Voir les résultats lus par "Nicholas Boulton"

When a powerful, decisive aristocrat undertakes to protect an absent-minded young inventress from England's enemies, he finds his orderly world turned into chaos. Merlin Lambourne's stubborn dream of flight puts her at risk, not to mention driving Ransom crazy. In spite of himself, he's oddly enchanted by this muddled miss and her eccentric ways... but can he overcome his own fears and realize her invention may be the answer to saving both their lives?

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

For reasons of his own, Stephen Hampton, Lord Summerdale, is determined to learn the truth behind the tangled tale of Helen's ruin. There is nothing he abhors so much as scandal - nothing he prizes so well as discretion - and so he is shocked to find that he cannot help but admire her. But how can she trust a man so steeped in the culture of high society, who conceals so much? And how can he, so devoted to the appearance of propriety, ever love a fallen lady?

Daphnis and Chloe is a gem from the pen of the otherwise unknown second-century CE Greek writer Longus. It is the only work of his to survive, and little is known of him. Though perhaps overshadowed by the Roman magnificence of Ovid’s Metamorphoses (dating from a century earlier), Longus’ story entranced the choreographer Michel Fokine, who persuaded the French composer Maurice Ravel to write music for a ballet on the love story as part of the Ballets Russes’ season in Paris in 1912. Ravel, inspired, produced one of the most ravishing scores of the Impressionist period. 

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

He was once a legendary highwayman. Now he's a recluse in a ruined French castle, with only a half-wild wolf for a companion. When Lady Leigh Strachan comes looking for a man to aid in her revenge, she's disillusioned to find that the famed Prince of Midnight couldn't help even if he cared to - which he doesn't. S. T. Maitland wants nothing to do with his legend, or with this fierce, beautiful, broken woman... until the old thrill of living on the cutting edge of danger begins to rise in his blood again.

Trevelyan d'Augustin and Lady Callista Talliafaire were secret sweethearts, until the day her father dismissed him with a whip across the face. Ten years and three jiltings later, shy Callie is resigned to a quiet village life as the late earl's spinster daughter. But now Trev has returned from his estates in France, upending everything, dragging her into adventures, stealing Hubert the prize-winning bull, and flinging Callie's heart into mayhem again.

As a lovely heiress, Roderica Delamore should be a prize catch--except for her shameful secret. She has the ability to hear the thoughts of those around her. Even her family and close friends can't hide from her strange gift. Knowing that she can never marry, for no man could bear it, Roddy still longs hopelessly for a family of her own. Until she meets the man she's been waiting for--the Earl of Iveragh, a mysterious Irish aristocrat whose thoughts are entirely closed to her.

He's a duke. He's a mathematical genius. He can't talk and he's locked in a lunatic asylum. Only a modest Quaker girl can reach him, but when she helps him to escape, she's swept into his glittering aristocratic world, her life torn apart by his desperate attempt to save himself.

Underneath the patina of civilized society lies the Sadean demimonde: a bundle of lustful appetites fueled by momentary impulse and a desire for unfettered indulgence. And the target of this savagery: Justine de Bertole, a pious and virginal heroine. Grotesque, inhumane, and compelling, Sade’s novel overturns Rousseau’s views of the social contract, and the common trope that punishment only visits sinners, to deliver a passionate treatise on good and evil, virtue and sin.

Captain Sir Sheridan Drake is no knight in shining armor, even if he happens to be famous for his heroism. An exiled princess with revolutionary ideas is just a convenient opportunity to get himself out of debt. Princess Olympia isn't precisely fairy-tale royalty herself; she's plump and a little shy, and desperate to do something of importance in the world. But though their meeting begins with her hopeless hero worship, a harrowing journey to the bleak edge of the world will transform them both.

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

Antoine de Saint-Exupéry is known universally for the gentle charm of Le Petit Prince, but it is this book, Land of Men - known originally in English as Wind, Sand and Stars - which is his masterpiece. First published in 1939, it documents Saint-Exupéry's life as a pilot in the pioneering days of long-distance flying and in particular his experiences as a pilot transporting mail across countries, across continents.

Swashbuckling classic adventure, with an updated twist placing Milady in the role of narrator. Young D'Artagnan arrives in Paris to join the King's elite guards but almost immediately finds he is duelling with some of the very men he has come to swear allegiance to - Porthos, Athos and Aramis, inseparable friends: the Three Musketeers. Soon part of their close band, D'Artagnan's loyalty to his new allies puts him in the deadly path of Cardinal Richlieu's machinations. 

All he ever wanted was to go home. Leaving his life as a noble hostage behind him, Gryff has fled from one danger to another, never safe, always longing for a forbidden return to his conquered Welsh homeland. Held captive by villainous men, his unlikely savior is the most beautiful woman he’s ever seen - and the most deadly. Her silence is unnerving, her generosity unexpected, and her pointed warning that she will not be an object of lust is perfectly clear.

Lord Gideon Birch, wounded former naval Captain and freshly minted Viscount, has a colorful history as a renowned lover of women. But a decade at war has transformed this sensual rake, and what he wants now is only to live a life on his own terms. And so, he comes to the quietest village in England, searching for serenity and instead, encounters an astonishingly enthralling pair of green eyes that unsettle his carefully constructed world.