; new figures emerge and play key roles.

Samuel Richardson's epistolary novel Pamela, or Virtue Rewarded, published in 1740, tells the story of a young woman's resistance to the desires of her predatory master. Pamela is determined to protect her virginity and remain a paragon of virtue; however, the heroine's moral principles only strengthen the resolve of Mr. B and Pamela soon finds herself imprisoned against her will. The young woman's affection for her captor gradually grows and she becomes aware of a love that combines eros and agape.

The Charterhouse of Parma is a twisting tale of passion and intrigue following the adventures of Fabrizio del Dongo, a young Italian nobleman who dreams of glory on the battlefields of Europe and finds himself fighting alongside Napoleon at Waterloo. After returning home, Fabrizio becomes entangled in Machiavellian scheming, an ill-advised romance, and a fatal duel that lands him in prison, where he begins a star-crossed love affair with the ethereal Clelia, the commandant’s daughter.

Verging on death, a starving, destitute writer navigates the cold and indifferent city of Kristiania in search of his next meal. Frenzied and fevered, he chews on stale bread, devours scraps of wood, and bites his own finger, sleeping under the stars in old, pungent blankets, until one day he is able to sell an article and buy some food - only for the cycle then to repeat itself....

David Timson talks about Charles Dickens, much loved for his great contribution to classic English Literature. Listen to Martin Chuzzlewit narrated by Sean Barrett.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder. Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.